Push Pull @yangyin099 - Tumblr Blog

departmentq

This is the world capitalists want to return to.

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republicansaredomesticterrorists

👏👏👏

latinademais

new tokyo decadence (2007), dir. osamu sato

this-is-your-new-master-redux

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feelingsoflove12

Do you ever miss yourself? The person you were before you had your first heartbreak or before you got betrayed by a person you trusted?

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yangyin099

No. Ignorance is not bliss.

You're sent to the corner after your caning with a fresh ginger plug burning in your bottom to think about your transgressions. It’s hard, but the pain and humiliation will help you be better. And you want to be better for me, don’t you?

#corner time #figging

last-picture-show

Beata Bieniak

the-night-picture-collector

Francis Bacon, Self Portrait, 1969

janiesbk

This is me. The first time I’ve ever been able to handle these clover clips. They are very harsh and very painful. I wanted it so badly.

dailyrothko

Mark Rothko, The Dark Paintings of 1969-1970,

Part One

The Black on Gray paintings were Rothko’s final series. Like the Brown and Gray works on paper, color has been extracted to a dark upper and a lighter lower section. Most striking is the painted white edge within which the composition is circumscribed. In all of Rothko’s earlier work the edges of his paintings folding around the stretcher had been meticulously painted. In marked contrast, the white surround of the Black on Gray paintings sharply demarcates the painted surface and collapses the pictorial space into a much flatter picture plane.

Previously, Rothko had used a mixture of rabbitskin glue and pigment to douse his canvases in a first layer of colour. The Black on Gray paintings, however, were primed with white gesso which shows through in various areas, further contravening any illusion of pictorial depth. Unlike the Brown and Grays, where the variations occur within a fixed format, the Black on Gray paintings substantially vary in size and orientation, each offering a completely unique exploration of scale and ‘weight’.

The Black on Gray paintings bear witness to the tireless effort with which Rothko kept pushing the boundaries of his practice; which may also explain why one evening in late 1969 he opened his studio to select members of the New York art world to view his latest paintings, the first and only time he presented a series as such.

#goodgirl #areyoureallyagoodgirl

must-banks-blog

yangyin099

The Spencer Tunick (photographer) installation with 1300 volunteers that occurred in Valencia, Spain, on March 30, 2019, was titled "València, pell del Mediterrani" (Valencia, Skin of the Mediterranean).