TBT @clubprola 💕🐬🐳🐠 (at Club Pro Los Angeles)

Origami Around

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Sweet Seals For You, Always

ellievsbear

oozey mess
I'd rather be in outer space 🛸
taylor price

PR's Tumblrdome
KIROKAZE
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❣ Chile in a Photography ❣

pixel skylines
Lint Roller? I Barely Know Her
wallacepolsom
Claire Keane
Sade Olutola
RMH
sheepfilms
noise dept.
d e v o n

seen from United States

seen from Germany
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seen from United States

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seen from United States

seen from Germany

seen from Chile
seen from El Salvador
seen from El Salvador
seen from El Salvador

seen from El Salvador
seen from United States
seen from United States
TBT @clubprola 💕🐬🐳🐠 (at Club Pro Los Angeles)
Every morning for 600 days, between 2013 and 2015 #aiweiwei placed a bouquet of flowers in his bicycle basket as a form of poetic protest against the Chinese travel restrictions put on him for challenging the government. (at The Andy Warhol Museum)
#aiweiwei #2016 (at The Andy Warhol Museum)
Hillary Clinton on colonialism
Bernie ✌️
Hillary on gay marriage
Patrick Joust
On the clock, Patrick Joust, 36, is a librarian. Off the clock, he’s a self-taught photographer with a fascination of Baltimore at night.
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“The whole film is about memories, and the scraps of memories, that these women carry around in tin cans and little private boxes. Everyone’s grandparents or old aunts and uncles have scraps of memories—like when you go to an old relative’s house and you find boxes with all these little bits of this and that, that have to do with your family. ‘Scraps of memory’ is also taken from a paper W.E.B. Du Bois wrote about the fact that African Americans don’t have a solid lineage that they can trace. All they have are scraps of memories remaining from the past. I wanted memory to be a central focus of the story.” — Julie Dash on Daughters of the Dust
hotline bling, installation by me and teryn brown, 2015 @ club pro gallery