You wished for this
Stranger Things
One Nice Bug Per Day

oozey mess
ojovivo

Love Begins
Claire Keane
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h
Not today Justin
noise dept.
we're not kids anymore.

ellievsbear
Game of Thrones Daily
The Bowery Presents
Show & Tell

★
taylor price
cherry valley forever

No title available

shark vs the universe

seen from United States

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seen from Colombia
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@winterhart
You wished for this
OBSESSION (2026) dir. Curry Barker
One thing about Obsession (2026) that I enjoyed was that it almost asks you to feel empathy for the entity possessing Nikki as well as the real one. Like, obviously the things she's doing are horrific and fucked up, but I think the scene where Bear is asking her to "just be Nikki!" and she eventually just desperatly screams "I can't be Nikki!" does a really good job of showcasing the entity's inner feelings. She's been created with the sole purpose of loving this guy more than anyone else but no matter how perfect it is or how much he claims to love her, its not her that he loves, its Nikki. And any time she stops pretending to be Nikki, he reacts (albeit rightfully) with disgust and horror. She can't be Nikki because Nikki would never love Bear, and so Bear will never love her.
Op you can't leave this in the tags
Obsession 2026, dir. Curry Barker
"I was really obsessed with this Romeo and Juliet ending, actually. We shot both; we shot this ending that you see in the movie, and we shot the ending where she ends it all. We had shot a ton of different versions of the official ending, the one that's in the script, the one that I was excited about, and I was like, Okay, we'll do one ending where Nikki survives, but we'll just do one take of it, and then we'll move on. You see her coming to this realization that she's alive again, and she's looking around the room, and she looks so disturbed, and I just remember my dad and multiple people around me being like, 'Dude, I think it's way more disturbing if she just survives this thing.' I was like, 'Ah, you're right.' And so we switched it." – Curry Barker
my most ungrounded and unresearched fear is that so many companies are pushing AI in part because it builds them a pathway towards a subscription model for a huge number of things that should not be subscription, but theoretically could be:
do you want to talk to verizon's help desk because there's an error on your bill? to access a real agent, you have to pay for Verizon Access+, only 5.99 a month.
want to filter out all the fake job postings from the real ones? subscribe to Indeed: Advanced Tactics and only verified postings will appear on your dash.
sick of the infinite ai slop? buy Google Premium; it'll automatically detect ai within a site and gives it a credibility score. with premium plus, you can shuffle high-credibility results to the top.
do you want a "luxury" experience? well, you'd have to pay for that luxury, and since the company sure doesn't want to pay its employees; the cost would fall to the consumer.
when automation has made every experience unpleasant; the experience of genuine humanity will be commodified.
Jennifer's Body (2009) Obsession (2026)
werwulf (2026) dir. robert eggers
"He knows all of my secrets and still wants to kiss me."
- Warsan Shire, Excuses For Why We Failed At Love
Today a woman pulled through drive thru. After examining the menu, she asked, "What's the difference between the blended version and the iced version of that drink?"
My barista on the headset tried. "Uh...one's blended and one's...not."
A note of impatience. "But how are they different?"
My barista turned to look at me.
I switched on my mic. "The blended version is more like sweet treat milkshake vibes and the iced version is better if you're looking for a caffeinated going to work moment."
And somehow it was the correct answer.
Half of my job is responding to nonsense with nonsense and I think it's truly beautiful that that's communication.
THE WITCH (2015) dir. Robert Eggers
MaXXXine dir. Ti West | 2024