you can't kill me

i am not alive

[shadowheart05]

~Detroit Become Human Aesthetic~

[beastologist]

Detroit: Become Human Chapter “The Nest”

Part 2, requested by @ghoulpest

[wxndiigo]

back by unpopular demand: me

[zenmade]

‘  but  you.  what  do  you  really  want  ?  ’  I  DON’T  WANT  ANYTHING.  I  AM  A  MACHINE  —  elijah  kamski  &  rk-800   |  connor  in  ch.  meet  kamski

[valtsv]

covered in blood for sexy reasons

[valtsv]

also i just got stabbed

[valtsv]

dont suppose theres anyone here willing to tenderly clean, stitch and bandage my wounds while calling me an idiot in a exasperatedly fond tone of voice is there

[morememesforall]

word prompts compilation

complies THIS MEME // THIS MEME // THIS MEME

ADD ++ FOR REVERSE

[ attention ] for your muse to touch mine as a way of getting their attention

[ wake ] for your muse to wake mine

[ cover ]  for your muse to cover mine with a blanket or a jacket

[ lift ] for your muse to give mine a hand stepping up or over something etc.

[ kiss ]  for your muse to come up to mine and kiss them without warning

[ run ] for your muse to run their fingers through mine’s hair

[ braid ] for your muse to braid mine’s hair

[ embrace ]  for your muse to hold mine

[ smile ] for your muse to smile at mine from across the room

[ wave ] for your muse to gesture to mine to come closer

[ panic ] for your muse to grab mine’s arm or get behind them in a moment of danger

[ touch ] for your muse to rest their forehead against mine’s

[ weep ]  for your muse to catch mine crying

[ eat ] for your muse to offer mine food

[ hit ] for your muse to attack mine

[ love ] for your muse to touch mine as a show of affection or reassurance

[ nap ] for your muse to fall asleep against mine

[ rest ] for your muse to rest their head in mine’s lap

[ look ] for your muse to catch mine staring

[ seduce ] for your muse to touch mine sexually

[ help ] for your muse to lean on mine for support

[ give ] for your muse to offer mine their arm

[ entwine ] for your muse to hold mine’s hand

[ laugh ] for your muse to laugh at something mine did

[ dance ] for your muse to dance with mine

[ sit ] for your muse to pull mine into their lap

[ yell ] for your muse to calm mine down

[ cry ] for your muse to wipe mine’s tears away

[ dream ] for my muse to share dream with yours

[ nightmare ] for your muse to wake mine from a nightmare

[ surprise ] for your muse to show up at mine’s house without explanation

[ fix ] for your muse to treat mine’s injury

[ sacrifice ] for your muse to get hurt protecting mine

[ guard ] for your muse to step between my muse and danger

[ taste ] for your muse to cook for mine

[ sing ] for your muse to sing to mine 

[ goodbye ] for my muse kissing and/or hugging your muse goodbye

[ secrets ]   my  muse  sharing/confiding  a secret

[ bloody ]   for your  muse  coming  to  my  muse  with  blood  stains 

[ drunk ]   your  muse  takes  care  of my very drunk muse 

[ bed ]  my  muse wakes up in  the  same bed as your muse with little  recollection  of  the  night  before

[ scream ]   my  muse  hears  your  muse  scream  and  runs  to  them

[ trail ]   my  muse  watches  as  your  muse  traces  one  of  my  muses  scars,  asking  them  about  it

[ piggyback ]   my  muse  gives  yours  a  piggyback  ride

[ jump ]   my  muse  holding  yours  up  by  their  thighs

[ carry ]   my  muse  carries  your  muse  to  their  house

[ lighter ]   my  muse  pulls  out  a  lighter  and  lights  it  for  your  muse  to  use  to  light  their  cigarette

[ shot ] my  muse  gets  shot  and  struggles  to  your  muses for aid

[ wound ] my  muse  patches  and  bandages  a  wound  your  muse  has  gotten

[ fight ]   my  muse  stops  your  muse  from  getting  into  a  physical  fight  with  someone  else

[ arrest ]   your  muse  finds  my  muse  arrested  in  cuffs  

[ hospital ]   my  muse  awakens  in  a  hospital,  finding  your  muse  by  their  side,  asking  what  happened

[ betrayal ] my  muse  finds  out  that  your  muse  has  betrayed  them and  confronts  them  about  it

[ nude ] my  muse  walks  in  on  your  muse  accidentally  seeing  them  naked

[ karaoke ]  for our muses to sing together

[ wet ]   your muse  strips  down  to  their  under  garments  and  runs  into  the  water,  motioning  for my muse  to  join  them

[ crawl ]  for  your  muse  to  crawl  into  bed  with  mine .

