I did the cover myself, it's not perfect but i'm proud of it. Outline (and better view) under the cut.
Phantogram Three

#extradirty
Today's Document

@theartofmadeline
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❣ Chile in a Photography ❣
I'd rather be in outer space 🛸
Lint Roller? I Barely Know Her
noise dept.
Fieri Frames

Product Placement

blake kathryn
Keni
Claire Keane

Kiana Khansmith

izzy's playlists!
$LAYYYTER
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tumblr dot com
Show & Tell

seen from France

seen from United States
seen from Philippines
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seen from United States
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seen from Netherlands
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@zombie4life392
I did the cover myself, it's not perfect but i'm proud of it. Outline (and better view) under the cut.
Villain Motivation Prompts!!
─ .✦ A villain who was the hero of an earlier story, and lost so badly that becoming the villain felt like the only way to survive it
─ .✦ Someone who commits atrocities in perfect, sincere belief they're the last reasonable person left, and everyone else has gone mad
─ .✦ A villain who isn't wrong about the injustice, just wrong about what to do with the anger
─ .✦ Someone who became cruel one small compromise at a time, and can't identify the exact moment it stopped being self-defense
─ .✦ A villain who genuinely loves the people they're hurting, and has convinced themselves the hurting is temporary and necessary
─ .✦ Someone who was failed by every system meant to protect them, and built their own system instead, one nobody else survives
─ .✦ A villain whose worst act was done for someone who never asked them to do it, and wouldn't have wanted it
─ .✦ Someone who isn't seeking power, just certainty, after a life that gave them none
InuKag teddy bears 🧸🧸 or teddy dog Inuyasha and teddy bear Kagome
To all those who saw the WIP, Inuyasha now has pants.
my fave character in inuyasha.
. 𝐻𝑜𝓅!
I'm sure it was on Twitter / X, but not anymore... It was done by moroha_godmom
Advice for writing Blind or Low-Vision Characters!!
I've done a ton of research on this one specifically, this is a topic i know a lot about at this point. AND it's not total darkness for most people.
Blindness exists on a huge spectrum, and only around 10 to 20 percent of blind people have zero light or shape perception at all, the vast majority actually retain some form of usable vision, blurry shapes, tunnel vision, only peripheral vision, sensitivity to light and motion. Total blindness is genuinely the minority experience, not the default.
─ .✦ Echolocation and heightened senses are real, BUT NOT MAGIC!!. blind people do learn to use sound, texture, and smell more deliberately, bc they have to pay close attention to them, it's a skill built through necessity and practice, not a supernatural upgrade. Don't write a blind character who can "sense" someone's emotions floating in the air, that's not how it works, that's just a fantasy trope.
─ .✦ Canes and guide dogs are tools, not identity. Not every blind character uses one, and among those who do, the cane isn't a symbol of tragedy, it's a mobility aid, the same way glasses are for someone nearsighted. A character bumping into things constantly despite proper cane or guide dog training reads as clumsy writing, not as accurate representation, a trained cane user is genuinely skilled at detecting curbs, drop-offs, and ground-level obstacles.
─ .✦ Blind people build detailed mental maps of familiar spaces. someone who's blind or low-vision, especially long-term, often knows their home or their commute extremely well, and moves through it with real, visible confidence. the stereotype of constant fumbling applies far more to unfamiliar spaces, or to very recent vision loss, not to someone navigating their own kitchen.
─ .✦ "Seeing" language isn't off-limits. Blind people say "see you later" and "watch this" constantly, vision-based idioms are just part of language, not some cruel reminder of what they've lost. Writing a blind character who flinches every time someone says "see" usually reads as performative rather than authentic, real blind people use this language casually all the time.
─ .✦ Sighted-guide technique has actual, specific form. if a character is guiding a blind person, it's not hand-holding, the blind person typically holds the guide's arm just above the elbow and walks half a step behind them. Getting a small physical detail like this right sells the scene so much more convincingly than any amount of dialogue could.
─ .✦ Most blind people, regardless of the device they use, have taken orientation and mobility training. This is a formal skill-building process specifically for learning to navigate safely, and it applies whether someone uses a cane, a guide dog, or neither. It's worth knowing this training exists if you want your character's competence to feel earned rather than magical.
─ .✦ Please, please skip the "miracle cure" ending. Writing a blind character who gets their sight restored at the emotional climax is a trope that genuinely upsets a lot of blind readers, bc it implies blindness was a problem to be solved rather than just how this person experiences the world. let your character stay blind and still get a happy, complete ending.
