sharon olds, "his terror" / "satan says"
Today's Document
2025 on Tumblr: Trends That Defined the Year
Game of Thrones Daily
d e v o n

No title available
Peter Solarz
Xuebing Du

izzy's playlists!
occasionally subtle

★

No title available
"I'm Dorothy Gale from Kansas"
sheepfilms
he wasn't even looking at me and he found me
taylor price

titsay

shark vs the universe
cherry valley forever
art blog(derogatory)
trying on a metaphor
seen from Germany
seen from United States

seen from Malaysia

seen from United States

seen from Italy
seen from Italy

seen from Spain

seen from Canada

seen from United States
seen from Italy
seen from United States

seen from United States

seen from United States
seen from United States
seen from United States
seen from Pakistan

seen from United Kingdom
seen from Singapore
seen from United States
seen from Mexico
@yourmanne
sharon olds, "his terror" / "satan says"
Isle of Skye - September 2020 Pentax 645 on Lomography 400
After the Carnival (1924-1926) by Jaromír Funke
Jaromír Funke :: After the Carnival I (from 12 Avant-Garde Photographs portfolio), 1924-1926; printed 2014. Gelatin silver print on Foma paper, printed from original glass negative. | src Robert Koch Gallery
view in hi-res on wordPress
Howard Tangye (Australian, b. 1948, Mt. Isa and Magnetic Island, Australia, based London, England) - 1: William H. (Lying Down on Side), 2010 2: Pamela (Hand on Head), 2016-2017, Drawings: Mixed Media on Pergamenata Paper
why aren’t we talking about this every single day...
Empty Though by Fernanda Maura 12.02.2015
stage and film portrayals of joan of arc
condola rashad (saint joan, 2018) / renée jeanne falconetti (the passion of joan of arc, 1928) / jean seberg (saint joan, 1957) / ingrid bergman (joan of arc, 1948) / milla jovovich (the story of joan of arc, 1999) / diana sands (saint joan, 1967)
Apeles Mestres, from “Iliana: A Poem,” 1907.
Mona Tougaard photographed by Josefine Seifert for Cecilie Bahnsen Pre-Spring 2019.
Georges Rousse - Sodoshima, 2018
“No point in answering the phone. You won’t be calling. Just like him–a lifetime of nevers, litanies of sadness to cipher on green kitchen linoleum.”
— Sarah Cortez, closing lines to “Turbulence,” Vanishing Points: Poems and Photographs of Texas Roadside Memorials, ed. Sarah Cortez (Texas Review Press, 2016)
A drink in the evening
becomes two, laughter then a free confession overlooking lavender
fields—man-made, another desert verdanted, in which one person
admits they are precious enough to hide—the night brings out
hunters—intoning survival in that shadow, blink of life in swallow
& vapor, body ever in revolt, a red centimeter of a mouth
asking what else. How we fail is how we continue.
— Khadijah Queen, from “Erosion,” Anodyne
Marble Head of Aphrodite Found in Ostia Antica
Robert Mapplethorpe, Chrysanthemum, N.Y.C., 1978
Volker Hermes
the song of achilles / harrow the ninth / this is how you lose the time war