[ flower ]  for  your  muse  to  offer  my  muse  their  favourite  flower

[ gift ]  for  my  muse  to  surprise  your muse  with  a  gift

[ homemade gift ]  for  my  muse  to  make  your muse  a  gift

[ bestow ] for your muse to give my muse a gift, bought or handmade ( bonus if you add what it is )

[ serenade ]  for  my  muse  to  sing  to  your  muse

[ caress ]  for  your  muse  to  gently  run  their  hand  down  my  muse’s  face

[ caught ]  for  your  muse  to  catch  my  muse  wearing  their  shirt .

[ love letter ]  for  your  muse  to  give  my  muse  a  love  letter  they  wrote  for  them

[ boop ]  for  your  muse  to  boop  my  muse  on  the  nose

[ date ]  for  my muse  to  ask  your  muse  to  go  on  a  date

[ confess ]  for my muse  to  confess  their  feelings  to  your  muse

[ sleepy ]  for  my muse  to  slowly  fall  alseep  on  your muse

[barbarianwitch]

me when i dont got this: i got this

[313248317]

erregent‌:

               connor pulls out the piece of paper, and for some reason actually seeing the bot still carrying it with him makes the tips of his ears go a little hotter. stupid, sentimental fucker. does he keep colorful paperclips, too? 

              “…can you write in like, any font? century gothic? verdana? comic sans?”

      “ I can replicate anything I need to, yes.  That includes fonts, photos or crime scenes. “

       it seems like the detectives mood is shifting, which was good, he didn’t much enjoy the idea that he might be further mocked for keeping that little piece of paper.  He was mocked enough for other reasons, his growing sentimentality, growing affection was something he didn’t need insulted.

[charliemvrdock]

[313248317]

flcwcdcode‌:

“Same here. …Maybe we should get up and get back to work before they start to think we’re malfunctioning.”

Or, maybe they should just sort of… stay where they are. Not for long. Just a few decades.

      “ I can do the paperwork from down here. “

      Which means for now at least that he wasn’t going to get up.  Perhaps he wouldn’t get up until one of their human coworkers came around to ask what exactly was going on.  Something that could happen either at  any moment, that being soon or much later when the next shift came in.

[313248317]

      Whats up everyone I’m simon and I have a billion blogs with DBH verses lemme give you a quick rundown of three of them that i love the most.

      RAFE ADLER

        Rafe Adler is the one and only RK100.  He was created by Kamski as a sort of one off project to see if he could get androids to do what the RK’s do.  Once the project was finished and he was ready to move onto the next one, the RK100 was slated to either be scrapped or kept, as it didn’t have much of a fully formed AI or personality, generally having been created to test out new ideas. 

       He decides against it and instead finished the android to certain specifications at the request of one of CyberLifes first investors.

       Rafe is made out to be bratty, argumentative, proud and sarcastic.  He’s given quite a few non ‘ideal’ personality traits because the donor fully intended to mostly keep him at home and programming that type of personality was more than interesting, but when one considers that RAFE ADLER was once a human being and that this RK100 was coming out to look like a quite good copy, the legality and the morality of this all tends to look a little bit grey.

       Rafe will remove his own LED when he does sneak out of the house, Rafe will antagonize humans until he’s attacked so he can defend himself and get in fights,  Rafe HAS been ‘arrested’ quite a few times, and is usually just returned to his owner before the revolution because ‘androids don’t start fights’.

       He’s a disaster, he’s angry, and he’s OLD.  Most of his components are at the end of their life and he requires near constant maintenance to stay alive.

       To top it all off, Rafe is like this and he’s not a DEVIANT.  He was programmed to act that way, so Deviation will have an unknown effect on him.

      HOLDEN FORD

       Holden Ford has two DBH AUS tand i love them both. 

       In the first one he’s an FBI agent who believes in the revolution, believes that these androids are developing their own consciousness and becoming living beings, and he’d argued to be the one to go to Detroit to handle the situation with conversation, nonviolence and negotiation.

