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@xsheilaa
Hush... He is enjoying his first spring after decades
3... 2... 1...
back to the real life
an old sketch of a feral dad for dad day
been thinking abt that old comic i started but didn't finish due to fandom BS. I'd like to redraw so much of it, god it's old.
"I'm afraid he can't hear you right now."
hey if you thought i was done with that idea lol guess what
—-
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leave him alone
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My dear friend
I had a dream where I killed you, where I ate of your flesh,
I had a dream, but I taste your blood on my lips.
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I really like when people post analyses of Visions of V on my timeline because it gives me the chance to explain why I disagree with some interpretations 😭
There’s this scene where V(ergil) is saved by Nero and Trish while reflecting on his life, his human desires, and all his terrible choices. Most people correctly understand that Trish symbolically represents Eva, because the manga practically says it directly to your face.
But what I think people miss is that Nero symbolically represents… Dante.
From the very beginning of the manga, V(ergil) is constantly thinking about Dante saving him. His entire journey is basically about searching for Dante because he wants protection from himself, from his own nature, from the consequences of what he became.
And then he meets Nero and his reaction is basically:
“Oh… a smaller Dante. I guess I can use him too.”
Even back when he was Nelo Angelo, Vergil viewed Dante striking him down almost like a form of salvation. So when V includes Nero in the mission, I honestly don’t think he sees him fully as his own person at first. He sees him as an extension of Dante, another version of the same emotional protection he’s been desperately seeking the entire story.
THIS is literally the moment where his own mind — while he’s on the verge of death — pushes him to go find Dante
And this is where it’s explicitly stated why he was searching for Dante:
V(ergil) started by trying to save people, basically imitating Dante, because he thought that maybe doing what Dante does would help him find the answer he was searching for 😭
But the truth is that Dante’s desire and Vergil’s desire were never the same. Dante wanted to protect his family, while Vergil wanted to be protected by his family — by Eva, by Dante, by someone who would choose him and stay.
And I really love how their wishes end up being fulfilled through each other in the end. Dante finally gets to protect Vergil, and Vergil finally allows himself to be saved by Dante (':
P.S. It’s honestly insane to me how people keep dismissing how important Dante is in Vergil’s life when Vergil’s entire character and emotional journey revolve around his relationship with his brother 😭
remember what vergil said in the pgr collab? "everyone yearns for moments of protection, and.. love.. what of you? do you, too, desire such moments?"
i don't know, vergil dearest, do YOU?
of course he'd say something like that in such a roundabout way. never explicitly state what he wants. this quote holds so much weight!!! it only goes to show that he's deeply emotional, and actually conceals it pretty poorly... he truly does not seem to be enjoying denying himself his needs and wants.
i just KNOW this rat would rather wilt than ask someone for a hug. but he NEEDS one.
now on a more serious note, imagine how he'd melt from affection. if there's someone out there to make the ice around him thaw, he'd be wrapped around their finger. "dominant" my ass. just spoil this guy rotten. he deserves it despite being naughty as in literally committing a long list of war crimes and acts of terrorism
i know that the collab is kind of in a gray space for canon, but.. y'know. it makes me Think of Things
What frustrates me is that people act like Dante’s importance in Vergil’s life somehow doesn’t exist, when DMC5 is literally about Vergil accepting that power alone cannot fulfill him. The entire ending is Vergil finally stopping his endless escape from emotion, vulnerability, and from Dante himself.
Dante is quite literally the person who keeps Vergil connected to his humanity. Even back in DMC3, Vergil constantly holds himself back with Dante in ways he never does with anyone else. He could kill him multiple times and doesn’t, because beneath all the violence and ideology, Dante matters more to him than his pursuit of power ever did.
That’s why the ending of DMC5 feels so important: it’s not just “the brothers stop fighting.” It’s Vergil finally accepting Dante’s love, protection, and presence in his life instead of running from it. That’s the entire emotional core of the game.
Dante standing in the corner once again watching the fandom reduce his importance in Vergil’s life as if he didn’t literally choose to stay in Hell forever just to protect and stay beside him. As if BOTH of them weren’t genuinely happy with that ending after everything they’ve been through.
Like Dante isn’t the axis Vergil’s entire life revolves around.
Like Vergil doesn’t completely fall apart the moment he realizes he cannot lose Dante. The moment he understands that Dante loves him, will stay beside him, protect him, and that for once in his life he’s allowed to feel safe and vulnerable with someone.
