“This pupper has 0% athletic skills, but he’s still 100% good boy”
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sheepfilms
Xuebing Du
hello vonnie
Mike Driver
Cosimo Galluzzi
RMH
taylor price
occasionally subtle
noise dept.
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cherry valley forever
todays bird
macklin celebrini has autism
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JVL
Three Goblin Art

Origami Around
YOU ARE THE REASON

tannertan36
$LAYYYTER

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@5thfloorgal
“This pupper has 0% athletic skills, but he’s still 100% good boy”
(via)
“You’ll understand why storms are named after people.”
— Unknown
A fisherman spotted her just east of the Farallon Islands (outside the Golden Gate) and radioed for help. Within a few hours, the rescue team arrived and determined that she was so badly off, the only way to save her was to dive in and untangle her…. a very dangerous proposition. One slap of the tail could kill a rescuer.
They worked for hours with curved knives and eventually freed her.
When she was free, the divers say she swam in what seemed like joyous circles. She then came back to each and every diver, one at a time, nudged them, and pushed gently, thanking them. Some said it was the most incredibly beautiful experience of their lives.
The guy who cut the rope out of her mouth says her eye was following him the whole time, and he will never be the same.
May you be so fortunate to be surrounded by people who will help you get untangled from the things that are binding you.
And, may you always know the joy of giving and receiving gratitude
Unmute !
Fucking fantastic image
“If someone makes you feel, let them.”
— Reyna Biddy
“If someone makes you feel, let them.”
— Reyna Biddy
SILVER SPRINGS Fleetwood Mac — The Dance (1997)
By 1997, Stevie Nicks and Lindsey Buckingham’s romance should have been ancient history. The pair had split two decades prior, fueling Rumours’ famously raw breakup anthems. But during a taping of a Fleetwood Mac reunion show later released as The Dance, shit once again got very real. Midway through a non-album rarity called “Silver Springs,” Nicks turned and faced her former flame as she sang the song’s rueful bridge: “Time cast a spell on you, but you won’t forget me / I know I could have loved you but you would not let me.” The pair locked eyes, and Nicks gradually built to a cathartic howl — “I’ll follow you down ‘til the sound of my voice will haunt you / You’ll never get away from the sound of the woman that loves you” — indicating that, for her at least, resolution had never really come.
This was by design. Nicks has admitted that the fiery take on the song that appears in The Dance was “for posterity,” as she told Rolling Stone at the time. “I wanted people to stand back and really watch and understand what [the relationship with Lindsey] was,” she later told Arizona Republic.
The track’s primary exposure was as a B side to “Go Your Own Way” — Buckingham’s own expression of anger and revenge against Nicks, where he claimed that “packin’ up, shackin’ up is all you wanna do.” The song would become one of the band’s biggest hits, charting in the Top 10. “He knew it wasn’t true. It was just an angry thing that he said,” Nicks told Rolling Stone in 1997 of the “packin’ up, shackin’ up” line. “Every time those words would come onstage, I wanted to go over and kill him. He knew it. He really pushed my buttons through that. It was like, ‘I’ll make you suffer for leaving me.’ And I did.”
Of course, Nicks had the exact same motivation when she wrote “Silver Springs.” In a 1997 interview with Arizona Republic, she explained the song’s message as “I’m so angry with you. You will listen to me on the radio for the rest of your life, and it will bug you. I hope it bugs you.”
—Brittany Spanos, ‘Silver Springs’: Inside Fleetwood Mac’s Great Lost Breakup Anthem
The ultimate eye roll
SILVER SPRINGS Fleetwood Mac — The Dance (1997)
By 1997, Stevie Nicks and Lindsey Buckingham’s romance should have been ancient history. The pair had split two decades prior, fueling Rumours’ famously raw breakup anthems. But during a taping of a Fleetwood Mac reunion show later released as The Dance, shit once again got very real. Midway through a non-album rarity called “Silver Springs,” Nicks turned and faced her former flame as she sang the song’s rueful bridge: “Time cast a spell on you, but you won’t forget me / I know I could have loved you but you would not let me.” The pair locked eyes, and Nicks gradually built to a cathartic howl — “I’ll follow you down ‘til the sound of my voice will haunt you / You’ll never get away from the sound of the woman that loves you” — indicating that, for her at least, resolution had never really come.
