AUTUMN DURALD ARKAPAW becomes the first woman ever to win the Best Cinematography Oscar at the 98th Academy Awards for her work on "Sinners" — March 15, 2026

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AUTUMN DURALD ARKAPAW becomes the first woman ever to win the Best Cinematography Oscar at the 98th Academy Awards for her work on "Sinners" — March 15, 2026
The full performance of “I Lied to You” from “SINNERS” at the Oscars 2026
Someone get me off the floor😭😭😭😭
I belong here no matter what
The poor girl. Truly. It started with her name. A name she could not identify herself with. Grace gets pregnant and is abandonned. Her father shames her, as does the congregation, the town. A son is born and she is trapped in that house, with him and her father. She stays because of a promise. Of hope. Staying because in the end it will be worth it. Maybe. Hopefully. And then that hope is shattered. No fortune, no oppurtunity to finally be free. In desperation she searches and nothing comes of it. Although not nothing. No. A tale of a harlot whore whose demonic outburst lives on. Smitten down by god himself for her sins. Years later, her son keeps on calling her a harlot whore. As do the others. Her name is not relevant to them. Wicks is no better than his own father, he left his son behind as well. The mother? A so called loose woman. But was she? And the son? A man filled with hatred who, just like his father, is only interested in furthering his own goals. But is is different. Of course it is. Wicks is a man and his mother was a harlot whore. The rules are different for him. Barely existing. The poor girl who just wanted a chance to be free. To not be a mockery, to live. Grace was not granted grace. Not in life, not in death. But, few decades later, a young priest arrives. He is kind, with a good heart whose congregation is important to him. Their wellbeing. Murder and deceit happen. The young girl who had condemned Grace and judged her a sinner, confesses while taking her last breath. The young priest builds a new cross, replacing the untrue shadow of a tale so wrong yet so ingrained. The poor girl, whose name was Grace was, finally, granted grace. By her condemner and a priest.
Kindness prevails. A good heart filled with empathy goes a long way.
The portrayal of white people who have been violently separated from their own culture stealing the power of black culture and music to try to get reconnected was SO literal and somehow not at ALL heavy-handed or trite. Fkn remarkable.
as an english major, i really have a field day whenever i watch mike flanagan's films. the storylines, the parallels, the allegories. each of them in a league of their own, and they're all beautiful.
Jaws 50th Anniversary - Released June 20, 1975
watching Ghosts on CBS
greta thunberg, liam cunningham, rima hassan, and everyone else on that ship, thank you, and i hope you succeed. i really hope you succeed. you know what you are risking, and i wish for you to come back safely, having done what you set out to do.
for those who don't know, the freedom fretilla, a ship headed to gaza to try and get some aid past the israeli siege, just left with among its crew swedish activist greta thunberg, irish actor liam cunningham, and french member of the european parliament rima hassan.
the ship has already been bombed twice during previous attempts at approaching gaza.
my only hope is that if we make enough noise this time, israel won't dare bomb it with such prominent international figures on board, from fear of making them martyrs and turning the rest of the world against them.
so talk about it, post about it, and expect, demand their mission to succeed and their safe return 🙏
the only power we have is political and economic pressure at this point. ethics are out of the picture when it comes to the israeli government. so we need to make it clear that bombing this ship would be a declaration of war against europe.
cobel missing severance floor sex AND next-door brain surgery oh she's gonna be so mad
*crouches to go into stealth*
the cracking of my knees alerts the guards, I am immediately killed
WRITERS + DIRECTORS ON THE POWER OF HORROR
Catriona Ward, interview for The Guardian Mark Gatiss, in A History of Horror (2010) Pascal Laugier, for Electric Sheep Candyman (1992), dir. Bernard Rose Colin Dickey, Ghostland Carmen Maria Machado, for Paris Review Kier-La Janisse, House of Psychotic Women Possession (1981), dir. Andrzej Żuławski Mariana Enríquez, ‘Notes on Craft’, Granta Guillermo del Toro, Haunted Castles, Dark Mirrors
“how can a horror movie be comforting” sigh……. u wouldn’t get it