Today's Document
TVSTRANGERTHINGS
Sade Olutola

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izzy's playlists!
Noah Kahan

Origami Around

if i look back, i am lost
Stranger Things

pixel skylines

★
The Stonewall Inn
Show & Tell
let's talk about Bridgerton tea, my ask is open
2025 on Tumblr: Trends That Defined the Year
Misplaced Lens Cap
Monterey Bay Aquarium
Mike Driver

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oozey mess

seen from United States

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seen from United States

seen from Malaysia

seen from United States
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@zeddified
in thought
I've made this post like six times but it still fucks me up the China's mountains just look like that. Like I spent decades thinking it was stylistic but no, they just have different mountains over there.
For reference, here's what my local mountains look like:
Here's the general art style Chinese mountains are drawn in:
And here's how some of them actually look:
What the FUCK
I’m specifically reblogging this here because I know there is a geological reason for this and I know at least one of you has to know it.
thank you
The photo isn't karst actually (though there is a lot of cool looking karst in China, too). These pillars are very hard sandstone (possibly metaphorphosed into quartzite aka really really hard sandstone, but I'm not sure because most of the papers I found were in Mandarin, so).
The region underwent some kind of uplift after the sandstone formed, water eroded along joints in the rock (aka systems of fractures related to regional stress). The Really Really Hard Sandstone was thick enough and strong enough to stay standing even as water cut deeper and deeper canyons around the pillars.
If you want to do your own googling, the area is called Zhangjiajie. It was the inspiration for the floating islands of Pandora from Avatar (just erase bottom bits of the pillars...voila!).
The pictures are impressive, but the place is truly mind-boggling in person. If you have a chance to visit, do.
This shouldn’t have been hidden in the tags cause it adds to how cool the whole place is.
sea slug saturday lets go
You know what Good Omens does NOT get enough credit for? How it never, not once, makes gender presentation the butt of a joke.
Crowley presenting as female to be Warlock’s Nanny? The way this was filmed, acted, and written wasn’t made to be funny whatsoever. She was stunning, I loved the hat!
Pollution using they/them pronouns while the postman used the gender neutral honorific of sir for them? What’s there to make fun of? They’re royalty.
Archangel Michael, who has a traditionally male name, played by a female actress? Never questioned.
Lord Beelzebub’s androgyny? Only respect for the Lord of Hell.
Aziraphale sharing Madame Tracy’s body? Crowley recognized his angel and accepted it no problem. He was right about the dress too, it did suit him!
Crowley’s pure, unfiltered non-binary/gender-fluid energy in general? Fucking fabulous. Who could seriously make fun of this demon’s style? As someone once pointed out to me, you could swap him with Tilda Swinton and I’d see no difference. What an icon.
Good Omens is the first big show I’ve seen to basically avoid transphobia all together when the opportunity presented itself, and even say fuck you to the gender binary as a bonus. If the biggest binary in all the universe, Heaven and Hell, don’t give a damn about it then why should you?
Thank you! That was definitely what we were going for. I’m not certain we always achieved it – or at least, people didn’t always seem to see that was what we were doing. (It made me sad when a few people on Twitter reacted to Crowley-as-nanny as if it was meant to be a transphobic man-in-a-dress joke.)
For our angels and demons, it was intensely liberating having male and female actors auditioning for the same roles, and just picking the ones who we felt nailed the characters best.
Also, can I just hear a wahoo for the wonderful Archangel Uriel, Gloria Obianyo?
10 Female Written Short Stories Everyone Should Read
I have seen a post circulating for a while that lists 10 short stories everyone should read and, while these are great works, most of them are older and written by white men. I wanted to make a modern list that features fresh, fantastic and under represented voices. Enjoy!
1. A Temporary Matter by Jhumpa Lahiri — A couple in a failing marriage share secrets during a blackout.
2. Stone Animals by Kelly Link — A family moves into a haunted house.
3. Reeling for the Empire by Karen Russell — Women are sold by their families to a silk factory, where they are slowly transformed into human silkworms.
4. Call My Name by Aimee Bender — A woman wearing a ball gown secretly auditions men on the subway.
5. The Man on the Stairs by Miranda July — A woman wakes up to a noise on the stairs.
6. Brownies by ZZ Packer — Rival Girl Scout troops are separated by race.
7. City of My Dreams by Zsuzi Gartner — A woman works at a shop selling food-inspired soap and tries not to think about her past.
8. A Good Man is Hard to Find by Flannery O’Connor — A family drives from Georgia to Florida, even though a serial killer is on the loose.
9. Hitting Budapest by NoViolet Bulawayo — A group of children, led by a girl named Darling, travel to a rich neighborhood to steal guavas.
10. You’re Ugly, Too by Lorrie Moore — A history professor flies to Manhattan to spend Halloween weekend with her younger sister.
