wilder shores of love

mallory, 21, brooklyn based artist & baba yaga enthusiast

[m-oroiu-deactivated20230611]

sharon olds, "his terror" / "satan says"

[alifeingrain]

Isle of Skye - September 2020 Pentax 645 on Lomography 400

[hauntedbystorytelling]

After the Carnival (1924-1926) by Jaromír Funke

Jaromír Funke :: After the Carnival I (from 12 Avant-Garde Photographs portfolio), 1924-1926; printed 2014. Gelatin silver print on Foma paper, printed from original glass negative. | src Robert Koch Gallery

view in hi-res on wordPress

[redlipstickresurrected]

Howard Tangye (Australian, b. 1948, Mt. Isa and Magnetic Island, Australia, based London, England) - 1: William H. (Lying Down on Side), 2010  2: Pamela (Hand on Head), 2016-2017, Drawings: Mixed Media on Pergamenata Paper

[foreheadtouch]

why aren’t we talking about this every single day...

[skuunx]

Empty Though by Fernanda Maura 12.02.2015

[ohevoyev]

stage and film portrayals of joan of arc

condola rashad (saint joan, 2018) / renée jeanne falconetti (the passion of joan of arc, 1928) / jean seberg (saint joan, 1957) / ingrid bergman (joan of arc, 1948) / milla jovovich (the story of joan of arc, 1999) / diana sands (saint joan, 1967)

[folkhorrorrevival]

Apeles Mestres, from “Iliana: A Poem,” 1907.

[himneska]

Mona Tougaard photographed by Josefine Seifert for Cecilie Bahnsen Pre-Spring 2019.

[ortut]

Georges Rousse - Sodoshima, 2018

[whatyearisthis]

[memoryslandscape-deactivated202]

“No point in answering the phone. You won’t be calling. Just like him–a lifetime of nevers, litanies of sadness to cipher on green kitchen linoleum.”

— Sarah Cortez, closing lines to “Turbulence,” Vanishing Points: Poems and Photographs of Texas Roadside Memorials, ed. Sarah Cortez (Texas Review Press, 2016)

[lifeinpoetry]

                                                                         A drink in the evening

becomes two, laughter then a free confession overlooking lavender

fields—man-made, another desert verdanted, in which one person

admits they are precious enough to hide—the night brings out

hunters—intoning survival in that shadow, blink of life in swallow

& vapor, body ever in revolt, a red centimeter of a mouth

asking what else. How we fail is how we continue.

—  Khadijah Queen, from “Erosion,” Anodyne

[wolfsmilk]

Marble Head of Aphrodite Found in Ostia Antica

[arsvitaest-deactivated20260111]

Robert Mapplethorpe, Chrysanthemum, N.Y.C., 1978

[loueale]

Volker Hermes

[coronabeth]

the song of achilles / harrow the ninth / this is how you lose the time war