
Origami Around
DEAR READER
he wasn't even looking at me and he found me

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I'd rather be in outer space 🛸
YOU ARE THE REASON

shark vs the universe

if i look back, i am lost
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Claire Keane

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almost home

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@wordsareouronlymagic
I think the future of zombie fiction is covid allegories.
Gone are the days of shooting zombies in the street. Now are the days of your employer making you come in while you still have occasional fits of arm biting.
Gently pushing your zombie coworker into the supply closet with a broom, teens doing school from home and watching their next door neighbor undead stumbling around in his back garden, the delivery guy going zombie in your front yard.
bold of you to assume you’d be allowed to push your zombie coworker into the closet when everyone has to attend the mandatory morale-boosting pizza party and anyway his reports are due tomorrow.
ghost hunting team that keep a nonbeliever named steve around as an emergency supernatural suppressant
he waits in the car with a walkie talkie while they investigate and if things break bad they call him in. as soon as he enters everything stops floating around/trying to kill the hunters and he rolls his eyes and goes back to the car.
he’s not bluffing. i can’t emphasize that enough. he 100% believes that the hunters calling him in is either a prank, to make him feel useful, or because they’re spookable cowards who panicked when a book fell.
he stays because the money is good and he can play his gameboy in the car.
some sort of love poem
Michael Cunningham, from “The Hours,” originally published c. 1998
Hickory slough
Don’t tell me not to steal rings off of buried fingers.
What I do is between me, and the cracked open hand of the 10 foot deep boy with a jackals head.
I hadn’t come down for him,
Only for the jewels around his neck.
But somehow I ended up staying.
I cracked open his callused palms, looking for an answer,
And the mouth between his life line laughed.
He said we used to be alive once, me and the boy with the jackals head,
but now we both are dead.
Even if I’m dead in a different way than he is.
Mine is stolen and his is taken, and I take from him again now,
the maw says that him and I were together and should be again.
I want to remember him.
I want the glitter to wash off my fingers and my brow.
I know it’s my fault, pulsing daisies pushing too hard, driving everyone away.
Especially you.
No matter how much I kiss the dirt you won’t come back to me.
I cradle your jackal head in my arms.
And sorrys roll out of my mouth
I want them to fill up your eyes and nose and throat, but they fall on deaf ears.
I doubt I will ever remember.
I count the stars on your face and cry out.
And The mouth between your lifeline laughs,
For he knows nothing I say matters.
“The prince just fell in love with Cinderella because of her looks!”
Wrong. Okay, picture this–
So there’s the prince, okay? He’s like, smack dab in the center of the ballroom, and he is like, horrifically aware that this whole ball thing is a result of his dad falling into a panic about the royal lineage or whatever and he’s stuck listening to highborn girl after highborn girl, all lined up, introducing themselves like, “Oh yeah my family’s been a longtime supporter of the crown, and I think you’re cute, *cough* I’ve been told I have child-bearing hips *cough* Who said that? Anyway–” and Princey boy is just smiling through it, he has been the center of attention for entirely too long, he misses his emotional support horse, and is just internally like “Someone please kill me now.” And then… he sees her–This isn’t a love at first sight thing, this is a ‘what the hell is going on over there’ thing, because this girl has not gotten into the Debutante line for a solid 45 minutes.
She’s just at the hors d’oeuvres table going HAM on the prosciutto-wrapped asparagus, and like, she’s polite about it, she’s happy to move aside for other people grabbing punch and canapes (and she’s really so sweet with the wait staff, it’s kind of cute because they’re like… definitely not used to being acknowledged) but it’s like, “Damn girl, did you not eat today?” and then the prince is kind of stuck with the uncomfortable thought of ‘how many girls starved themselves to fit into a corset for this.’ And then the Prince realizes he’s missed the past 4 Debutante introductions because he’s watching Mystery girl hork down crab rangoons. So he’s like, “Excuse me” and manages to break free from the never-ending parade of girls who will hop on his dick for status.
