Dazed & Confused @youdontknowho - Tumblr Blog

theplaylistfilm

The truth is that Ron is my hero. He’s always there for his friends–sometimes belligerently, but there nevertheless.

Rupert Grint

brazilwonders

Central do Brasil (1998)

doona-baes

#proud co-parents of murder baby (x)

filmforwomen

Let me tell you somethin’: it’s black people everywhere, you remember that, okay? Ain’t no place in the world ain’t what got no black people, we was the first ones on this planet. I’m from Cuba. Lotta black folks in Cuba but you wouldn’t know it from being here. Was a wild lil’ shorty just like you, used to run around with no shoes on when the moon was out. This one time… I ran by this old, old lady, was just a runnin’ and a hollerin’ and cuttin’ a fool, boy. And this old lady, she stop me and she say to me, ‘Look at you. I was a lil’ bad ass too, you know.’ She say, ‘Look at you’ and I say ‘Look at you!’ Then she smiled and she say, ‘running around catching up all this light. In moonlight’ she say, ‘black boys look blue. You blue,’ she say. ‘That’s what I’m gone call you: Blue.”

MOONLIGHT (2016) dir. Barry Jenkins

quadriceps-deactivated20171230

what’s the mood for tuesday

xenosaga

dork-adios

Shit, I cry so much sometimes I feel like I’m gon’ just turn into drops.

Moonlight (2016) dir. Barry Jenkins

interconnectedspiral

– Sing Street (2016)

partlysmith

the robot apocalypse will be caused by people talking about the robot apocalypse so much that the robots will think that’s what we want and they’re just trying their best

denisvilleneuve

Despite knowing the journey and where it leads… I embrace it. And I welcome every moment of it.

Arrival (2016) dir. Denis Villeneuve

chalamet

“In patriarchal culture, all males learn a role that restricts and confines. When race and class enter the picture, along with patriarchy, then black males endure the worst impositions of gendered masculine patriarchal identity.” — Bell Hooks

“The film lays bare the corrupting and contaminating terrain of masculinity — its toxicities, its brutalities, its unrelenting banality… The depth and texture of [Chiron’s] life was stolen by the insistence of homophobia and the mask of an almost suffocating masculinity.” — LaLi Mohamed