under me you quite so new

things to chew on

[xeroxedmuzzles-blog]

[villagedog]

Still from Apichatpong Weerasethakul, Uncle Boonmee Who Can Recall His Past Lives, 2010

This yeti-like forest creature is translated as “monkey ghost” in the English subtitles.

http://www.kickthemachine.com/

[xeroxedmuzzles-blog]

me: what can possibly go wrong tho

anxiety: im glad you asked

[nyctaeus]

Photographs of suicide bombs disguised as ordinary objects recovered by the Israel Defence Force

from Broomberg & Chanarin’s ‘Chicago’

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[pictureblabla-blog]

___

Mika Rottenberg

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[hellohellohellohoney]

Double Life, a long running series by Kelli Connell depicting the same model twice within the same composition by way of scanning negatives and combining them in photoshop

her work is so perfect to me

[magictransistor]

The Women Soldaderas of the Mexican Revolution

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For Esther

[jeffriestubepete-deactivated202]

Saw this yesterday when I went to the Seattle Art Museum and it stood out to me. It was part of a exhibit that was put on by a woman named Lucy Lippard where she invited a number of artists to submit one note-card sized bit of art to be displayed at her event. I thought this one stuck out the most to me. The exhibit is known as Lucy Lippard’s 557,087 (the population of New York at the time).

You can read some about it here - http://barryflanagan.com/exhibitions/view/11078/

[thebeingtime]

“Although there is a long history of women artists who have, for better and worse, identified with or been identified with nature and land forms, very few female photographers are included in the rolls of old or ‘new topographers.’ Men have dominated the field of landscape photography just as men have dominated the land itself. Thus ‘shooting’ a ‘virgin’ landscape has been man’s work—hunting, not gardening. It is as though the outdoors especially in the western United States, were the only remaining male sanctuary among the domesticated interiors of home and workplace. While a large number of women photographers have gathered outdoor images, their failure to impress the art and journalism markets suggests that landscapes are still perceived as trophies from the battle of culture with nature.”

Lucy Lippard, Undertones: Nine Cultural Landscapes, 1995 (via thebeingtime)

[xeroxedmuzzles-blog]

I wear white women for status and power.

-Nate Hill, founder of Trophy Scarves

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