And as he’s approaching Mystery Girl, it’s kind of hitting him that something’s not quite natural about her. Not fake, but not quite real. But at the same time this whole evening’s been just a whole circus of people acting fake as hell, so like, someone seeming a little off doesn’t seem bad, necessarily. And he sidles up to her like, “Hi,” and she’s like, “Oh–hey, have you tried the tapenade?” and she points to one of the plates, and at this point, he could hit her with the “You don’t know who I am, do you?” deal or the “Very funny, I see your play” deal, but at this point it occurs to him that, no, he hasn’t had anything to eat throughout this whole damn ball, partially because of being stuck in the debutante parade, partially because of nerves, and there’s something so disarming about the question that he grabs a crostini and she still seems so food-focused that it doesn’t seem possible that this is a play. So they both grab little plates and ditch the party.
She pretty much clears her plate in under two minutes and then has half of his plate, he’s cool with it, mostly he’s just absolutely fascinated listening to her.
See here’s the thing about Cinderella:
1. She doesn’t know he’s the prince. Like yeah, he’s been at the center of the room, but she’s kind of spent half the party eagerly looking around everywhere she’s allowed to go (”Have you seen rose garden? Have you seen the solarium??” further confirmation that she doesn’t know who she’s talking to) and the other half stuffing her face with food.
2. She assumes she’s never going to see anyone here tonight again, and no one recognizes her, so she has no filter.
So she’s just talking about whatever with this guy. He seems cool. She talks about her friends, who are rats. She makes little outfits for them. Sometimes they bring her little gifts. She is already the coolest person the prince has ever met because of this. She pretty much offhandedly talks about whatever is fucked up about the kingdom that would take his advisors two hours of hemming and hawing and watering down to address. She just says it like it’s nothing, just funky little things she’s observed, and again, she’s not aware that he’s the prince, but it’s still pretty damn bold to bring up at a literal royal ball.
She… seems to have the majority of graces that lots of girls from Respectable Families™ have, but there’s something strange about it, something simultaneously broken and hardened, like the way you can see where ice has thawed and re-frozen. Also the way she talks about her family, and the way she avoids talking about her family– is raising several red flags, not in the “Oh this is another person trying to take advantage of me” sense, but in the “Oh fuck, something’s gone really wrong and you need help” sense and also lowkey a ‘damn is she even getting fed?’ sense. But he can’t say, ‘Hey, that’s not fucking normal for people to say that to you or treat you that way. We need to get you out of there,’ without sounding crazy himself, so for now, he’s just going to chill, make sure she’s comfortable, and keep enjoying the evening. She’s somehow befriended like 4 of the waitstaff so they’re willing to cover for them while they disappear for a little bit, and they get plenty of time to talk, but eventually it hits her that she hasn’t danced yet and she’s like “Come on! I bet we can make the prince jealous!” and he just bursts out laughing at that like “hell yeah, let’s make the prince jealous. He’s a real asshole.” Like clearly she’s having a good time, so who is he to make it weird? So they head back to the ballroom and they dance. And our girl, Mystery Girl, Cinderella, while they’re dancing, becomes acutely aware that everyone is staring. That doesn’t seem quite right. Like, yeah she’s hot, she knows she’s hot, but at least a good third of the party should still be focused on the prince, right? Where is that guy, anyway?
Oh.
Oh wait.
Oh shit.
And Princey Boy actually picks up on her realization and they whisper argue for like 3 minutes. “Why didn’t you tell me?! Now I feel like a goddamn idiot!” “I dunno it was nice being treated like a normal person” “Well me treating you like a normal person makes me a goddamn felon or something did you consider that?!” “Hey–Hey–it’s cool–you’re cool–I think you’re amazing, and if anyone says shit about you, I can shut it down.” “Well I don’t like that! That’s fucked up!” “I agree. It is fucked up, but I believe in you, and I think you should have a chance, and I’m here to back you up. I know power is fucked up right now. I know. But are you cool with working with me to change that?” And our girl Cindy pauses on that for a couple seconds, because.. she’s just spent hours with this guy and like.. she knows he’s a good guy, she knows he means well, so she’s like, “I don’t know how long I can actually work with you.” and the prince is like “Look, I know your home situation is complicated right now, but I really think we can–”
And then the bell starts ringing.
