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diana-andraste

Château de cartes (House of Cards), Emmanuel Sougez, 1928

thesmallthingsspecialist

"Were you too kind to me, I wonder?"

A beautiful intro from Dir En Grey's "Cage." 🎵🌹

hisayoshi-sama

romanticneurose

Haiiro No Ginka Fanart

Kyo (Dir En Grey)

aois-amaterasu-painting

The GazettE symbolism analysis - part 3 - black, red and 13 stairs

DAWN lyrics translation:

I sing, digging up [memories of] my past I’d loved so completely From within the depths of the void Time stood still while the distorted dark clouds swirled all around I was bound up in innumerable shackles And I want to lose myself in the reality reflected in the chaos around me I’ve already had a lethal dose of misfortune The ruined gallows towers above me Overcast sky, Counting song, the sound of approaching footsteps Wild party with emotions running high A merry-go-round of deepest red unfurled That day was the beginning of it all 13 stairs foretell the metamorphosis

aois-amaterasu-painting

MASS limited edition book + all songs lyrics translations

ROLLIN'

Crumbling with the setting sun To the drowned palm of my hand Anywhere I go, anywhere I turn I'm falling into the darkness With the fear of regurgitating Writhing in my head Screaming until I rot away The now in which I struggle An endless future, into the darkness I'm writhing as I fall Even if the answer is going to fade away Please don't change Even as our love moves

aois-amaterasu-painting

The GazettE - DOGMA book + lyrics translations

Ruki:

The current situation the GazettE finds itself in. And the attitude we are trying to uphold there. The title track reflects this most vividly. At the same time, it also contains a kind of antithesis.

Uruha:

Once the concept of the album was decided, this song remained true to the image I imagined while thinking about touring with such a worldview. In other words, it also marks the beginning of the flow of time from now on. Without fearing misunderstanding, I think it's a straightforward song that should be easy to understand, even though it may not seek expansiveness. It is precisely the song that embodies the theme of "dogma," nothing more or less than that.

aois-amaterasu-painting

Black B- PASS- Special Issue - The GazettE - NINTH Reference book - (part 2 - song comments & lyrics translations)

1. 99.999

Uruha: "This time, since it's our ninth album, we wanted to make it a culmination of everything we've done so far. We wanted the SE (sound effects) to convey that as well, so we incorporated sounds from the SEs used in the past eight albums in a way that's noticeable. It was quite a challenge to collect all the past SEs, cut out recognizable parts from each, like 'DISORDER' from the album 'DISORDER', and blend them in without breaking the harmony. Overall, we aimed for an industrial sound that might be harsh to the ears when listening casually but would really elevate the mood during live performances."

sayonaraaishiteru-blog

x-heesy

George Barbier (French: [ʒɔʁʒ baʁbje]), né Georges Augustin Barbier, (1882–1932) was one of the great French illustrators of the early 20th century. Born in Nantes, France on 16 October 1882, Barbier was 29 years old when he mounted his first exhibition in 1911 and was subsequently swept to the forefront of his profession with commissions to design theatre and ballet costumes, to illustrate books, and to produce haute couture fashion illustrations. For the next 20 years Barbier led a group from the Ecole des Beaux Arts who were nicknamed by Vogue “The Knights of the Bracelet"—a tribute to their fashionable and flamboyant mannerisms and style of dress. Included in this élite circle were Bernard Boutet de Monvel and Pierre Brissaud (both of whom were Barbier’s first cousins), Paul Iribe, Georges Lepape, and Charles Martin. During his career Barbier also turned his hand to jewellery, glass and wallpaper design, wrote essays and many articles for the prestigious Gazette du bon ton. In the mid-1920s he worked with Erté to design sets and costumes for the Folies Bergère and in 1929 he wrote the introduction for Erté’s acclaimed exhibition and achieved mainstream popularity through his regular appearances in L'Illustration magazine. Barbier died in 1932 at the very pinnacle of his success. He is buried in Cemetery Miséricorde, Nantes.

Soundtrack

miizerry

Mana sama.

kaffeetasseart

In memory of our favourite bassist.

aois-amaterasu-painting

"We, all the members, will accept all of your emotions, carry them, and lead you with all our might. That's the resolve with which I sing...!" (RUKI)

nightisthenotion

Toshiya and Kaoru of Dir En Grey

ranuunculus

35 min kaoru drawing..

alterin

their asses are NOT listening ❗️

aois-amaterasu-painting

DOGMA book: member interview translations

Interviewer: The keywords associated with "PROJECT: DARK AGE" and "THE OMINOUS YEAR," leading up to the release of "DOGMA," have all been gloomy, exuding a sense of despair rather than hope. Does this mean that the GazettE has been dwelling in darkness for a while?

Ruki: Rather than darkness...how should I put it? By the time the flow of time associated with our previous work "BEAUTIFUL DEFORMITY" had ended, we became aware of our standing and began thinking about what to do next. We weren't in the mood to create happy music (laughs), but we also weren't feeling gloomy. It was more like a sense of anger—a bundle of frustration. We are genuinely rebellious at heart, yet there were circumstances where we couldn't rebel, living as cogs in society.

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