Would like to contribute the following by Amal El-Mohtar because her work is amazing and will make you cry prob:
Seasons of Glass and Iron, which is award-winning and fabulous and a reimagining of two fairy tales.
A Tale of Ash in Seven Birds. A story about “migration, and borders, and nations” in the form of magic. Unfortunately can’t find a link to it, but it’s in the book collection The Djinn Falls in Love.
i’m watching an art theft documentary and they’re interviewing this art history professor from new york who was asked to go with the fbi to authenticate a rubens that had been stolen but it was a sting operation so they had to pretend like they weren’t the fbi, that they were some private buyer about to pay $3.5 million for it, and the fbi was like “this is a VERY delicate operation because you never know how they will react to what you have to say so let the agent do all of the talking, don’t say a word to anyone just nod if it’s the rubens, the last operation we did the guy in your position got shot because things went wrong in a second” and then it cuts to the professor’s interview and he says “i wasn’t going to fly down to miami to be a part of an undercover fbi sting operation to handle what could be rubens’s aurora and just NOT say anything. i was gonna have to ad lib a little” and then he tells the interviewer that when he & the fbi agent got to the hotel while he was examining the painting he started lecturing the other people, first on how badly they had wrapped it, and then about like how it had been painted, the history of it, what the subject was and what she was doing, etc etc, and he was like “i hadn’t taught a class on rubens in 15 years, so for me it was like being back in the classroom except my students couldn’t leave”
at one point during the deal the professor turned to the woman selling it and he said “isn’t this just the most beautiful rubens you’ve ever seen outside of a museum?” (because the fbi had told him earlier that this piece had been stolen from a museum) and THEN he said “where on earth did you get it from?” and the group of people the woman had with her was like taxidermy-fox.png but the woman was like “inheritance” can you IMAGINE the fbi agent about to have a fucking aneurysm when this random guy you’ve brought in just to nod if it’s the right painting not only starts giving an impromptu lecture but then he asks how they got it
https://www.youtube.com/watch?v=0B4Zm-Aa74Y&t=2613s
omg BLESS YOU for the link and the time stamp that was as glorious as described by the OP
“We must be bilingual even in a single language, we must have a minor language inside our own language, we must create a minor use of our own language…speaking in one’s own language like a foreigner…That is the definition of style.”
— Gilles Deleuze & Claire Parnet, Dialogues II
i’m watching an art theft documentary and they’re interviewing this art history professor from new york who was asked to go with the fbi to authenticate a rubens that had been stolen but it was a sting operation so they had to pretend like they weren’t the fbi, that they were some private buyer about to pay $3.5 million for it, and the fbi was like “this is a VERY delicate operation because you never know how they will react to what you have to say so let the agent do all of the talking, don’t say a word to anyone just nod if it’s the rubens, the last operation we did the guy in your position got shot because things went wrong in a second” and then it cuts to the professor’s interview and he says “i wasn’t going to fly down to miami to be a part of an undercover fbi sting operation to handle what could be rubens’s aurora and just NOT say anything. i was gonna have to ad lib a little” and then he tells the interviewer that when he & the fbi agent got to the hotel while he was examining the painting he started lecturing the other people, first on how badly they had wrapped it, and then about like how it had been painted, the history of it, what the subject was and what she was doing, etc etc, and he was like “i hadn’t taught a class on rubens in 15 years, so for me it was like being back in the classroom except my students couldn’t leave”
at one point during the deal the professor turned to the woman selling it and he said “isn’t this just the most beautiful rubens you’ve ever seen outside of a museum?” (because the fbi had told him earlier that this piece had been stolen from a museum) and THEN he said “where on earth did you get it from?” and the group of people the woman had with her was like taxidermy-fox.png but the woman was like “inheritance” can you IMAGINE the fbi agent about to have a fucking aneurysm when this random guy you’ve brought in just to nod if it’s the right painting not only starts giving an impromptu lecture but then he asks how they got it
Sandman #43 (1992)
Writer: Neil Gaiman
Artist: Jill Thompson
What can I say, I’m a sucker for abandoned stuff, misplaced stuff, forgotten stuff, any old stuff which despite the light of the progress and all that, still vanishes every day like the shadows at noon, goings unheralded, passings unmourned, well, you get the drift. As a counselor once told me — a Counselor for Disaffected Youth, I might add: “You like that crap because it reminds you of you.” Couldn’t of said it better or put it more bluntly.
Danielewski, Mark Z. House of Leaves. 2nd Edition. NY: Pantheon Books, 2000, p 21. (via zeddified)
