“What do you mean by that?”

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@youreyeisinmyeye
“What do you mean by that?”
Jingyi Li - Lean on me
Dilemma, Shirin Abedinirad, 2022
Brian Eno’s graphic notation for Ambient 1: Music for Airports (1979)
selected works / cuffs by Tamara Santibañez
Self Portrait Along the Borderline Between Mexico and the United States, 1932 - Frida Kahlo
Shawn Huckins (US-American, 1984) - War Cloud and Floral Blue Curtain (2026)
Jean Gfeller - Whispered Embrace, 2025 - Oil on canvas
Kerry Guinan
Artists, 2019
Series of six blank canvases (70x70cm) signed by the factory workers that made them in Daler Rowney, Free Industrial Zone, La Romana, the Dominican Republic.
Images: Photograph of 3 canvases from the series in the solo exhibition 'Our Celestial Sphere' at Pallas Projects, Dublin, 2019.
Supported by the Arts Council of Ireland, Limerick Institute of Technology, and Fingal County Council. Images: Pallas Projects/Studios & Kerry Guinan.
(Original caption from artist’s website)
Series of six blank canvases (70x70cm) signed by the factory workers that made them in Daler Rowney, Free Industrial Zone, La Romana, the Do
And after contacting the Irish Museum of Modern Art and being referred to a curator (!), they provided me with the caption information that was used when displaying the work for the Staying With The Trouble exhibition in 2025 (thank you so much IMMA staff!!)
Artists is a series of blank, square canvases, each signed by a staff member in the manufacturing facility that produced the canvases in the La Romana Free Trade Zone, the Dominican Republic. The manufacturer, Daler Rowney, is a popular supplier of art materials in Ireland. The artist coordinated the project remotely by contacting the facility manager. The signatories volunteered to take part in the project upon invitation. They are Johan Rivera, Carlos Roa, Aneury Rondon, and Orlando Saldivar.
Anyways, I’d spent about the last 6 hours of my life trying to find out this information after some discussion on artist supply chains came up on the dashboard. Hope you enjoy the work as much as I do.
Shortcuts, by Emma Ivansson, 2021. embroidery and paint on cotton/polyester
Susan Sontag’s annotated Finnegans Wake [via @HamishH1931]
“You write the beginning and then you go back and rewrite the beginning, and you never got off page one. It’s kind of a syndrome, and I have a rash piece of advice which is — Go on, page two, page three, and never look back. Get something finished, no matter how lousy it is. […] Perfectionists cannot get going unless they kind of do violence to their own instincts, and just blast ahead.”
— Ursula K. Le Guin, The Last Interview and Other Conversations
Melech House, where Mom died (2017-18) filet crochet
Jenny Holzer, from The Living Series (1989) photos taken at the Minneapolis Sculpture Garden in 2017
Image description: four snapshots of grey granite park benches. Each bench is engraved with a short text:
1. SOME DAYS YOU WAKE AND IMMEDIATELY START TO WORRY. NOTHING IN PARTICULAR IS WRONG. IT'S JUST THE SUSPICION THAT FORCES ARE ALIGNING QUIETLY AND THERE WILL BE TROUBLE.
2. IT TAKES A WHILE BEFORE YOU CAN STEP OVER INERT BODIES AND GO AHEAD WITH WHAT YOU WERE TRYING TO DO.
3. WHAT A SHOCK WHEN THEY TELL YOU IT WON'T HURT AND YOU ALMOST TURN INSIDE OUT WHEN THEY BEGIN.
4. IT CAN BE STARTLING TO SEE SOMEONE'S BREATH LET ALONE THE BREATHING OF A CROWD YOU USUALLY DON'T BELIEVE THAT PEOPLE EXTEND THAT FAR