basketweave
Lint Roller? I Barely Know Her
todays bird

ellievsbear

★
sheepfilms

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Not today Justin
Sade Olutola

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Xuebing Du

@theartofmadeline
KIROKAZE
NASA
Misplaced Lens Cap

⁂
tumblr dot com
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let's talk about Bridgerton tea, my ask is open

titsay
Keni
seen from Italy

seen from Brazil

seen from Saudi Arabia
seen from Vietnam
seen from Iraq
seen from Morocco
seen from United States
seen from Malaysia
seen from United States

seen from India

seen from United States
seen from Canada
seen from United Kingdom
seen from United States
seen from Malaysia
seen from United States
seen from Argentina
seen from United States

seen from United States
seen from Brazil
@70mr063r5
basketweave
went to bunbury kmart today saw my first juggalo neck tattoo (in real life) - definitely "a time" that I have had in my 26 years.
@schlutenburger @swadgers
Dan Graham: Skateboard Pavilion, 1989
Skateboard Pavilion, consisting of a large, concave cement dish for skateboarding and a canopy made of two-way mirror glass in the form of a four-sided pyramid, truncated at the top so that it is open, was first proposed in 1993 as a “stopping point” for the International Garden Year in Stuttgart, Germany. It was not accepted, perhaps because the notion of a recreational attraction intended primarily for teenagers was not thought to be a good idea.
It works optimally when the skateboarder approaches the lip or edge of the concave dish and looks up toward the sky/canopy and sees a combined kaleidoscopic reflection and transparent image of himself and the surrounding environment on the canopy form. The cutaway top produces a diamond-like image also projected on the two-way mirror canopy.
The truncated two-way mirror pyramidal canopy alludes to the 19th-century wrought-iron canopy of the park music gazebo and, simultaneously, to the 1980s “Neoclassical” pyramid roof culminations on corporate office towers.
The experience also relates to amusement park mirror “fun houses” and, in general, to kaleidoscopes with their diamond-like patterns. The skateboarders see themselves reflected in the canopy against a kaleidoscopic pattern of themselves floating weightless merging with the sky.
Another aspect of the work is that it encourages graffiti on public “sculpture.”
so good
rammellzee
Wave cabinet.
we in here
pretty pretty pretty laborious
Baro
Anasazi