Audre Lorde, from “The Uses of Anger: Women Responding to Racism” (1981) [ID in ALT]
Cosimo Galluzzi
YOU ARE THE REASON

祝日 / Permanent Vacation
d e v o n
DEAR READER
Monterey Bay Aquarium
One Nice Bug Per Day
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blake kathryn

#extradirty
Alisa U Zemlji Chuda

Janaina Medeiros

No title available
Aqua Utopia|海の底で記憶を紡ぐ
let's talk about Bridgerton tea, my ask is open

★

Kaledo Art
2025 on Tumblr: Trends That Defined the Year
taylor price

Product Placement

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@witchingh0urs
Audre Lorde, from “The Uses of Anger: Women Responding to Racism” (1981) [ID in ALT]
https://twitter.com/onlyyagirl_
december morning by W.S. Merwin
historic Palestine prior to the Nakba, village names and towns included
How I sleep knowing I am not responsible for the version of me in people’s heads
“It’s not ‘natural’ to speak well, eloquently, in an interesting articulate way. People living in groups, families, communes say little–have few verbal means. Eloquence–thinking in words–is a byproduct of solitude, deracination, a heightened painful individuality.”
— Susan Sontag, As Consciousness Is Harnessed to Flesh (via the-book-diaries)
Hands (of Helen Freeman) c1920 -Alfred Stieglitz
from Tiny Beautiful Things, adapted for the stage by Nia Vardalos.
how to embrace change?
you pretend to be okay with it until the grief of it creeps up on you in a grocery shopping aisle & brings you to your knees
obsessed with this guy
— Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934