algo sencillo para probar vestuarios y colores
la ropa hindú tiene tantos detalles, que aun no doy la talla para poder dibujarlos, por el momento hare bocetos con coloreo
Kagome al estilo de una princesa del sur de India
mientras dibujo mi imaginación se presta para crear historias sobre cada boceto, pero no se escribir fanfics :c por el contexto Kagome siendo una princesa de un reino del sur de India que es obligada a conocer a conocer a su futuro esposo, teniendo en secreto a su amor dentro de su castillo
POV: you corrupted the Shikon Jewel in its entirety but she still lives there rent free 👀
Inuyasha and Kagome ❤️
Acrylic on 5x7 cradled wood panel.
Recently, im rewatching Inuyasha, I just missed them
Inuyasha (2000) — Episode 9 Enter Shippo… Plus, The Amazing Thunder Brothers
How to write a Twist!!
─ · · Plant it early. the reader should be able to flip back afterward and go "oh my god, it was always there." If your detective's suspicious sidekick has been quietly wearing gloves in every single scene and you never explain why until the reveal that he's been embezzling evidence with his fingerprints, that's planting.
─ · · A good twist recontextualizes what came before, it doesn't just surprise you. it should make you want to reread the whole book with new eyes, not just go "wow, didn't see that coming" and move on. Think about the reveal that the wise old mentor character has been slowly poisoning the tea he keeps offering the hero "for their nerves," and suddenly every single scene where he's hovering with a teapot reads completely differently.
─ · · Avoid twists that exist purely to shock. They should change the actual stakes, not just the facts on paper. "The butler did it" only works if the butler having done it changes something meaningful.
─ · · Give the reader enough information to almost guess it. Too obvious and it feels predictable, too hidden and it feels like cheating, like the author pulled a fact out of thin air at the last second. If your protagonist's "identical twin sister who conveniently shows up in the final act" was never mentioned once in three hundred pages, that's not a twist, that's the author panicking in the last chapter.
─ · · Let your characters react the way real people actually would. Shock, denial, anger, whatever fits, don't skip past their reaction just to rush to the next plot beat. If someone just found out their best friend has secretly been a government spy this whole time, they don't get to just say "huh, WILD" and immediately move on to planning the next heist. Give the "wait, so was ANY of it real" moment its actual page time.
types of magical ailments & curses !!
⤷ affliction .✦ ݁˖ ongoing and worsening over time, and it usually needs active intervention to stop it from getting worse. this creates a natural ticking clock for your plot, bc doing nothing is never actually neutral, every day your character delays looking for a cure is a day the affliction gets stronger.
⤷ blight .✦ ݁˖ affects land, crops, or the general health of a place rather than targeting a person directly. this one's great for raising stakes beyond just your protagonist, a whole village or region suffering makes the consequences of a curse feel bigger than one character's personal problem.
⤷ mark .✦ ݁˖ a visible sign of a curse or bargain, and it can't be hidden by normal means. this is genuinely great for tension in social scenes, a character can't just quietly deal with their curse in private, everyone around them can see something is wrong, which forces conversations the character would rather avoid.
⤷ bind-curse .✦ ݁˖ restricts action or speech, often tied to a specific condition, like "cannot lie" or "cannot leave this house." this one's a fantastic constraint to write dialogue around, bc the character has to find creative, technically-true ways to say what they mean without triggering the curse's actual restriction.
⤷ wasting hex .✦ ݁˖ slow-draining, saps strength or magic gradually over time rather than all at once. great for a character who's visibly weakening across the whole book, bc it forces them to make harder and harder choices about what they can still afford to do with the power or strength they have left.
⤷ echo curse .✦ ݁˖ repeats an event or emotion on a cycle, an anniversary, a moon phase, some recurring trigger. this is such a good device for a character who has to relive something painful on a schedule, bc it turns a single trauma into a structural element of the plot itself, something the reader can anticipate dread alongside the character.
⤷ soul debt .✦ ݁˖ a cost owed for magic already used, and it comes due eventually regardless of the caster's original intent. this one's great for a character who cast something desperate and good-intentioned long ago and is now facing consequences that have nothing to do with whether the original spell was justified.
⤷ silence .✦ ݁˖ removes a caster's ability to speak spells at all, and it's often self-inflicted or used as punishment. genuinely devastating for a character whose whole identity is built around their magic, bc it doesn't just weaken them, it takes away the specific thing that made them who they were.