I swear to God, between the people insisting Vergil secretly loves Nero's mom, or would somehow become a wholesome dad overnight, and the people who completely erase Dante because they’re too attached to the idea of some woman “saving” Vergil from himself… I genuinely don’t know which take is worse 😭
About the comparison between DmC Dante and Netflix Dante, I think they are actually more similar than we thought at least in the sense of being in the necessity to have something to cling on because they lack their other half
This is more obvious if you watch the show (like me unfortunately) but N.Dante really is desperate for Vergil. Starting by the fact he literally breaks out of the cry sleep because he specifically feels the presence of Vergil closer, and after wake up he says he needs to see Vergil with big needy eyes
And the series finale he textually says "I can't loose you again after having you back" and he's angry because he doesn't want Vergil to stay in hell (btw Ver clearly is heart broken by this two). He can't literally fight due the emotional stubbornness, and in the end despite Vergil saves him and send back Dante to Earth with the amulet he's still devastated and crying
Honestly, if you watch the show (something I don't recommend) is surprising how much Mary acts as a physical barrier between the twins, and she's the one to put herself in such position intentionally trying to keep Dante away from connect with Vergil in a meaningful way. That also includes the romantic side of their "relationship"
Which btw is toxic af, even the ladydan shippers point this out
Lady keeps lying, emotionally manipulating and subtly abusing Dante for her own needs, taken adventage of his own ignorance and how Dante minimize his own pain
And you know what is the funniest part? She doesn't come back to him in the finale, as she admits they aren't compatible and just fucks off just wishing but not checking if Dante is alive after using him all this time
Meanwhile Dante absolutely devastated is alone and thinking on Vergil...
They gor a really tragic ending
I can’t say too much because I’ve only seen the adaptation through spoilers and screenshots, and honestly most of them looked pretty bad to me 😭 But this is the first take that’s actually made me interested. And I’m not gonna lie, those screenshots of Dante staring at the sky with empty eyes are REALLY getting me. Sometimes I just want to enjoy dramatic and messy emotions instead of overanalyzing everything 😈
That said, I think I mostly agree with your interpretation. But I also think it’s important to remember that original Dante never actually wanted to stay in Hell with Vergil. What he really wanted was to keep Vergil with him on Earth, on his own terms. And only after losing him did he fully realize how much he messed up and fall into grief and regret.
And honestly, Lady is really important to understanding Dante in DMC3. Her whole thing was wanting to kill Arkham no matter what, and Dante kind of copied that mindset and projected it onto Vergil. The problem is that Arkham and Vergil were never the same emotionally. Lady could move on after killing her father. Dante couldn’t move on after losing Vergil because, deep down, he never actually wanted to lose him at all.
That’s why afterward Dante ends up obsessed with combat and chasing that feeling over and over again, because fighting is basically the closest thing he has to emotional intimacy with Vergil.
I also agree that Vergil probably protected Dante from staying in Hell, but I think part of Vergil also genuinely believes they shouldn’t stay together. Like, “I belong in Hell because I’m more demon, and Dante belongs on Earth because he’s more human.” There’s this constant self-separation in him.
And honestly, this adaptation’s Dante feels way more emotionally open than game Dante. Original Dante hides behind jokes, sarcasm, and reckless behavior because he doesn’t want to get hurt emotionally.
Also 😭 people are probably gonna kill me for this, but even in the 2007 anime, which everyone keeps comparing this adaptation to, Lady never felt romantic to me. She felt more like a messy friend who cared about Dante in her own way while also taking advantage of him sometimes. I honestly always thought Trish felt softer and kinder toward him emotionally.
That’s why the romantic angle feels weird to me. Friendship? Sure. Caring about each other? Absolutely. But romance changes the emotional core of Dante’s story in a way that just doesn’t click for me.
And I think people get confused because Dante and Vergil are always fighting 😭 But that’s literally the tragedy of their relationship. They love each other deeply, but they keep hurting each other because neither of them can fully let go of their ideals. Vergil chooses power over Dante. Dante chooses humanity over Vergil. So they stay stuck in this cycle where they can’t stop loving each other, but they also can’t stop hurting each other either.
And honestly? While reading your analysis I genuinely felt like you were tempting me into watching the adaptation 💀 In a good way. Because the way you described it sounded way more emotionally interesting than the spoilers made it seem.
P.S. Sorry for the huge ramble 😭 Your analysis actually got into my head and now I’m doubting whether I should watch it or not.
Vergil's true feelings
I’m re-reading some Spardacest (Dante x Vergil) doujinshi, and honestly 🫦 every time I see Dante or Vergil drawn like that. So I decided to share a few panels, since I enjoy going back to them from time to time—and, in my personal opinion, it’s some of the best-quality content I have for this ship.
