Same energy
Hera is so done of her boy failure of a husband
One Nice Bug Per Day
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hello vonnie
🩵 avery cochrane 🩵

Product Placement
art blog(derogatory)
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KIROKAZE
The Stonewall Inn

Andulka

#extradirty
I'd rather be in outer space 🛸

titsay
NASA
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let's talk about Bridgerton tea, my ask is open

tannertan36
Aqua Utopia|海の底で記憶を紡ぐ

if i look back, i am lost

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@zeusdefender23
Same energy
Hera is so done of her boy failure of a husband
Phidias Chiseling the bust of Zeus(1802) - József Dorffmeister
The Greek Sculpture, Phidias, in dialogue as if in a trance with the divine inspiration guiding his chisel to sculpt out the image of Zeus. The spirit of Zeus appears from the clouds as an Apparition guide. Phidias raised hand indicates a greeting to Zeus’s presences. This scene is illuminated with much religious meaning.
József Dorffmeisiter (1764-1807), A German painter, son of painter István Dorffmeister (Stephan Dorffmeisiter) . He studied with his father and at Vienna Academy. He was originally an architecture painter with his father, but then later started to paint altarpieces and portraits. This painting was submitted for the Vienna Academy as a reception piece in 1804. However it brought him no membership.
From what I’ve heard from people who’ve watched the odyssey it seemed liked it sucked and was full of dramatic scenes that added no substance to the story and cringe dialogue. Seems to be another Movie made by a white person who disregards the Mediterranean and Middle Eastern cultures that have interacted with each other to profoundly shape Greek mythology as we know it today.
(Also seems liked he doesn’t care for the female characters within the odyssey)
Odyssues when he won Achilles Armor knowing his short-ass will never fit it (it’s for bragging rights)
I mostly worship Zeus Aethiops (Aka zeus the black) and i got so used to seeing with dark or tanned skin that whenever i see arts of him being this typical representation of white skin and white hair with blue eyes it’s like ahhhh jumpscare 💔💔
Sorry guys for me Zeus will always be black (or tanned) and with black hair. Sometimes i do actually see him with white hair though, these to represents the clouds. But in skin color for me he will always have melanin, unless its Albin Zeus but he still has like some mediterranean - black characteristics yknow
So real
Sketch of my Zeus design
(More of a concept)
Ares and Aphrodite sketches (very iconic couple)
If Hera impregnated Zeus it would fix their marriage I think.
Jupiter(Greek Zeus), Neptune(Greek Poseidon) and Pluto(Greek Hades) (c. 1597)
This painting is by the infamous Italian Baroque master Michelangelo Merisi da Caravaggio, located in the Villa Aurora (Casino di Villa Boncompagni Ludovisi), which is a famous 16th century hunting lodge in central Rome belonging to Cardinal Francesco Maria del Monte.
Monte would have a 9 by 6 foot masterpiece, painted around 1597 by Caravaggio (Monte commissioned) depicting Jupiter, Neptune, and Pluto on the ceiling in his Alchemy laboratory.
Each figure in this painting can be identified by his beast: Jupiter by the eagle, Neptune by the hippocamp, and Pluto by the three-headed dog Cerberus. In the middle of the three figures is the celestial sphere which revolves around the sun which Jupiter is reaching out to move.
The poses are probably the most dynamic and interesting thing about this painting.
Source
Zeus-Ammon
The religion of Ancient Greece has always been capable of incorporating forging deities into their belief system. This is seen with many synchronized deities like Isis-Demeter, Heracles-Melqart, Serapis, etc.. most of these foreign deities come from civilizations like Egypt, Phoenicia, and Persia.
Zeus-Ammon was a syncretic deity in ancient Egypt during the Hellenistic period. This blended god combined attributes of the Greek god Zeus, king of the Olympians, and the Egyptian god Amun, King of the gods. The deity emerged during the reign of Alexander the Great and his successors when cultural exchange between Greek and Egyptian civilizations occurred.