It’s midnight.
And then she takes off in a panic, and our prince just met the coolest person ever, and like, he’s pretty sure whatever situation they’re headed back to is fucked up, and all he’s got going to find her is a shoe. A shoe.
“Please, let him be soft. I know you made him with gunmetal bones and wolf’s teeth. I know you made him to be a warrior a soldier a hero. But even gunmetal can warp and even wolf’s teeth can dull and I do not want to see him break the way old and worn and overused things do. I do not want to see him go up in flames the way all heroes end up martyrs. I know that you will tell me that the world needs him. The world needs his heart and his faith and his courage and his strength and his bones and his teeth and his blood and his voice and his– The world needs anything he will give them. Damn the world, and damn you too. Damn anyone that ever asked anything of him, damn anyone that ever took anything from him, damn anyone that ever prayed to his name. You know that he will give them everything until there is nothing left of him but the imprint of dust where his feet once trod. You know that he will bear the world like Atlas until his shoulders collapse and his knees buckle and he is crushed by all he used to carry. Dear God, you have already made an Atlas. You have already made an Achilles and an Icarus and a Hercules. You have already made so many heroes, and you can make another again. You can have your pick of heroes. So please, I beg you– he is all that I have, and you have so many heroes and the world has so many more. Let him be soft, and let him be mine.”
— Please, let him be happy ( j.p. )
Mermaid witnessing a werewolf transformation by the beach and believes all humans are like that. Pirate: ahoy Mermaid: awooo? Pirate: a what
Pirate: [digging up treasure] Mermaid: no… bad boy… bad… no diggy hole… [sprays water] Pirate: what the fuck Parrot: what the fuck
She thinks the parrot is just a transformed human too.
All the weird misinterpretations and revisions of Russian history aside, Anastasia is one of my favourite movies because its plot structure is so fucking weird
It’s a period piece romance. That’s cool, that’s all well and good, except that on the sidelines there’s an undead warlock who’s trying so hard to kill the protagonist, but all in ways that the protagonist either doesn’t notice or doesn’t accept as supernatural
And it isn’t a twist! The audience knows about the warlock! The warlock has a villain song! The warlock is one of the principal characters! But the protagonist spends 95% of the movie completely unaware of the warlock, and just spends the entirety of the movie doing period piece romance things while being repeatedly inconvenienced by the warlock until the climax, when the protagonist has to very suddenly
Acknowledge the existence of the warlock
Acknowledge the existence of the supernatural
See some real-ass goddamn magic
Kill the warlock
I have never seen a movie with a plot structure like this before, and I don’t think I’ll see one like it ever again. It’s like an adaptation of Pride and Prejudice that turns Lady Catherine into a vampire who’s just repeatedly trying to drink Lizzy’s blood, but Lizzy doesn’t even notice until the climax whereupon she stuffs Lady Catherine’s mouth with garlic and cuts off her head (an adaptation I would kill to see, by the way). There are two completely different genres playing out at the same time, and one of them is trying to kill the other
Anyways that’s why the stage musical is bad, thank you and good night
The only thing I’m adding to this is that Disney’s Hercules has almost the same hero-villain dynamic in that the protagonist and antagonist think they are the heroes of two wildly different stories, and the protagonist doesn’t really know the antagonist exists until the endgame starts. It’s so fucking bizarre. They also both came out in 1997, and feature a red-headed protagonist who starts the story trying to find out who their parents are and falls in love with a shady brunette with dubious intentions who winds up trying to sacrifice themselves so the protagonist can live/be happy. I dunno what this means, but coincidence? I think NOT!
