Europa La dĂ©esse Europe et le taureau 73x54 charcoal and pigments on canvas The etymology of her Greek name (ΔáœÏÏÏ eurys "wide" or "broad" and áœ€Ï ops "eye(s)" or "face" ΔáœÏÏÏ, « large » et ᜀÏ, « Ćil, vue »
Claire Keane
art blog(derogatory)
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TMBGareOK. The Official They Might Be Giants tumblr
Interview Vampire Daily
Lint Roller? I Barely Know Her
EXPECTATIONS

Origami Around

#extradirty
Cosimo Galluzzi

shark vs the universe

tannertan36
One Nice Bug Per Day

Product Placement
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noise dept.

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@yvannabarut
Europa La dĂ©esse Europe et le taureau 73x54 charcoal and pigments on canvas The etymology of her Greek name (ΔáœÏÏÏ eurys "wide" or "broad" and áœ€Ï ops "eye(s)" or "face" ΔáœÏÏÏ, « large » et ᜀÏ, « Ćil, vue »
Forbidden Words
2014
Exposition Yvana & bARuT, "L'art en jeu" presents "Limits of my Language" 2015
Non Humans Subjectivity
Cooperative work
From the Point of view of a fly and a boy
elements of bARuTÂ
2014
for Berlin Art Labaratory
Letters exchange on fb between two artists from different parts of the world, talking about life, social identities, loneliness, cities, and giving some spontaneous courage and building a beautiful friendship.
Collaboration & improvisation...In improvisation you must surrender the 'I' to the moment, to the whole and so you can be wholly in the present. Taking in information and feeding it out without holding on..simply give to what is created...There is no 'I'..
A short movie video about Cities in History and life as itself. And that is portable. Take a look !Â
Portable art (sometimes called mobiliary art) refers to the small examples of Prehistoric art that could be carried from place to place Borjan Zarevski, Yvana Samandova, Elements of bARuT
"QUOTES"
âIn quoting others, we cite ourselves.â
We need no longer speak of a âcoming ageâ of the network society. Today, a majority of our social interactions assume the proper, efficient functioning of global, digital networks. How we conduct business, exchange ideas, entertain ourselves, and participate in politics relies upon dependable flows of information. This network society is governed by what Jean-Francois Lyotard defined more than thirty years ago as a âlogic of maximum performanceâ: a cybernetic ideology driven by dreams of an error-free world of 100 percent efficiency, accuracy, and predictability. Given the growing dominance of this ideology of informatic control, error provides us with an important critical lens for understanding what it means to live within a network society. Error reveals not only a systemâs failure, but also its operational logic. This logic of maximum performance demands that error is either contained as predictable deviation, âcaptured,â for example, by the all-too-familiar error messages of everyday life, or nullified as an outlying and a signifying event. Occasionally, though, error slips through. In these moments, error calls attention to its etymological roots: a going astray, a wandering from intended destinations. In its âfailure to communicate,â error signals a path of escape from the predictable confines of informatic control: an opening, a virtuality, a ((poiesis))
Bordes of Language
Plus nous montons dans la contemplation la plus limitĂ©e devient notre expression de ce qui est purement intelligible; mĂȘme comme aujourd'hui, lors de la plongĂ©e dans l'obscuritĂ© qui est au-dessus de l'intellect, nous passons pas seulement dans la briĂšvetĂ© de discours, mais mĂȘme dans le silence absolu, de pensĂ©es ainsi que des mots ... nous montons de bas en haut pour ce qui est le plus Ă©levĂ©, et selon le degrĂ© de la transcendance, de sorte que votre discours est retenu jusqu'Ă ce que, toute la montĂ©e Ă©tant accompli, nous devenons totalement sans voix, dans la mesure oĂč nous sommes absorbĂ©s dans celui qui est totalement ineffable