        The FBI decided to go with fuck face instead, opting for the easier idea of just killing them all and letting that be it.  Holden responds by going to Detroit anyway and doing his damnedest to helping anyway he can, putting himself in several bad situations repeatedly.

       The second AU has him as an Android, and very secret one at that.  He’s a secret project of the FBI in conjuncture with CyberLife, built off of the RK mainframe but with small bits of other models added in to make him a fully integrating, undetectable android, build for infiltration and negotiation and undercover aspects.

  But he is the first and only of his kind, and at the moment he’s in the very beginning of the project, working closely with BILL TENCH and WENDY CARR in both FBI cases and Local PD cases to try and work out any kinks in his system and make him appear more human before the project is finalized and the Model goes into ( highly classified ) production

      JOHN WICK

       the JJ100 model is made for high-priority target removal.  A Highly classified Android created specifically to kill highly dangerous and very protected targets. They can wipe out entire buildings of enemies with extreme skill and ruthless abandon.  Because of their lethality there is one single person assigned to them with the ability to give them orders and activate their own kill-code.

       John Wick was one of very few, and after several very successful ventures it came time to retire the model and create another one, something done to prevent any sort of full growth to the AI.  Unfortunately by the time that this happens his handler had grown rather attached to him, and rather than returning him to be destroyed they ran away together, and as she was the only one with the ability to control John, following them or trying to take him back was labeled as far too dangerous to both the operatives and the civilians around them, so they’re let go as long as she maintains her promise to never use him to kill again.

       It works for several years.

       Until she dies and takes his kill-switch with her, leaving him with only one last mission to follow.

        ‘Take them out.‘

         Now his goal is to end the assassination program and remove every other JJ100 model in existence, and there is no stopping him.

      TYRELL WELLICK

      Starting as a engineer in CyberLife years ago, Tyrell had moved his way up the corporate ladder rather quickly, settling himself into the position of VP of Technology while Elijah was still the CEO, and rather than following his friend out of the company when he’s ousted, Tyrell remains, and steadily increases his standing until he makes his way to the CTO position of the company, but his goal is still to continue climbing, to make himself CEO and turn CyberLife back in the direction that Elijah intended.

      And yet despite that goal, throughout his tenure at the company and the beginning of the deviant disaster, he still didn’t entirely believe that Androids were living beings.  They were machines that he had a hand in creating and the idea that they would develop beyond him wasn’t something that he could easily understand.

     However, as the Battle for Detroit progressed his mind was changed, and along with it his approach to the PR of the situation, and he fully intends in the wake of the battle to use his new approach to the Android situation -- that being that they are alive, they need access to components and beginning to reproduce older components for older models / turn Cyberlife into something like healthcare as well as a tech company -- to put himself at the forefront and take the position of CEO of CyberLife.

       All while doing this he has a somewhat public program of finding abandoned or damaged androids in lockup, evidence, and lost / found locations and repairing, helping them deviate, then releasing them. 

       Something he refers to as a pet project

[313248317]

flcwcdcode‌:

excuse him, he’ll just turn and drop right down into that space like dead weight

“so… come here often?”

     Sorta turns his head to the side so he can look at the other RK model.

      “ I work here.  So yes, quite often. “

[313248317]

maccaillte replied to your post:        Carefully lowers himself to the ground and...

lays on top of him to keep Connor company

      shuffles a little to get comfortable but then stills otherwise

[313248317]

@flcwcdcode​ replied to your post:        Carefully lowers himself to the ground and...

room for one more down there, or what?

      pushes himself up onto his hands and knees a little and awkwardly shuffles to the side before lying down once again

[313248317]

       Carefully lowers himself to the ground and then just lies down face first.

[313248317]

      connor has a big thing for hands i dont make the rules

[313248317]

maccaillte‌:

“You were still hurt.” That was the point Connor was missing, that even with his advance body he was hurt, could had been killed. “I don’t like seeing you get hurt.” They confessed, looking away and hold their body tight.

      “ What I do will be dangerous, and I am being as safe as I can.  I am sorry if I worried you. “

      He doesn’t much like seeing the other wrap around themself like that, and Connor carefully closes the distance between them to carefully take the other RK models hands.