Listen that was just the vibe of 97 alright some shit went down that year
🍎💚Love is stored in the applin 🍏❤️
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ok ok ok ok YA-style paranormal romance story where it’s the POV of the supernatural side of couple and they’re just constant of awe of their human partner constantly and casually breaking the immutable laws of nature
human: (lies)
hot fairy dude: what the FUCK
human: (enters a home without being invited)
sexy vampire lady: how the hell–
the sibling of a YA dystopian fantasy story with some sort of supernatural being discovering they’re half human and discovering all these new super powers and getting training from masters. so it’s like some confused human teaching a fairy they can just not count the grains of rice. and this is all training so the fairy can topple an evil fairy overlord
#okay wait revisiting this if you’re reversing the trope aren’t they toppling an evil human CEO#by using human abilities better than them/being special because of their lowly magical blood
okay if we’re going with TOTAL reversal then yes, it has to be a human evil defeated by a “chosen one” magical creature using human skills, BUT. the climax needs to have them recognizing and accepting their dual identity. steal-your-name power but make it human. by which i mean they defeat the CEO with identity theft
send me a pairing and a number and i'll write you a drabble
“Come over here and make me.”
“Have you lost your damn mind!?”
“Please, don’t leave.”
“Do you…well…I mean…I could give you a massage?”
“Wait a minute. Are you jealous?”
“Is there a reason you’re naked in my bed?”
“I almost lost you.”
“Wanna bet?”
“Don’t you ever do that again!”
“Teach me how to play?”
“Don’t you dare throw that snowba-, goddammit!”
“I think we need to talk.”
“Kiss me.”
“Hey, I’m with you, okay? Always.”
“So, I found this waterfall…”
“It could be worse.”
“Looks like we’ll be trapped for a while…”
“This is without a doubt the stupidest plan you’ve ever had. Of course I’m in.”
“The paint’s supposed to go where?”
“You need to wake up because I can’t do this without you.”
“We’re in the middle of a thunderstorm and you wanna stop and feel the rain?”
“I’ve seen the way you look at me when you think I don’t notice.”
“Just once.”
“You’re the only one I trust to do this.”
“I can’t believe you talked me into this.”
“I got you a present.”
“I’m pregnant.”
“Marry me?”
“I thought you were dead.”
“It’s not what it looks like…”
“You lied to me.”
“I think I’m in love with you and I’m terrified.”
“Please don’t do this.”
“If you keep looking at me like that we won’t make it to a bed.”
“You heard me. Take. It. Off.”
“I wish I could hate you.”
“Wanna dance?”
“You fainted…straight into my arms. You know, if you wanted my attention you didn’t have to go to such extremes.”
“Hey! I was gonna eat that!”
“Have I entered an alternate universe or did you really just crack a smile for me?”
“You did all of this for me?”
“I swear it was an accident.”
“YOU DID WHAT?!”
“If you die, I’m gonna kill you.”
“Tell me a secret.”
“Hey, have you seen the..? Oh.”
“No one needs to know.”
“Boo.”
“Well this is awkward…”
Writer’s preference
Novel Planning Masterpost
Preliminary Work/Outlines
Outline for Writing a Novel (First Draft) in a Year
Pre-Writing for a Novel in 21 Steps
Turning an Idea into an Outline
Steps to Write a Novel →Planning a Novel in 10 Steps →5 Steps to Write a Novel that SELLS →7 Steps to Writing – and Finishing – Your Novel
Your Novel Blueprint
The Six Core Competencies of Successful Storytelling
Characters
Basics on Character Creation
Types of Characters (Major/Minor/Extras) →"Round" Characters →“Flat” Characters
Basics on Character Profiling →How to Create Compelling Characters →Creating Vivid Characters →Character Profile Worksheet →9 Ingredients for Character Development
Character Revelation (How to introduce your characters to the reader)
Character Change (Development throughout the novel)
Setting
Getting to Know Your Setting
Setting Revelation
Plot
What is a Plot? →What is a Novel Idea? (And how to find one.)
Questions to Ask Yourself to Help Fully Form Your Plot
Write What You Know (Or RESEARCH IT.)
Is Your Plot Idea Strong Enough? →“Road Test” for Your Plot Idea →Don’t Have Too Many Plot Ideas in One Novel
Basic Plotting in 5 Steps →Basic Three Act Plot Structure →Writing a Gripping Plot
Plotting the Beginning →Beginning “In Medias Res” →What About Chapter Two?
