Bumi comic to round off my Aang with kids series!! You can view the rest here: TenzinĀ KyaĀ Lin Jinora
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Bumi comic to round off my Aang with kids series!! You can view the rest here: TenzinĀ KyaĀ Lin Jinora
i do nawt play abt kataang
AvatarĀ Aang:Ā TheĀ LastĀ AirbenderĀ (2026)Ā dir.Ā LaurenĀ Montgomery
I love her bad temper and mean words <3<3 rip every spinoff and adaptation but I'm different
hello!!!!!!
happy kataang week! hereās a commission done for us by the amazing talented @synne-i a while back, that we thought was very fitting of the team āpower couple.ā this is inspired by the ryan reynolds and blake lively picture with their children - you know the one! but imagine that itās katara and aang with their children bumi and kya at a celebration - perhaps the anniversary of the end of the war? or the anniversary of the unveiling of republic city?
@kataang-week
"the gaang hears how zuko got his scar" troupe is old "aang shows zuko his marble trick!" is new! --- tumblr artblock
Aang, Katara, Toph, Zuko, and Aang Avatar State, by Nogi San.
Old friends
(click for better quality!)
all the cool avatar artists have at least 1 fancy portrait of yue so here i am trying to join the club š«š«š« also merry christmas lol
Recent commission for @kataangisforlovers of an outtake from the famous family photo. Thanks again for commissioning me!
[Image Description: Sepia-toned digital fanart depicting adult Aang and Katara with their three young children. Kya is standing on a small circular table with her arms crossed, her head turned to the side to stick her tongue out at Bumi. Bumi stands beside the table, turning towards his sister to stick his tongue out in turn, except he is smiling as he does so. Katara stands behind and to the right of Kya, looking down at them with a smile. She holds a baby Tenzin in her left arm, and with her right hand she is reaching to tug a lock of hair free from his grasp. Behind them, Aang is looking down at Kya with an open-mouthed smile, his right hand hovering over Bumiās shoulder and his left reaching around Kataraās. /end ID]
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So true. It doesnāt have to be life or death. It has to be the stakes and how much you care. How much youāre emotionally invested. It could be the tiniest thing ā she finally takes his hand ā and your heart could break for them.
I feel like thereās a whole generation of creators that never watched the movie Apollo 13. Itās based on history, we know they survive.
It was the most stressful, suspenseful movie Iād seen in YEARS. I spent the whole movie going āOMG, are they going to make it?!!ā
You donāt have to kill anyone to keep your show/movie āinterestingā. You just need to be a good writer.
āApollo 13ā³ is a great example because everyone who walked into the theater the day it opened already knew the ending. And you still get this enormous sense of relief when that first crackle comes over the radio. When Ed Harris sits down, you sink into your chair in relief.
Because the characters donāt know the ending. And we care about the characters. Weāre experiencing what theyāre experiencing vicariously, through them. Thatās the catharsis of good storytelling.Ā
And the people who made the movie understood that and they were all good at their jobs.
You create tension by getting your audience to care about the characters (which, honestly, doesnāt take all that much, as humans can form an emotional attachment to a Roomba [literally] and will). Once your audience is invested, you can create tension a million ways.Ā
Itās entirely possibleĀ to tell a story with life and death stakes thatās full of tension, of course, but if you have to have life or death stakes or there wonāt be any dramatic tension, youāre not doing your job as a storyteller.Ā
.Ā
āBecause the characters donāt know the ending. And we care about the characters. Weāre experiencing what theyāre experiencing vicariously, through them. Thatās the catharsis of good storytelling.ā
Quoting @mierac for emphasis because this is it.
how can the world be so cruel, yet its people are so kind
find me at crown_prinxe @ twitter where I cry about my ATLA rewatch
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more older gaang
Oogies! get a room! not infront of sokkas salad!
Kobayashi Kiyochika, Firefiles at Ochanomizu, 1880