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@y-datavis
Cymatics: Chaldni Plate Nigel John Stanford
Make It Quiet, Make It Live, Set It Free Francois-Xavier Fringant & Caroline Goulard
Visual Insights Into Earth's Biodiversity Audrée Lapierre & Sébastian Pierre
Creating Joyful Experiences Jan Willem Tulp
Shut Up and Take My Data Cedric Kiefer
Strings, Shapes and Sounds Alexander Chen
Out of Site, Out of Mind Wesley Grubbs
The Weight of Rain Jonathan Corum
How Open Data Is Changing Our World Liana Pistell & Tariq Khokhar
The Refugee Project Deroy Peraza & Ekene Ijeoma
SelfieCity: Investigating Selfies Using a Mix of Theoretic, Artistic and Quantitative Methods Moritz Stefaner
Learn From Our Process Benjamin Wiederkehr
Generation Fail: How Millenials Are Changing Their Attitudes To The Workplace. William Rowe
Designing Information: Human Factors And Common Sense In Information Design Joel Katz Purchase
Designing Information shows designers in all fields - from user-interface design to architecture and engineering - how to design complex data and information for meaning, relevance, and clarity. Written by a worldwide authority on the visualization of complex information, this full-color, heavily illustrated guide provides real-life problems and examples as well as hypothetical and historical examples, demonstrating the conceptual and pragmatic aspects of human factors-driven information design.
Both successful and failed design examples are included to help readers understand the principles under discussion.
Visual Explanations Edward Tufte Purchase
Describes design strategies - the proper arrangement in space and time of images, words, and numbers - for presenting information about motion, process, mechanism, cause, and effect. Examines the logic of depicting quantitative evidence.
Isotype: Design and Contrasts Christopher Burke, Eric Kindel & Sue Walker Purchase
Austrian sociologist Otto Neurath developed the Isotype system of pictograms in the early 1930s as a way to communicate complex information in visual form. Appearing in a variety of media, including books, posters, and films, it was designed to inform ordinary citizens about their place in the world.
Isotype is the first comprehensive account of this seminal movement in the history of visual communication. Featuring new research, including previously unseen visual material, this long-overdue account traces the development of the Isotype system from its birth in prewar Vienna, through a wartime shift of production to the Netherlands, and finally to 1940s England, where the Isotype Institute continued to produce work until 1971. Isotype documents the visual system's worldwide influence, including its educational uses by the United States, Soviet Russia, and Africa.
Gerd Arntz, Graphic Designer Ed Annick & Max Bruinsma Purchase
As a politically engaged graphic artist and designer, Gerd Arntz (1900-1988) portrayed the world in wood and linoleum cuts. During the 1920s, he conveyed his critiques of social unjustice and the rise of Nazism in Germany in such a simple, direct style that anyone was able to understand his images, regardless of their education and nationality. This prompted the Viennese philosopher and social scientist Otto Neurath to ask him to design the symbols for his International System of TYpographic Picture Education (ISOTYPE). During his long career, Arntz designed more than 4,000 symbols and figures. Today their influence is everywhere--in pictograms featured on objects ranging from traffic signs to Gameboys, and in information graphics.
This overview of Arntz's life and work gathers his Isotype designs and elucidates the system and its historical context. It includes a selection of his political prints and other rare visual material that has never previously been published. With contributions from Flip Bool, Gert Dumbar, Mieke Gerritzen, Nigel Holmes, Max Kisman, Paul Mijksenaar and Erik Spiekermann, this book was winner of the Best Dutch Book Design award for 2010.