Jules of Nature
Keni
Misplaced Lens Cap

⁂
"I'm Dorothy Gale from Kansas"
Sweet Seals For You, Always
Sade Olutola
he wasn't even looking at me and he found me
RMH
Three Goblin Art
Show & Tell

Andulka
Lint Roller? I Barely Know Her
TVSTRANGERTHINGS
todays bird
let's talk about Bridgerton tea, my ask is open

❣ Chile in a Photography ❣
Aqua Utopia|海の底で記憶を紡ぐ
will byers stan first human second
Alisa U Zemlji Chuda
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@yutinglinmusic
Deep in the forest, where heavy feet sink, you mightn’t be quite as alone as you think.
The future of the record business is actually exciting and full of opportunities. Think about it, the chaos is leveling the playing field and to some degree we have a blank slate. I believe there will always be a need for A&R and record label services, in a new incarnation of course. But I do NOT believe record labels have a right to own the artists' masters. Our responsibility as record label representatives is to be both the creative and financial steward for artists. We are to establish an environment that allows the artists do what they do best, which is to: create, create, create.... perform / execute their conception. Further, we are responsible for teaching, educating artists. Yes, artists are out of their minds. It is because they are out of their minds that make them great. But that gives no person the right to exploit them which has been second nature for record executives. I get it, labels provide the funding to record an album, market and promote the album, establish the artist's brand, etc. But they still have no business owning the rights to the artist's creation. It is our responsibility to identify talent we are passionate about, form partnerships, and to turn their art into a viable business... so they can create more art. Yes, we should provide creative direction given our expertise on the marketplace. No, we should NOT take full creative control just because this is a new artist releasing their first record. We need to partner, manage, A&R, market, promote, brand, sell, invest on behalf of our artists.
Music is an emotional connection, a universal language that pulls from the deepest sentiments which builds empathy resulting in each of us to support each other, and most importantly, those who are gifted.
Feels a bit gimmicky.... Great, so you get a video response from Tinkerbell G and then what? Ok, you write a song here and there. What else? Businesses need scale. Most importantly, when they are in beta stage, at least give the sense that the business is showing some cards that reflect those sentiments.
God bless this guy for working so hard in attaining all of the information and building a comprehensive site for industry professionals. I only hope people will pay for this database....
labels just might have nothing left...
Having approved millions of dollars worth of tour support checks through my years as a record label executive, these numbers are very accurate. While it may be fun to get on stage and entertain, but fans truly have no idea the exhaustive and sometimes deflating life of a touring artist.
This is Airborne Music's little video. While it's compelling, the business model is not sustainable for blockbuster artists.
It's neat but this is not going to work.