The Siege of Chattanooga
In 1903 the newly incorporated Ford Motor Company manufactured and sold its first Model A; The Great Train Robbery, a short silent film, became America's first blockbuster movie; and the Wright brothers flew for the first time in what turned out to be twelve seconds that changed the world! That same auspicious year, the Winona Assembly anticipated its ninth season by designing an ambitious Chautauqua program that advertised the most elaborate Fourth of July celebration in the park's history.
Spring ignited a frenetic effort that lasted through the summer. The park transformed into a veritable little Venice with its man-made lagoons and islands. Work commenced on one hundred new cottages, not to mention the erection of a power plant to provide electricity and heat for year-round habitation. The basement of the big hotel became the site of a new spa where guests could bathe in the waters of Winona's famous mineral springs. The auditorium underwent renovations to double the seating capacity to four thousand. Workers also broke ground for the Winona Agricultural and Technical School, a three-story memorial to the late Governor James Mount.
New buildings went up and old ones came down, among them the gymnasium—a massive, circular structure that had been remodeled, repurposed and repaired multiple times since the Winona Assembly purchased Spring Fountain Park in1895. Finally, the Assembly designated the eyesore for demolition. But in the hearts of some locals, the removal of what they knew as “the old cyclorama building” struck a melancholy note, for they recalled with tremendous pride the Fourth of July fifteen years before when they had waited in line to behold a great spectacle called The Siege of Chattanooga.
* * *
The year was 1888. A steady stream of humanity flowed from the main road to the entrance of Spring Fountain Park for an unprecedented celebration of Independence Day. Elegant carriages, modest buggies, and rickety wagons conveyed excited visitors. Those who arrived by train poured in from the depot. On horseback and on foot, the residents from the nearby city of Warsaw joined the surge that coursed onto the convivial grounds of Indiana’s most popular summer resort.
A few hundred yards from the lake’s shoreline stood the brand new three-story luxury hotel wrapped in a spacious veranda and crowned with an observation room that overlooked the park and the lake. Those who dined there that day proclaimed the menu to be the very best in all the state. Crystal clear ponds, breathtaking flower gardens, rustic bridges, and a spring-fed fountain elicited cries of astonishment. The perfectly manicured lawns were as smooth as a billiard table.
The popular miniature steam train belched thick smoke as it chugged along the narrow tracks to the delight of both cramped passengers and charmed onlookers. Exhilarated shrieks erupted from the switchback, a car with six riders that coasted on wooden waves carried along by the forces of gravity back and forth between two towers. Delighted crowds lingered at the deer park, cheered for contestants competing in the boat races, laughed at the greased pig contest and stopped to watch a baseball game.
The extraordinary experience at Spring Fountain Park led one newspaper reporter to consecrate it as the perfect combination of God-given beauty and human ingenuity. Without a doubt, the lavish surroundings and sundry diversions inspired awe, but the nearly five thousand visitors converging on the park that day had come for one event in particular—their turn to enter the great cyclorama!
Ever since the first boards had been hammered into place two years before in 1886, the locals chattered non-stop about the extravagant new attraction and debated among themselves how much the daring enterprise must have cost the Beyer brothers, the park’s proprietors. They traded stories about America’s first panorama artist, Civil War veteran Harry Kellogg, and speculated about the role of the respected and influential General Reub Williams in bringing a battle panorama to the shores of Eagle Lake.
* * *
All day long a line stretched from the entrance of the cyclorama. Women in tall bonnets opened their parasols or ducked under trees for shade. Children dodged in and out of line playing tag. The men took up conversation with veterans who had been inside and who praised the flawless representation of the legendary military engagements.
Every twenty minutes a man appeared at the cyclorama’s entrance. He gave a shout. On cue, seventy-five excited patrons surrendered their tickets and filed inside the imposing building. Everyone’s eyes took a moment to adjust to the darkness before the group obediently followed its guide down a dimly-lit corridor to a winding staircase.
“Keep to the right!” The man called out repeatedly.
Seventy-five pairs of feet navigated a flight of steps in single file. Audible expressions of surprise reached the ears of those still climbing the stairs, causing hearts to race with anticipation. As the last spectators finally stepped onto the platform and beheld the breathtaking view, it was their turn to gasp and exclaim, for they found themselves standing on the slope of the legendary Missionary Ridge.
Amazed spectators crossed to the pine railing for a closer look. Below were shrubs, a fence, even a stream. They could not discern where the foreground ended and the painting began. They knew they had come to see a panorama painting, yet what met their eyes was so much more. They believed they were seeing soldiers, ammunition wagons, horses, guns and cannon. A host of optical illusions seduced their minds, and they could not un-believe the tricks employed by the clever artist. Three hundred feet of muslin reaching fifty feet high encircled them. A skylight funneled the sun’s rays onto the walls of the rotunda and illuminated the massive canvas.
Observers believed themselves to be in the midst of a Tennessee landscape that stretched for miles in every direction. Above them shone an azure sky strewn with thick, white cumulus clouds and feathery wisps of horsetails. Blazing yellow and red foliage sparkled against the lush greens in the valley where the winding Tennessee River shimmered and the Blue Ridge Mountains rose up in the distance.
This was the magic produced by three tons of paint on a two-ton muslin canvas, five hundred handcrafted papier maché figures and several tons of dirt that had been lugged in by wheelbarrows to form roads, creek banks and hills. The vegetation in the foreground was real, but the horses, wagons and men were not. In fact, none of the figures that beguiled spectators stood more than twelve inches tall.
