No matter how many people you surround yourself with,
Your 'happy' act will always be accompanied by eyes that carry a deep sadness that I can only see and understand.
-whatwordsmisssheis
let's talk about Bridgerton tea, my ask is open

Love Begins
PUT YOUR BEARD IN MY MOUTH

❣ Chile in a Photography ❣
Monterey Bay Aquarium
he wasn't even looking at me and he found me

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Kiana Khansmith
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macklin celebrini has autism
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hello vonnie
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@whatwordsmisssheis
No matter how many people you surround yourself with,
Your 'happy' act will always be accompanied by eyes that carry a deep sadness that I can only see and understand.
-whatwordsmisssheis
-Colleen Hoover, It Ends with Us
The way that the cast (with the exception of Justin Baldoni) of It Ends With Us is handling the actual story is so disheartening and gross. It Ends With Us is the recountment of a domestic violence survivor, a story about her and her abuser. It’s not a “fun” “funny” “movie with hot boys and girls” story (Blake Lively’s actual words to describe the film), it’s a story about the nuances of DV, and the hope that you can end the generational trauma. Ryle IS Lily Bloom’s abuser and a perpetrator. He is NOT a male romantic interest in a romance novel, he is an abuser. Lily Bloom falling in love with Ryle and narrating it shows us how difficult it is to leave that type of relationship, how we ignore the red flags because of the feelings and complexities of it all. Like viewers and readers need to understand that.
STOP ROMANTICIZING THIS STORY PLEASE
THE HUNGER GAMES: CATCHING FIRE (2013) Dir. Francis Lawrence
↳ Jennifer Lawrence as Katniss Everdeen
maybe I deserved better but I wanted you.
everyday.
note to self: do NOT double the chocolate chip cookie recipe. the mixer can’t handle it. I can’t handle it. my knees hurt. I’ve been rotating cookie sheets since I was born and I will be rotating cookie sheets until I die
help
via instagram
“I don’t chase people anymore. I learned that I’m here, and I’m important. I’m not going to run after people to prove that I matter.”
— Unknown
“After all we’ve been through, you made it look so easy to just walk away from me.”
— Fuck, this hurts. // R.R.
How could you?
i know we’re both just messing around pretending to be whole but look at me. if the train was coming would you move. if the ground was falling from under your feet would you even notice or would it just be another tuesday for you. if somebody stabbed you could it hurt worse than you already do. what i’m saying is that i love you but i think we both drive over the speed limit when it’s raining. what i’m saying is that i want to hold your hand and i understand about how you sometimes have to sit down in the shower. what i’m saying is that i’m here for you and if the train comes please move.
i wrote this 7 years ago, somehow. every day someone else finds it and whispers to me - oh, i understand this. something always turns in the wash of my stomach: i am so, so glad you feel seen. i wish you had no idea what this post was about.
i wrote this while working in a program for new writers. on wednesdays, two of the teachers would be contractually obligated to read our writing aloud to the group of 300+ teens. i had never read my work in public before. i had something like 6k poems and was panicking about it. none of them are good enough. sometimes the train is howling. it is hard, actually, sometimes, even as an adult.
and then i thought - what is one thing i wish i could tell all of them. each of these 300 kids. what did i need to hear, at 16?
i wanted to tell them about the day you wake up, and the sun feels warm finally. i wanted to tell them about carving a life out of soapstone, your hands turning bloody. i wanted to tell them that sometimes yes - it actually does feel easy. i wanted to tell them about weddings and cookie dough and long road trips. about albums of new music and old friends laughing and the sound of snow falling.
you will learn the pattern of the train. you will learn to close your eyes when you hear the engine rumbling. you will learn to let yourself have the grey days in their lily-soft numbness. sometimes it will feel like life is wet paint, and god has smeared your canvas across a sewer grate. sometimes it will be so boring it isn’t even pronounceable - the tenacious, soundless blankness. survival isn’t just ugly nights and wild mornings. it is also the steady, unimportant moments. it is just driving with your seatbelt on. it is calling a friend on the way home. it is burying your face into the fur of your dog.
when i had finished reading this poem aloud, the auditorium was silent for a solid minute. someone stood up to take a picture of where it had been projected onto a screen, and then three more people followed the action, and then - like a bad internet story, people remembered they were supposed to be clapping. kids came up to me after it - thank you for writing that. i think i hear a train coming.
i would write this differently now, i think, but it has been 7 years. i still live by the tracks. i also haven’t picked up a blade in over 10 years. the scars are still there, but these days i only pick up scissors to cut my hair. i know why you can’t tell your mom about it. i know how the numbness slips over everything, a restless horrible cotton. i know how when you dropped the dish, you weren’t crying about the broken glass. i know about feeling like all the roads have closed their exits, that you aren’t supposed to still-be-here - and yet.
i am still here, and still yours, and i haven’t forgotten. what i’m saying is if any hope is calling to you - i know it’s hard, but you have to listen. i’m saying keep driving, but slow down the car. sit down in the shower, i’m not judging you. we can stay in the dark with the good hot water and do nothing but stare. notice the stab wound. make it through another tuesday.
i know what it is like to miss yourself. do what you need to. come home to me. i am writing to you, my past self, from the future. i’ll be waiting for you.
and when the train is coming - please move.
"The ghosts you chase you never catch."
John Malkovich.