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Inquiry Four Optional Guiding Questions
Pick one of the course goals from the syllabus and rephrase it in your own words, define it.
Make a list of all of the activities you can do/skills you can practice in order to achieve that goal, regardless of whether or not we did them in class.
Does the piece of writing you wrote about for homework represent one of the activities you could do to achieve the course goal? How?
Did this piece of writing benefit from any of the activities or reading you did in class or for homework?
How did you go about picking your course goal?
Is the goal you picked something that will be useful to you in future classes? How? If it isn’t going to be useful, what kinds of things do you wish you had learned but didn’t.
Inquiry Four Handout
Inquiry Four: Course Goals Reflections
This assignment is the last assignment of the semester. It is also arguably the most important to your development as a writer aware of the choices you make every day in your written communications. That might seem counterintuitive because this is just a small reflection on a bit of writing you did for one class. But in this reflection, you have the permission, or the duty, to call yourself a writer. It is, after all, what you've been doing for the last two semesters. You are also a writer that takes as an indisputable fact that writing you do for class is not much different from writing you do for anything else.
Your Instructions:
Read over the course goals in the syllabus.
Find an essay (or another piece of writing for class, including reflections, blog posts, proposals) that you feel might illustrate how you worked towards or struggled working towards one of the six course goals.
Write a short reflection on whether or not the assignment you chose was successful at working towards the course goal you selected. You are required to use your piece of writing as support, feel free to quote it directly in your paper. You are also able to use outside sources if they pertain to what you learned from them, but the focus should remain on your own writing. Similarly, while you might want to start with one piece of your own writing, you can reference more especially if you are comparing progress (using writing from other classes is fine, too).
Create a portfolio that includes your favorite inquiry and your favorite piece of in-class writing. Include a brief paragraph at the start that explains how you made your selections.
You will be graded based mostly on timely completion of the assignment components, honest answers (?), and effective use of your own writing as source material for your reflection.
Work Leading Up to Final Draft (50 points)
200 words summarizing the sources (your own, or other writing we’ve read as a class) you will be using in your reflection. Why will you be reflecting on these pieces specifically?
Due April 23rd before class on the niihka blog.
First 300 words due by Thursday, April 25th (on the blog)
Added 300 words due by Tuesday, April 30th (Peer Review Day, Niihka forums)
Final Reflection and Portfolio (100 points)
Final Reflection should be around 750 words. The portfolio should include your favorite inquiry and your favorite piece(s) of in-class or homework writing. Due May 3rd at midnight in Drop Box.
Final Name: lastname4final.doc
Schedule 4/4-4/16
Schedule 4/4-4/16
Thursday 4/4- Peer Review, ROUGH DRAFT OF INQUIRY THREE DUE before class. LAPTOP DAY
Tuesday 4/9: Read sample short satirical pieces.
Thursday 4/11: Bring in additional 300 words of writing, post to niihka blog before class.
Tuesday 4/16: Inquiry Three Due in Drop Box before class. Read Inquiry Four prompt on blog, bring in one question about the assignment.
Conference Schedule
Tuesday 4/2 (Bachelor 258): 1:40pm--Lilith 2:00--Ellie 2:20--Alyssa 2:40--Carley 3:20--Sean Cone
Wednesday 4/3 (Library, 1st Floor)
1:20pm--Jack 1:40--Johan 2:00--Paxton
Thursday 4/4 (Bachelor 258)
2:00pm--Kristen 2:20--Jacob 2:40--Sam 3:20--Jess 3:40--Nick
Friday 4/5 (Library 1st Floor)
10:00am--Charles 10:20--Lindsay 10:40--Diana 11:00--Shannon 11:20--Delilah 11:40--Alli 12:00pm--Hayley 12:30--Dakota 12:50--Alex
Inquiry Three: "Creative Application"
For this inquiry, you will be working on a satire of your own. That is, you will write a creative piece in the genre we've been loosely studying.You can be a creator of creative texts in the same way that the authors of our assigned texts are. Those youtube videos we've been watching are often created by people just like you.
Inquiry Three: Satire
You can work in partners or alone.
The goal of this assignment is two-fold:
You’ll be working on writing for an audience outside of your current academic setting.