* * *
“Welcome to Chattanooga, Tennessee!”
It was artist Harry Kellogg.
“The year is 1863 and the War of the Rebellion has reached a critical juncture. Which side will prevail? Relive with me a turning point of the war.”
All eyes were fixed upon the wiry, energetic host.
Kellogg took a step forward, opened his arms wide and announced, “Ladies and gentlemen, this is for me a very emotional moment because the battles I’ve depicted here are those I witnessed as a commissioned Union officer in the Army of the Cumberland.”
He paused dramatically before proclaiming, “This is your chance to hear from one who was there how it really happened!”
Commencing his narrative, Kellogg explained, “Early on the morning of November twenty-fourth, Union troops stormed Lookout Mountain, clawing their way up the sheer cliff. Rock by rock and tree by tree, they made their way in the face of heavy fire. Indeed, the Confederate position was considered unassailable, so what occurred that day was a miracle.”
He paused a moment before calling out, “Look there! Sitting on his white horse is General ‘Fighting Joe’ Hooker shouting at his troops to secure the summit. As his men rushed up the mountain, they and the enemy were engulfed in a cloud of gun powder and thick morning fog.”
“My friends, can’t you hear the deafening explosions that shook the earth as the two armies struggled behind the blinding cloud?”
Kellogg glanced around at his audience.
“It was impossible for those of us watching below to know which side was prevailing. Suddenly, our warriors caught a glimpse through the haze of battle—a flag waved in the distance. But whose flag was it? A loud voice resounded, ‘It’s Old Glory! It’s Old Glory! We did it!’”
“Lookout Mountain had been conquered!” Kellogg announced triumphantly.
“Ladies and gentlemen, do you think the siege has now been broken?”
“No, no, no!” They cried anxiously, shaking their fists. They knew that General Bragg still controlled Missionary Ridge.
“Look here! It is our brave hero General Sherman leading the attack on the ridge where you are right now standing. Alas, General Bragg had reinforced his troops against his advancing fiery, red-haired archenemy. Like an invasion of locusts, Confederate reinforcements quickly swarmed the northern ridge area. After eight hours of vicious fighting, Sherman’s army was undeniably pinned down.”
The spectators, gripped by Sherman’s plight, stared in silent horror at a battlefield strewn with trampled corpses. They thought they heard the screams of the wounded left unattended. Their hearts cringed at the sight of frightened horses wandering about in the decimated forest. Sabers, bayonets, and canteens littered the battlefield. Severed limbs and burning wagons told the harrowing disaster that Sherman’s men had faced.
“Ladies and gentlemen, do you think we could hope that Sherman would finally drive the Rebels from Missionary Ridge?"
They shook their heads.
“Oh, Look!” said Kellogg. “Do you see General Grant on a hill with his binoculars and wearing a look of dismay? And the other man? Who could that be? Why, that’s General Thomas, the Rock of Chicamauga! He, too, looks utterly astonished. What could explain their bewilderment?”
Kellogg pointed to a scene with a ragtag army of ferocious-looking men.
“These men are wretched, aren’t they? The Confederates defeated them at Chicamauga, surrounded them at Chattanooga and waited for them to starve. But what General Sherman could not do, the Army of the Cumberland did! Without orders, and to the shock of Grant and Thomas, these once-humiliated soldiers valiantly charged Missionary Ridge screaming, ‘Remember Chicamauga!’”
The rapt audience smiled at the Rebels retreating in stunned, wild-eyed disbelief, dropping their rifles, and fleeing with their arms raised as General Thomas’ men surged upward fueled by revenge. The enemy was deserting its positions, and in the midst of the Confederate chaos was General Bragg, his face contorted with despair while screaming at his troops to hold the line.
Then Kellogg pronounced with great delight, “Thus did the Army of the Cumberland successfully lift the siege of Chattanooga!”
The crowd erupted in a spontaneous cheer.
As the spectators slowly filed off of the platform to descend the staircase, they did so solemnly, shuffling through the darkened passage to the exit. At the same time that they stepped into the bright July sunshine, they left the Civil War behind. Shielding their eyes, they blinked pensively until they could once again bear the bright light of day. Turning to one another, spirits soaring with pride and wonder, all exclaimed, “It seemed so real!”
* * *
The Siege of Chattanooga ran until 1892 when the Beyer brothers replaced it with a new panorama called The Life of Christ begun by artist E. J. Pine in the spring of 1891. The summer of that year, Spring Fountain Park featured two partial panoramas: the first half of Pine’s biblical epic and a few existing battle scenes from Kellogg’s masterpiece.
Replacing panoramas was common practice. Unsurprisingly, audiences grew weary of one story and longed for fresh entertainment. This expensive demand soon collided with the rapidly advancing technologies of the approaching twentieth century. And just like that, movie theaters, not cyclorama buildings, burgeoned with audiences. The silver screen, not a gigantic canvas, cast its spell.
The cyclorama at Spring Fountain Park featured an extravagant grand opening for the Fourth of July in 1888 and closed permanently six years later. According to J. E. Beyer, Kellogg’s historic tribute to the Civil War became the property of the Winona Assembly when it purchased the park. The fate of that panorama and Pine’s Life of Christ remains unknown. The cyclorama was torn down in 1903, and its usable lumber distributed among various building projects that summer. ::