Le monde est mon monde: cela se manifeste dans le fait que les limites du langage (de cette langue qui, seule, je sous-position) ce sont l les limites de mon monde "; donc "je suis mon monde.
Les limites de mon langage signifient les limites de mon monde; mais toutes les langues ont une seule et mĂȘme logique, et ses limites sont celles du monde; par consĂ©quent, les limites de mon monde et les limites du monde sont une seule et mĂȘme; donc le monde est mon monde
« Silence »
du 24 avril au 24 mai
Vernissage le 23 avril
Exposition collective ouÌ les artistes s'interrogent sur l'usage du silence dans nos socieÌteÌs contemporaines et sur l'aboutissement de nos paroles engageÌes.
Avec Yvana Barut Samandova, Bernardo Spector, Young Guideog, Shin Suk Bin, Janice Szczypawka, Kyoko Kasuya et Bahar Majdzadeh.
Exposition preÌsenteÌe aÌ l'Inattendue - Galerie de la Maison des initiatives eÌtudiantes En partenariat avec l'EnvoleÌe bleue
ChargeÌe de programmation : Anais de Senneville | Coordinatrice : Alix ChassefieÌre
Special thanks to Jivko Panev et Iana Pavlova
Under the Subway Video Art Night
Fourth edition: The Under the Subway Video Art Night  2014 Curated by Antonio Ortuño. Saturday June 14th, 7:30pm at The Local NYC, 1302 44th Avenue. Long Island City, New York 11101
Videoartists: Isabel PĂ©rez del Pulgar, Elvira Palazuelos & Emilio Lizcano, Albert Bayona, Rolando Peña, AusĂn SĂĄinz, David Farran de Mora, Paloma Rodera, Diego Barrera, Paupac Azul, Rodolfo Graziano, Irene Cruz, Julia Martos, Mauricio Sanhueza, ClaRa ApaRicio Yoldi, Lisi Prada, Jeremy Newman, Sofia Olsson, SĂĄvio Leite, Elisa Merino, Leyla Rodriguez & Cristian Straub, Jorge Catoni, Barbara Rosenthal, Yvana Samandova & Borjan Zarevski, RubĂ©n GonzĂĄlez, Marcela Orellana, Daniel Poveda, Arnaud Brihay, Tyrone Brown-Osborne, Antonio BenĂtez, Isabel GarcĂa-MuntĂ© & ClĂ udia Vives-Fierro, Peter T. Christenson, PS3 Pedro Sanchez III, David Anthony Sant, Santiago Delgado Escribano, Jose Ignacio Jose Callen, Lorenzo SanjuĂĄn, Agni Zotis, Bernardo Tejeda VĂĄzquez, Mario GutiĂ©rrez Cru, Josefin Andersson, Toby Kaufmann-Buhler, Nino Maza & Celine Beslu, Alessandro Rolandi& Feng Hao, Simone Stoll, Omar LĂłpez HernĂĄndez, Calypso Larah & Alexandros Papadopoulos , Pablo Lerma, Joaquin Delgado, Balam Soto, Celina Alvarado, Fiorella Angelini, Paula Abalos, Sofia Nercasseau. This event is made possible by Local Project Art Space with the special collaboration of THE LOCAL NYC . Local Project is a 501 (c) (3) non profit arts organization.
Invitation officielle Ă la performance secrĂšte de Fred Forest avec #GoogleGlass #SociologicalWalk; A suivre sur https://www.facebook.com/fredforestart et aussi sur Twitter @sociologicwalk si vous n'ĂȘtes pas sur place. Ah oui le lieu sera fixĂ© au dernier moment.... Heures françaises : 22h Ă 00h30
I am extremely happy to present this wonderfull video finally using Kafka's phrase from "A trip to the mountain" and in the same time having this wonderfull collaboration and aesthetic association between : Klaus Felitz, Yvana Samandova, Sylvia Toy St Louis, Rodrigo Soares, Borjan Zarevski 2014 as elements of bARuT Filmed in : San Francisco, Vienne, Brazil, Perunian Amazonia Point blank -- creating collaboration art is not for everyone. For those who can work jointly -- creating collaborative art can be a powerful experience. Mutual respect... mutual effort. Enjoy art !
A letter
a dreamÂ
angel
the apple tree
By a f t e r ) ( a r t | Magazine for the con·nois·seur of any authentic expression
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