And you’ll be grappling with problems relevant to your own context. For example, I probably wouldn’t set out to write a satire of gambling addiction because it’s not so interesting to me as it is. So, I suspect that the research I would have to do in order to figure out a position on it would not be interesting either. Plus, most importantly, I don’t come into contact with gambling addiction, and therefore, I feel unprepared to write about it.
Pick a topic or idea or theme that you’re comfortable with but make sure to consider what kind of authority you have as author. What is your stake in the matter? And how does it affect what you will write.
Loose guidelines:
Has to be a piece of creative writing (essay, short story, play, dialogue, a series of poems).
5-7 pages if you're working alone.
8-10 pages if you're working with a partner.
A one page reflection that details some of your creative choices and explains how your piece works within the genre of satire.
This assignment will rely on structured in-class writing activities and a number of informal “workshops.” Half of your grade will be calculated based on your participation in these workshops.
100 points for participation/drafting
100 points for finished satire
If you’re working in pairs, you will both receive the same finished satire grade, but your participation grades may be different.
First Draft Due: April 4th, 2013 (Peer Review Workshop Groups)
Final Draft Due: April 16th, 2013
Inquiry Two Prompt/Instructions
Inquiry Two: Context/History/Research
Inquiry Two extends the close reading practices of Inquiry One through a look at the historical and cultural contexts shaping the production and the reception of texts. What is important for this Inquiry is that all texts are composed and experienced by people in particular historical and cultural contexts that change over time—and differences in those contexts change their meanings.
You may write your paper on “A Modest Proposal” or Absurdistan. Instead of trying to tackle the whole book or essay, try to focus in on one character, scene, theme, etc.—you’ll be doing specific analysis and you need to limit the scope of your paper so that you can be as thorough as possible.
Part A (50 Points) will consist of an extended review of 5-6 sources and will culminate in an annotated bibliography and a proposal for the paper you will write in Part B. You will compile cultural and historical sources that relate to your chosen text and line of inquiry. The sources for this annotated bibliography should not just be about your specific text; rather, they should be sources that explore the cultural and historical context of your text. What was going on around the time that this text was written? What political, psychological, social, religious, etc. debates were going on? In other words, find research that helps you understand the world in which the text was received. Your annotated bibliography should have a minimum of five fully analyzed sources. For each source, you will write an annotation of roughly 150 words, include full bibliographic information in MLA format, and consider questions such as: are the critics’ ethos or the sources’ accuracy valid and relevant to your inquiry question?
The sources should help you develop a line of inquiry about your text. You’ll then write a proposal (250-300 words)for the paper you will write for Part B. You are certainly not bound to your proposal, but I want to see that you are thinking critically and carefully about your paper, and that you have developed a plan to execute it successfully.
For Part B, you will write a 5-6 page paper (examining the same text you used in Part A) that analyzes the cultural/historical context for your selection. In your paper, you should make an argument as to how these contexts can better help the reader understand the text, how it changed over time/for different audiences, etc. Basically, you’ll take your interpretation, which is informed by your new understanding of the cultural and historical context of your text, and create a research paper that argues for your interpretation (note: this does not mean that you are saying your interpretation is the only interpretation; rather, you are proving the validity of your interpretation).
Some questions you might consider are: What element of the text do you find intriguing? How does the historical/cultural context of the story inform a reading of the text? Do certain events or ideologies contemporary to the text influence the writing/reading of it?
In this paper, you are making a claim about a text. Like all claims, you must support it with evidence that must be both textual and secondary. You must include at least 4 secondary sources from your annotated bibliography. Review that sources you compiled in Part A and think about how your claim about the text sits in relationship to others. You are entering a scholarly conversation, and it’s important to engage others’ ideas respectfully and thoughtfully. How does your paper/claim differ from what’s already been said? What does it add to the mix? Some things to think about!
The abbreviated version:
Part A involves the following (50 Points):
-Writing a brief 250-300 word proposal for the essay, describing the text you intend to analyze and what questions you intend to address within the paper, just like we did in Inquiry One.
