who was the monster?

she/her

[its-sixxers]

WIP Wednesday

posting an actual WIP that i may or may not finish, also mary :V i was on a kick tonight

gotta ghoulie her up a little more, clean stuff up and actually light/shade properly

[dcmultiverse]

Michelle Pfeiffer as Catwoman in Batman Returns (1992)

[floralls]

by rikki austin

[setoshi-zombie]

“Gnosis” Ellen Rogers

[art-is-art-is-art]

Vanitas, Leo Putz

[ahistoryofanxietyandanxietyand]

Janelle Monae by Kelia Anne

[movie-gifs]

UMA THURMAN AS ULLA The Producers (2005) dir. Susan Stroman

[evil-comix]

[profoundgaiety-deactivated20200]

From The Old Line, 1941.

[thefugitivesaint]

Paul Konewka (1840-1871), “A Midsummer-Night’s Dream”, 1868 Source

[thebestcomicbookpanels]

Another beautiful Charles Vess Spider-Man illustration

[urgeeky-friend22]

I haven't been here for a long time, cause Tumblr hadn't been working properly just like my hands

I'm glad I could finally draw anything good, so Victor and his creature are here

[shear-in-spuh-rey-shuhn-deactiv]

AUSTIN BRIGGS Body

[ronaldcmerchant]

Art Miles- the GORILLA (1939)

[starrywisdomsect]

City Under the Sea (War-Gods of the Deep) is a 1965 adventure/thriller film, and the last film directed by Jacques Tourneur, who is famous for directing Cat People and Night of the Demon. It stars the inimitable Vincent Price and the gorgeous Tab Hunter.

Though the title comes from a poem by Edgar Allan Poe, (an attempt to cash in on Roger Corman’s popular series of Poe films starring Vincent Price,) the script is actually a strange amalgamation of the works of H.P. Lovecraft and Jules Verne. The film, set in the Victorian era, tells of the discovery of a group of 17th century pirates who live in a sunken, underwater city built ages ago by a mysterious race of gill-men. 

Because of the significance of The Shadow Over Innsmouth, some Mythos scholars consider any film in which a humanoid amphibian appears, such as The Creature From the Black Lagoon, to be Lovecraftian. The City Under the Sea, however, with its Victorian period setting and archaic language, is far more Lovecraftian than other gill-men movies.

[harry-lloyds]

HOWL’S MOVING CASTLE (2004) DIR. Hayao Miyazaki

[netals]

The Bride Of Frankenstein (1935) dir. James Whale