Untitled

[art-of-swords-deactivated201705]

Spanish Rapier

Dated: 16th century

Measurements: length 121 cm

The sword has a straight, double-edged blade of lenticular section, grooved at the forte, with the inscription “CLEMENS HORNN”. The richly chiselled iron hilt features remains of silver and gold plating. At the front these’s a large heart-shaped valve, pierced with floral motifs, at the centre a relieved mask, while at the back there’s a knuckle-guard decorated en suite. The quillons and guard are ending with head of dragons. The large pommel features effigy of a face at the front side and a dragon at the rear one.

Source: Copyright © 2015 Czerny’s International Auction House S.R.L.

[gustonyc]

[red-black-diamonds]

THIS IS THAT SASSY DOG

AHMAHGOD

[shencomix]

One more month.

[knifepics]

by Savage Made Sheaths - Custom

[vegan-sophistication-deactivate]

Edible Flowers

[gravelorded]

Heide Knight, Dark Souls II Design Works

[asshole-paladin]

[vicemag]

Megg, Mogg, & Owl: The Terrifying Children of Werewolf Jones

[runnerbunny483]

I shouldn’t have reblogged that aesthetic pic with guns on it.

Those things kill people and animals. 

Stop seeing weapons as art.

[cerebralzero]

Weapons are art.

One can appreciate weapons without appreciating violence. Just as one can take pleasure the work of a painter but dislike the actions of that same painter.

[hello-rebel-universe]

That right there is one of the most valid points I have ever seen

[theproblematicblogger]

Points are being made

[gifak-net]

[maromaru]

im fucking crying my therapist has these little mamushka dolls in her office and the first one is so pretty like

and then it just goes downhill from there

[breakcorechoirboy]

[fuzzyblackyeti-deactivated20230]

[zombiebeyonce-deactivated201707]

[deadrlngers]

Brave Undead, you have proven yourself to me. Now, be one, with the Dark.

[zeroslut-deactivated20160729]

[yellowxhornet-deactivated201505]

[sociology-of-space]

Culture is not a frozen or super-organic entity that somehow acts upon people and landscapes without their concious action or knoeedge; rather, culture is recreated or changed through individual lives.

Paul Groth - ‘Understanding Ordinary Landcapes’ (1997)