-Compiling an annotated bibliography of 5-6 potential sources to be used within the paper; two of these sources must provide historical context (an understanding of the historical basis for the text), while the other two must provide a critical perspective within which to situate your analysis (an assessment of how others have interpreted the text or interpreted issues relevant to it).
DUE: Tuesday, February 26st
Part B (175 Points):
Involves the essay itself, into which you must incorporate (via in-text citations) at least 4 of your annotated bibliography sources. Your essay, citations, and overall formatting should correspond to current MLA guidelines. Part B should be a 5-6 page essay, not including your Writer’s Reflection or Works Cited list.
The Writer’s Reflection (25 Points):
A detailed reflection about a particular aspect of your process or rhetorical approach. We will talk more about it in class as we near the due date.
DUE: Tuesday, March 19th
Schedule 2/14-3/19
Thursday 2/14: Read: 128-164 End of Chapter 19)
Tuesday 2/19: Read: 165-225 (End of Chapter 28)Â
Bring in one book from the library related to your potential research topic.
Find one article in the Miami University online database. Bring a link to class.
Thursday 2/21: Read: 226-263 (End of Chapter 33)
Tuesday 2/26: Part A Due in class + Read CCM Essay
Thursday 2/28:Â Read 264-297 (End of Chapter 39)
Tuesday 3/05: Read 298-333 (End)
Thursday 3/07: No class (Niihka Assignment)
Tuesday 3/12 + Thursday 3/14: SPRING BREAK
Tuesday 3/19: Part B Due in class
Schedule 1/29-2/12
Tuesday 01/29:Â Inquiry One Draft Due in Class
Thursday 01/31:Â Read- "Of Roland and Connolly's Characterization Thereof" by Brian Butterfield p161-167 in the CCM (Bring book to class)
Tuesday 02/05:Â Read: prologue- p. 35 (Absurdistan)
Thursday 02/07:Â Read: p.36-76, Annotation (Inquiry 1) due in class/ drop box
Saturday 2/9: INQUIRY ONE FINAL DUE AT MIDNIGHT/ drop box
Tuesday 02/12: Read: p. 77-127
Schedule 1/17-1/29
Due on the date listed:
1/17: Â Read "A Modest Proposal"
1/22: Read "How to do a Close Reading" (email PDF)
     Re-read "A Modest Proposal"
     In journal, start coming up with questions about the text. If you're stuck, try coming   up with questions about sections that confused you.
1/24:  Read http://thoughtcatalog.com/2012/a-close-reading-of-prince/(WEB)
1/29: Â Peer Review Day, First Draft of Inquiry One Essay Due
Inquiry One Handout
Close Reading and Analysis
Purpose: Close reading is the practice of thoroughly understanding and critically engaging texts. As you participate in a close reading of a passage from the short essay, you will develop questions for inquiry and engage in a recursive process of textual interpretation, enabling you to develop larger arguments about the meaning(s) of the story as a whole. This process of close reading will also connect to writing practices through the course, as a consideration of the interplay between reading strategies and writing practices (both meaning-making processes) will inform how we read other’s texts as well as our own texts.
The Text: “A Modest Proposal” by Jonathan Swift
Zero Draft: Inquiry Question (in class)
Annotation (500 words) of “A Modest Proposal” (due 2/7 in class)
For this assignment you will annotate your text using footnotes or bubble comments (in Word) focusing on how the various elements at work in the text address the inquiry question you are exploring. Your annotation should critically engage with the text, devoting attention to patterns, word choice (and meaning), the use of figurative language and rhetorical devices, the text’s structure and organization, the tone and narrative voice, etc.
^100 points
Close/Critical Reading Essay(750-1000 words)
This essay will take your annotation and your proposal inquiry question and merge them into a refined, critical analysis. Because of the short length of your paper you might choose to focus on only a specific passage from the short story or a few lines from the poem, if you choose this text. Your essay should engage with the text in an insightful and thoughtful manner and be focused. It should utilize the literary terms and examples we have reviewed in class.
This essay should be submitted with a writer’s letter that explains your reasons for choosing the text, how you practiced close/critical reading, and explain how a person reading your essay could achieve a deeper understanding of the primary text.
^100 Points
Rough Draft due 1/29 in class
Final Draft due 2/9 midnight in Drop Box on Niihka