This was by design. Nicks has admitted that the fiery take on the song that appears in The Dance was “for posterity,” as she told Rolling Stone at the time. “I wanted people to stand back and really watch and understand what [the relationship with Lindsey] was,” she later told Arizona Republic.
The track’s primary exposure was as a B side to “Go Your Own Way” — Buckingham’s own expression of anger and revenge against Nicks, where he claimed that “packin’ up, shackin’ up is all you wanna do.” The song would become one of the band’s biggest hits, charting in the Top 10. “He knew it wasn’t true. It was just an angry thing that he said,” Nicks told Rolling Stone in 1997 of the “packin’ up, shackin’ up” line. “Every time those words would come onstage, I wanted to go over and kill him. He knew it. He really pushed my buttons through that. It was like, ‘I’ll make you suffer for leaving me.’ And I did.”
Of course, Nicks had the exact same motivation when she wrote “Silver Springs.” In a 1997 interview with Arizona Republic, she explained the song’s message as “I’m so angry with you. You will listen to me on the radio for the rest of your life, and it will bug you. I hope it bugs you.”
—Brittany Spanos, ‘Silver Springs’: Inside Fleetwood Mac’s Great Lost Breakup Anthem
Once upon a time…
I really wish the overused sentence “You either die a hero, or live long enough to see yourself become the villain.” was less relevant but here we are
You either die open source or live long enough to be gutted for return on investment.
im in awe
So.
The Sound of Silence is probably one of my favorite songs ever. When speaking of the “true” Simon and Garfunkel version (as opposed to the version where they added background music to in post to make it more “pop radio”), it’s a song that gives me chills.
Disturbed is not a band that I really enjoy. I remember in college, my (now) wife gave me a copy of a Disturbed CD, because she had two for some reason. I tried to listen to it, I really did. Didn’t do anything for me.
But this? Holy fuck, this is stunning. This is amazing.
This gives me chills.
Holy shit, you have to listen to the whole sing.
I have chills.
Holy SHIT.
This is the band who did “Down With The Sickness”????
UM?????
If you stop before three minutes you’re missing the truly mind-blowing bit
@deadcatwithaflamethrower you got me hooked on this song
You’re all welcome. :D
*beams*
Oh
OH!!!
OhOhOHHhhhhhh!!!!!!!11!!eleven11!!!!!
The ✨
Fucking 😻
European Union's 🌈
Digital Service Act 🥲
Forces large social platforms 🥳
To always offer ♥️
a non-algorithmic option 🌟
To EU users 🤟
Fuck
Yeah
EU!!!!
[source]
I see US tech jounalists on Mastodon, once again, charging against the EU for "damaging european users" by forcing companies to deliver "a subpar experience". So let me paste something I wrote over there a few weeks ago:
------
I keep seeing very important US tech journalist here talking about how Threads not launching in the EU is: - somehow shameful and a sign of how "you can't innovate in the EU" - a problem for the EU, which will led us to creative interpretations of the GDPR to finally allow Meta to launch here.
And I think folks from the US tech scene really, really don't understand several things:
1) how incredibly hostile the EU (and a good chunk of the European political parties) are to "big tech". 2) how surprisingly immune to lobbying the EU Parliament appears to be. 3) how actually popular it's that the politicians take a hard stance against macrocorps. Every time the European Commission has gone against big tech most the press and the people have cheered them as our champions against evil.
And I can't even start describing how IMPORTANT for the future could be that people started being able to turn off YouTube algorithmic recommendations. I think YouTube shares with meta, pretty much 50/50, the responsibility for the global resurgence of fascism we have seen in the last decade.
Rumour Has It/Someone Like You
😩😩😩😩😩Amber and Naya did this Lawd
casual reminder that this is the best performance that Glee ever did
It really is. I still remember the night it was released early and everyone freaked out. Amber and Naya did great.
lbr the only reason we ever need to acknowledge glee is because this video exists
This mashup is better than the originals