Rebecca Lindenberg | Interview in The Believer | March 27 2012
My friend told me a story he hadn’t told anyone for years. When he used to tell it years ago people would laugh and say, ‘Who’d believe that? How can that be true? That’s daft.’ So he didn’t tell it again for ages. But for some reason, last night, he knew it would be just the kind of story I would love. When he was a kid, he said, they didn’t use the word autism, they just said ‘shy’, or ‘isn’t very good at being around strangers or lots of people.’ But that’s what he was, and is, and he doesn’t mind telling anyone. It’s just a matter of fact with him, and sometimes it makes him sound a little and act different, but that’s okay. Anyway, when he was a kid it was the middle of the 1980s and they were still saying ‘shy’ or ‘withdrawn’ rather than ‘autistic’. He went to London with his mother to see a special screening of a new film he really loved. He must have won a competition or something, I think. Some of the details he can’t quite remember, but he thinks it must have been London they went to, and the film…! Well, the film is one of my all-time favourites, too. It’s a dark, mysterious fantasy movie. Every single frame is crammed with puppets and goblins. There are silly songs and a goblin king who wears clingy silver tights and who kidnaps a baby and this is what kickstarts the whole adventure. It was ‘Labyrinth’, of course, and the star was David Bowie, and he was there to meet the children who had come to see this special screening. ‘I met David Bowie once,’ was the thing that my friend said, that caught my attention. ‘You did? When was this?’ I was amazed, and surprised, too, at the casual way he brought this revelation out. Almost anyone else I know would have told the tale a million times already. He seemed surprised I would want to know, and he told me the whole thing, all out of order, and I eked the details out of him. He told the story as if it was he’d been on an adventure back then, and he wasn’t quite allowed to tell the story. Like there was a pact, or a magic spell surrounding it. As if something profound and peculiar would occur if he broke the confidence. It was thirty years ago and all us kids who’d loved Labyrinth then, and who still love it now, are all middle-aged. Saddest of all, the Goblin King is dead. Does the magic still exist? I asked him what happened on his adventure. ‘I was withdrawn, more withdrawn than the other kids. We all got a signed poster. Because I was so shy, they put me in a separate room, to one side, and so I got to meet him alone. He’d heard I was shy and it was his idea. He spent thirty minutes with me. ‘He gave me this mask. This one. Look. ‘He said: ‘This is an invisible mask, you see? ‘He took it off his own face and looked around like he was scared and uncomfortable all of a sudden. He passed me his invisible mask. ‘Put it on,’ he told me. ‘It’s magic.’ ‘And so I did. ‘Then he told me, ‘I always feel afraid, just the same as you. But I wear this mask every single day. And it doesn’t take the fear away, but it makes it feel a bit better. I feel brave enough then to face the whole world and all the people. And now you will, too. ‘I sat there in his magic mask, looking through the eyes at David Bowie and it was true, I did feel better. ‘Then I watched as he made another magic mask. He spun it out of thin air, out of nothing at all. He finished it and smiled and then he put it on. And he looked so relieved and pleased. He smiled at me. ‘'Now we’ve both got invisible masks. We can both see through them perfectly well and no one would know we’re even wearing them,’ he said. ‘So, I felt incredibly comfortable. It was the first time I felt safe in my whole life. ‘It was magic. He was a wizard. He was a goblin king, grinning at me. ‘I still keep the mask, of course. This is it, now. Look.’ I kept asking my friend questions, amazed by his story. I loved it and wanted all the details. How many other kids? Did they have puppets from the film there, as well? What was David Bowie wearing? I imagined him in his lilac suit from Live Aid. Or maybe he was dressed as the Goblin King in lacy ruffles and cobwebs and glitter. What was the last thing he said to you, when you had to say goodbye? ‘David Bowie said, ‘I’m always afraid as well. But this is how you can feel brave in the world.’ And then it was over. I’ve never forgotten it. And years later I cried when I heard he had passed.’ My friend was surprised I was delighted by this tale. ‘The normal reaction is: that’s just a stupid story. Fancy believing in an invisible mask.’ But I do. I really believe in it. And it’s the best story I’ve heard all year.
Paul Magrs (via yourfluffiestnightmare)
Corden | Meyers | Kimmel | Colbert | Conan
Coyote Peterson Searches the Jungle For Glass Frogs, Amazing Amphibians With Translucent Skin
Growing up in an angry household is honestly so terrifying. Where if you make one tiny mistake you get tormented and treated like you are the worst child in the world. Children make mistakes, children break things accidently. Nice things, expensive things, they are children. To this day if I accidently drop the small gate to keep my dog out of the living room I fucking cringe because I know I am going to be SCREAMED at and I’m 23 years old. It instilled fear and anxiety in me, that never should have existed as a child. Your children should not be terrified of you. Your children are allowed to have accidents