The iconic ram horns seen on the bust is an attribute of Amun as he was often depicted with a ram head. The humanoid features seen on the bust are likely attributes from Zeus. Looking at statues of him made from around the same time period as this statue (late 5th century BCE) we can see obvious similarity’s in facial features.
Examples:
Statue of Zeus at Olympia (c. 430 BCE century)
19th century illustration of what the 5th century BCE statue of Zeus at Olympian one of the scene wonder may have looked like
However, the facial features depicted on Zeus-Ammon were sometimes more similar to Alexander’s the Greats as his relationship with the syncretized deity was very close. Once Alexander and his men reached Oasis upon their invasion in Egypt to liberate the people, Alexander was guided to the temple of the Oracle, where the high priest of Ammon declared Alexander as the son of Zeus-Ammon.
Here are some instances in which Alexander linked himself to Zeus-Ammon:
“Alexander's wish to have his subjects prostrate (bow) before him was, in part, motivated by his status as the son of Zeus-Ammon (Arrian, Book 4 & Curtius, 8.5.5-6).”
“Plutarch quotes Alexander as saying "And it is the blood of these Macedonians and their wounds which have made you so great that you disown your father, Philip, and claim to be the son of Ammon!" (50). Alexander killed Clitus the Black (A close friend of Alexanders) in a rage shortly afterwards.”
“Upon reaching the Indian Ocean, Alexander made sacrifices in accordance with instructions he received from Ammon (Arrian, Book 6). It has been speculated that he viewed this achievement as the fulfillment of the oracle's prophecy that he would conquer the world.”
Different artisans would plaster and create the new image of Zeus-Ammon with combined features of Alexander himself across many art forms such as coinage, which is shown below, marble sculpture, and jewelry.
A silver coin produced under the reign of Lysimachus (297-281 BCE) which depicts Alexander the Great with the traits of Zeus-Ammon.
Source
Source
Source
Heres a drawing I made of them
Zeus-Ammon
The religion of Ancient Greece has always been capable of incorporating forging deities into their belief system. This is seen with many synchronized deities like Isis-Demeter, Heracles-Melqart, Serapis, etc.. most of these foreign deities come from civilizations like Egypt, Phoenicia, and Persia.
Zeus-Ammon was a syncretic deity in ancient Egypt during the Hellenistic period. This blended god combined attributes of the Greek god Zeus, king of the Olympians, and the Egyptian god Amun, King of the gods. The deity emerged during the reign of Alexander the Great and his successors when cultural exchange between Greek and Egyptian civilizations occurred.
The iconic ram horns seen on the bust is an attribute of Amun as he was often depicted with a ram head. The humanoid features seen on the bust are likely attributes from Zeus. Looking at statues of him made from around the same time period as this statue (late 5th century BCE) we can see obvious similarity’s in facial features.
Examples:
Statue of Zeus at Olympia (c. 430 BCE century)
19th century illustration of what the 5th century BCE statue of Zeus at Olympian one of the scene wonder may have looked like
However, the facial features depicted on Zeus-Ammon were sometimes more similar to Alexander’s the Greats as his relationship with the syncretized deity was very close. Once Alexander and his men reached Oasis upon their invasion in Egypt to liberate the people, Alexander was guided to the temple of the Oracle, where the high priest of Ammon declared Alexander as the son of Zeus-Ammon.
Here are some instances in which Alexander linked himself to Zeus-Ammon:
“Alexander's wish to have his subjects prostrate (bow) before him was, in part, motivated by his status as the son of Zeus-Ammon (Arrian, Book 4 & Curtius, 8.5.5-6).”
“Plutarch quotes Alexander as saying "And it is the blood of these Macedonians and their wounds which have made you so great that you disown your father, Philip, and claim to be the son of Ammon!" (50). Alexander killed Clitus the Black (A close friend of Alexanders) in a rage shortly afterwards.”
“Upon reaching the Indian Ocean, Alexander made sacrifices in accordance with instructions he received from Ammon (Arrian, Book 6). It has been speculated that he viewed this achievement as the fulfillment of the oracle's prophecy that he would conquer the world.”