Huge thanks to Chinese/Japanese creators and to everyone who translates their work for free. I genuinely don’t know what I’d do without you 🫰🏻
And yeah, I do ship Spardacest. It’s just something I’m into right now, and I enjoy sharing my thoughts about this pairing. That’s all.
It honestly makes me laugh when people insist on portraying Dante as soft, fluffy, or emotionally timid. Canon Dante is none of that. He is violent, calculated, and very often enjoys the brutality. He drags fights out because he likes them—the blood, the destruction, the spectacle of it. That’s not accidental, and it’s not heroic purity either.
But here’s the part people love to ignore: that violence isn’t joy, it’s anesthesia.
Vergil amputates his pain by rejecting his humanity. Dante drowns his by throwing himself into endless combat. Same wound. Different escape.
Which is exactly why the “Dante would be happy with Lady / a wife / kids / a normal life” take feels almost willfully blind. As a headcanon? Fine. As a serious reading of the character? It collapses on contact with canon.
Dante waited nearly twenty years for Vergil. Not “moved on,” not “healed,” not “built a new center.” He waited. Stagnant. Depressed. Empty. Carrying alone a burden that was clearly meant for two. Vergil wasn’t just his brother—he was his equal, his mirror, the only being in that world who could truly understand what it means to be the Son of Sparda.
Vergil doesn’t make Dante human. He makes him alive. That distinction matters.
And DMC5 spells this out painfully clearly. When the choice comes, Dante doesn’t hesitate. He abandons the human world without a second thought to stay with Vergil, potentially for eternity. The narrative doesn’t frame this as tragedy or sacrifice—it frames it as resolution. The running ends. The split heals. For the first time, they stand as one side instead of opposing halves.
So when people argue that Dante’s arc was secretly about learning to choose a separate domestic happiness, I honestly wonder what game they played. Devil May Cry has always been about the Sons of Sparda. Since DMC1. Dante’s apathy, his self-destructive humor, his emptiness—none of it comes from not having a girlfriend. It comes from losing Vergil.
And yes, I can already hear the rebuttal: “So you’re saying Vergil is the only thing that matters to Dante?”
My answer is simple: look at the text.
If Dante were truly meant to end up choosing a wife and children over Vergil, then the ending of DMC5 would be nonsensical. Are we really supposed to believe that, after decades of grief and guilt, Dante would suddenly say, “Good luck, Vergil. I have a family now. We’re adults, we live separate lives.”?
That wouldn’t be growth. That would be repeating the original wound—abandonment—on purpose.
The story doesn’t frame their reunion as unhealthy obsession. It frames it as inevitability. As something unfinished finally allowed to close.
So no—Dante and Vergil aren’t a fairytale. They’re worse. They’re co-dependent, violent, emotionally catastrophic, and inseparable. And the narrative doesn’t punish them for it—it rewards them with peace.
If that makes people uncomfortable, that’s fine. But discomfort doesn’t make it non-canon.
At first I planned to do a two-days-drawing and then it took me two weeks.
Support to get the HD version!
I’m also making a time-lapse video of the drawing process and it will be publicly posted on my youtube channel soon :)
Carrying each other
This may or may not be a theory—feel free to disagree.
I’ve always felt that Dante doesn’t really do what he does for people, or out of a desire to “save humanity” in the traditional sense. A lot of fans frame him as a classic hero, but I don’t quite see it that way. To me, Dante stands on the human side mainly because he hates demons for killing his family. It’s not about idealizing human life or protecting it out of principle; it’s personal. Dante simply refuses to side with the kind of beings that destroyed his family.
That perspective also explains why Dante doesn’t seem particularly affected by the number of people Vergil has killed, and why he goes after Urizen with clear intent to kill. In that form, Dante doesn’t see Vergil at all—only a demon. That’s why their first encounter is so brutal. And once Dante understands that Vergil isn’t really “there,” only Urizen, he moves to destroy him without hesitation. It’s like realizing that someone you thought was alive is, in fact, still gone.
I don’t know what you all think, but that interpretation works for me. Dante is a hero without trying to be one. He kills what he hates, and there’s undeniably a violent enjoyment in it—both Dante and Vergil relish the fight, the blood, the chaos, because they are half demons. People are saved as a result, but I don’t think that’s ever Dante’s primary motivation.
As has been said across multiple adaptations, Dante’s reason to keep going is Vergil, not humanity. The anime illustrates this especially well. The episode where Dante allows himself to be crucified shows a man driven by guilt and regret. The entire series feels like a portrait of a Dante who has lost Vergil: depressed, drifting, seeking stimulation, hunting demons to fill a void that never truly disappears. That episode’s ending feels like self-punishment—Dante believing he deserves the pain for letting history repeat itself.
[Scanlation] DanVer Manga
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