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[thcrstlshp]

[pleoros]

[last-picture-show]

Marina Abramovic, The Kitchen (Homage to Saint Therese), 2009

[poetryconcrete]

Topography of Terror, by Peter Zumthor, 1993.

[yoursummerdreamz]

[last-picture-show]

Georgia O’Keeffe, Wave, Night, 1928

[just-art5]

Peder Mørk Mønsted - Spring Landscape, 1893 (details)

[hanhanfish]

From "July Notebook: For the Birds" by Robert Hass

“I had it in mind that this description of the weather would be a way to say things come and go, a way of subsuming the rhythms of arrival and departure to a sense of how brief the time is on a summer afternoon when the sun is warm on your neck and the world might as well be a dog sleeping on a porch, or a child for whom an afternoon is endless, endless. Time: thick honey, and no one saying goodbye

[ifeelanoceanoftearss]

It is essential to leave some space empty; you could — and should — never fill in all the blanks.

The north sea, Germany

[silviagrav]

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[hauntedbystorytelling]

[mythologyofblue]

Jean-Pascal Imsand, Untitled, Photomontage, 1985 source: Fondation Jean-Pascal Imsand/ProLitteris (via hauntedbystorytelling)

[nevver]

La bomba

[tru]

DAVID UZOCHUKWU

[pixendrit]

As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty

[2othcentury]

[sheabutterbitch]

[whileatsea]

A flower boy at the roadside  (Daqinh Mountain, Inner Mongolia, 1998) from [ The Chinese ] series by Liu Zheng (刘铮) * full feature