Different artisans would plaster and create the new image of Zeus-Ammon with combined features of Alexander himself across many art forms such as coinage, which is shown below, marble sculpture, and jewelry.
A silver coin produced under the reign of Lysimachus (297-281 BCE) which depicts Alexander the Great with the traits of Zeus-Ammon.
Source
Source
Source
Baby Zeus Aura Farming bc he can
Inspired from that one infant Jupiter painting by Sir Joshua Reynolds
Jupiter (Greek Zeus), Hera and Venus (Greek Aphrodite) having an pet play date.
Jupiter, Hera, and Venus- Mattheus Terwesten
I love how one of the Erotes is holding the dove with the leash and Zeus eagle (also childhood bsf or bf), Aetos, is holding his thunderbolt as if protecting it. Then there’s Hera and her peacock in their own world together.
It also seems that Jupiter and Venus are deep in a conversation, maybe gossiping? I can also see one of the Erotes reaching out to Aetos which is adorable.
Modern Persomeda
(Sadly I couldn’t find much information on this photograph)
Some sketches of my Hera desgin (TW: NUDITY)
Tumblr pls have mercy on me
The Feast of the Gods. The Wedding of Peleus and Thetis- Jan Brueghel the Elder
Summary: Sea Nymph Thetis, daughter of Nereus, and leader of Nereids was admired by both Poseidon and Zeus until they found out the prophecy. Her son will be greater than his father. So they decided to marry her off to a mortal king named Peleus as to avoid any danger. Peleus tracks down Thetis and does not release his grasp of her as she tries to shake him off by transforming into various of shapes, and it was soon enough that she would surrender to him and marry him. Zeus throws a huge feast to celebrate their marriage which is being illustrated in the painting.
Date: 1589-1632
Museum: Statens Museum for Kunst
Analyzation: Looking at this painting a lot is going on, but if we look closer and not focus on everything at once we can notice which god is which and little details that make this painting come together. Starting in the front left we can see Hebe bringing an amphora of likely wine. The small baby who is looking up at her is Eros which is notable by his wings, sash of arrows and the bow and in his hand. It also looks like he is playing in his father’s, Ares, armor.
The women and man on the start of the left side of the table who seemed to be a couple are likely Thetis and Peleus, and we can see Thetis doesn’t seem to happy and is talking (maybe venting?) as Peleus listens with an enamored look. The many women behind them and those deeper in the cave dancing are nymphs as they don’t have any symbolic objects or that suggest that they are a predominant deity.
Going down the left side of the table we can see more recognizable olympians, such as Hera and Hermes chatting and Demeter next to Hermes putting down a plate of lobster. In the hollow corner of the cave we can see Apollo and the muses playing music and a muse leaning down to who can be assumed as Artemis, and looking over her shoulder as if trying to see what she is reading. Next to Artemis we can see Athena who is looking over the feast.
Moving to the Font right of the painting we can see Poseidon looking down at who can be assumed the erotes who are causing chaos and you can see the some of them floating above. Poseidon is also sitting on some type of sea creature (maybe a crocodile or alligator) with his trident under it (possibly to protect it). Going down to the end of the right side of the table we c an finally see Aphrodite and Zeus talking, which Aphrodite seems to be pointing to Hera, maybe she is possibly giving some love advice to Zeus on how to make it up to Hera knowing their relationship.
Going outside of the cave we can see a couple nymphs out there lounging.
Other thoughts: When looking at this painting I tried to look for Eris as she was the only god not invited to the feast yet showed up with the golden apple, which would later trigger the Trojan war. But it seems here that she’s not present or maybe she is and I dont see it. Besides that this painting was very cluttered and I decided to take on the challenge to figure out which god is which, and what is exactly going on in different parts of this painting during the feast, which was both fun and difficult.
Thinking of a Velchanos (young boy Zeus) design based on the Palaikastro Kouros