AFRAID OF NOTHING PART 1 // RAE PURDOM

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AFRAID OF NOTHING PART 1 // RAE PURDOM
AFRAID OF NOTHING PART 2 // RAE PURDOM
“He saw him fall onto the messy bed, with a touch of resigned fatigue, sweating, as his froth-covered teeth drew a horrible, monstrous smile for the world out of him and death began to flow through his bones like a river of ashes” (18).
“He observed that on his middle toe--I mustn’t keep wearing these tight shoes--he had a tumor. In a natural way, and as if he were used to it, he took a screwdriver out of his pocket and extracted the head of the tumor with it. He placed it carefully in a little blue box--can you see colors in dreams?--and he glimpsed, peeping out of the wound, the end of a greasy, yellow string. Without getting upset, as if he had expected that string to be there, he pulled on it slowly with careful precision. It was a long, a very long tape, which came out by itself, with no discomfort or pain” (15).
“The dampness will come to rest on his brother’s side, circulate through his body like a concrete current. It seemed to him that the dead had need of a different circulatory system that hurled them toward another irremediable and final death...when the dampness begins to run through the marrow...” (20).
“His hands were now intensely cold with a long, dehumanized coldness” (22).
“Wasn’t it just as possible that the buried brother would remain incorruptible while rottenness would invade the living one with all its blue octopuses?” (23)
*Sorry again about the scan quality
“He could hear the cricket’s song growing weaker until it disappeared from his senses which had turned inward, submerging him in a new and uncomplicated notion of time and space, erasing the presence of that material world, physical and painful, full of insects and acrid smells of violets and formaldehyde” (16-17)
“I thought about the tumor that had ceased to pain in his stomach. I imagined it as round--how he felt the same sensation--swelling like an interior sun, unbearable like a yellow insect extending its vicious filaments toward the depths of his intestines” (18).
*Sorry about the poor scan quality.
“He lifted his eyes and saw that the railway coach had emptied out and that the only one left, in another compartment of the train, was his brother, dressed as a woman, in front of a mirror, trying to extract his left eye with a pair of scissors” (15-16).
“The barber finished his work and with the tip of his scissors closed the corpse’s eyelids” (22).
Matryoshka
I had only wished it once, and I was a child then, full of quaking tears. Then, I made lakes that were homes for my poisonous desires, and my mother took pity on me, and let me fence them in. Now, she has no pity and I have no poison. I do not cry, but my belly is a boiling ocean, with my mother drowning inside. We merge and I feel new teeth drop to the bottom of my sea. They dissolve there and I feel the life that they held unwind into my own red tributaries. We separate and I chomp viscously at the cool, soft place she has left behind.
Our house is jammed with small rooms, blooming darkly with things and stories that were never ours. Her hair is long and straight and it is everywhere. It streaks the walls and the tables and the bright plates we used to eat on. Her head is hairless, and there comes a point in the middle of the night when it glows.
I wove my mother a blanket out of tansy blushes and the yellow film that is inside the strands of my hair. I put it over both of us when we sleep. I am still growing, but my mother is shrinking. She fits in the well of a large saucer now, and her wrinkled skin drapes around her bones like a leather pouch. She sleeps in the curve of my neck or a tangle of my hair. She shudders in the night, and it feels like the tremoring of leaves. When I sleep, there is an autumn wind in my chest, and my bones are made of brown and crumbling brush. Her heart beats quickly when she dreams, and I feel the distant throbbing in all my giant limbs. We are asleep together, dreaming the same dreams. My face feels rough and dry, and she is living there, in our dream, in a little house built against the swell of my nostril. She has a fire burning inside the house, and the smoke is crawling up my nose with sharp clawed hands. The fireplace crumbles into rubble in my pores and the fire is burning the house. My mother leaves quickly, wrapped in a scrap of her tattered tansy blanket, and she begins to hike up the round rise of my cheekbone. She follows the smoke like a river. She is hiking for weeks, the folds of her wrinkled skin trail behind her like the train of an elegant gown.
“Yet by the eyes, those phosphorescent eyes, you know him in all his shapes; the eyes alone unchanged by metamorphosis.”
from Angela Carter’s “The Company of Wolves”