Plotting the Middle →Subplots
Plotting the End →How to End a Novel with a Punch →Avoiding a “Deus ex Machina” Ending →Dos and Don'ts of Novel Endings →Developing a Plot Backwards
Timeline of Novel (Chronology) →Chronology of a Novel
Story Architecture (“The Secrets That Get You Published”)
Miscellaneous
10 Things Every Writer Should Do in Their Novel
Tips For Aspiring Writers of Fiction
Creating Tension in the Story
How to Become a Kick-Ass Writer
Fighting Writer’s Block →Surviving First Draft Blues →Kissing Writer’s Block Goodbye →Not in the Writing Mood?
How NOT to Write a Novel
2 Novel Writing “Secrets”
MS Word Shortcuts
Other Novel-Writing Masterposts
Novel Mechanics Masterpost
Novel Editing Masterpost
Novel Publishing Masterpost
Novel Editing Masterpost
General Editing
Edit WHAT You Have Said
Edit HOW You Said It
7 Simple Ways to Make a Good Story Great
3 Ways to Know When to End Chapters
7 Tips for Revising a Novel
12 Tips on How to Keep Your Manuscript Out of “Rejects” Pile
Steps to Editing →Questions for Your Beta Readers
Smoothing Out Clunky, Cluttered Phrasing
Show, Don’t Tell
Edits to Make Before Submitting Manuscript →Evaluations Publishers Make Regarding Your Manuscript
Example of an Editor’s Editing
The Beginning of Your Novel
25 Things About Writing First Chapter of Novel
10 Ways NOT to Start Your Novel
Dos and Don’ts of Starting Your Novel
Crucial First Five Pages of Your Novel
Cliches/Plot Devices to Avoid
Top 10 Storytelling cliches (Avoid at all costs!)
10 Tips to Avoid Writing Cliches
5 Plot Devices to Avoid
Common Mistakes to Change
“Purple Prose” (Over-flowery Writing)
9 Follies to Avoid in Writing Your First Novel
Common Beginners’ Blunders
Common Writing Mistakes
5 Habits to Avoid in Fiction
10-Minute Fixes to 10 Common Plot Problems
12 Signs Your Novel Isn’t Ready to Be Published
Writing a Page-Turner
11 Keys to Make a Novel a Page-Turner
“Why I Am Not Turning the Pages of This Novel”
8 Rules of Fiction
Writing Tense Action Scenes
Other Novel-Writing Masterposts
Novel Planning Masterpost
Novel Mechanics Masterpost
Novel Publishing Masterpost
Novel Editing Masterpost
General Editing
Edit WHAT You Have Said
Edit HOW You Said It
7 Simple Ways to Make a Good Story Great
3 Ways to Know When to End Chapters
7 Tips for Revising a Novel
12 Tips on How to Keep Your Manuscript Out of “Rejects” Pile
Steps to Editing →Questions for Your Beta Readers
Smoothing Out Clunky, Cluttered Phrasing
Show, Don’t Tell
Edits to Make Before Submitting Manuscript →Evaluations Publishers Make Regarding Your Manuscript
Example of an Editor’s Editing
The Beginning of Your Novel
25 Things About Writing First Chapter of Novel
10 Ways NOT to Start Your Novel
Dos and Don’ts of Starting Your Novel
Crucial First Five Pages of Your Novel
Cliches/Plot Devices to Avoid
Top 10 Storytelling cliches (Avoid at all costs!)
10 Tips to Avoid Writing Cliches
5 Plot Devices to Avoid
Common Mistakes to Change
“Purple Prose” (Over-flowery Writing)
9 Follies to Avoid in Writing Your First Novel
Common Beginners’ Blunders
Common Writing Mistakes
5 Habits to Avoid in Fiction
10-Minute Fixes to 10 Common Plot Problems
12 Signs Your Novel Isn’t Ready to Be Published
Writing a Page-Turner
11 Keys to Make a Novel a Page-Turner
“Why I Am Not Turning the Pages of This Novel”
8 Rules of Fiction
Writing Tense Action Scenes
Other Novel-Writing Masterposts
Novel Planning Masterpost
Novel Mechanics Masterpost
Novel Publishing Masterpost
For most of college everyone thought you were deaf when in reality you just don’t like talking and learned sign language at a young age. You never corrected anyone until someone confessed their love for you, thinking you couldn’t hear them.