It seems like I met Haku before, but it was a long time ago. SPIRITED AWAY (2001) dir. Hayao Miyazaki
let's talk about Bridgerton tea, my ask is open
macklin celebrini has autism
No title available
The Stonewall Inn
Lint Roller? I Barely Know Her

❣ Chile in a Photography ❣
No title available
RMH

Kiana Khansmith
almost home

Product Placement

blake kathryn

Discoholic 🪩

Jar Jar Binks Fan Club
🪼
sheepfilms
occasionally subtle
★

bliss lane
PUT YOUR BEARD IN MY MOUTH
seen from Venezuela
seen from United States
seen from Canada
seen from Colombia
seen from Pakistan
seen from United States
seen from Bangladesh

seen from Türkiye

seen from United States
seen from Mexico
seen from Brazil
seen from Canada
seen from Canada

seen from Germany

seen from United States
seen from Malaysia
seen from Bolivia
seen from India

seen from Dominican Republic
seen from Chile
@admiralkatcornwellfan
It seems like I met Haku before, but it was a long time ago. SPIRITED AWAY (2001) dir. Hayao Miyazaki
If they make Star Trek Prodigy comics, this is how the cover looks like in my imagination
Palette I'm using :
I think as Now that anthropic is destroying physical books in the name of " feeding data" ... we all should support platforms like this and keep them for free as long as possible.
https://oceanofpdf.com/
Tbh, wouldn't take that long to hide all information behind paywalls, control access to information and twist and deform history as they please.
Bookburning in a new way...
“they’re just looking at each other” you could not begin to understand the complexities involved in looking at each other
35 works to make it an even 1,000?
checks wip folder…
Chakotay and Janeway
Janeway pic from TrekCore, Equinox part II (x)
Quote from Pinterest (x)
Considering the possibility of Holmes being related to the Addams Family, probably on Morticia's side for the Frenchness
Primarily based on these images
But also because I want Holmes and Morticia to speak French, and for him to fence with Gomez, and teach the kids about poisons and criminals
(The family all adore Watson and find him absolutely fascinating, of course)
“Here’s a letter for you, old man,” I announced as I sifted through the morning post one grey day in October. “Not a lot else, I’m afraid.”
Holmes folded down the top of the newspaper he was reading so he could see me. “A letter from whom?”
“Not sure.” I turned it over to study it as best I could. The envelope was thick and expensive, postmarked from America. The ink was rich and black, and it smelled unexpectedly floral, with an odd sulphuric note underneath. “Looks to be a woman’s writing, I’d say.”
“If you would.” He held out a pale hand. I passed him the envelope and he neatly sliced it open with his pocket knife. A single page slipped out onto his breakfast plate. He unfolded it with a flick of his wrist, then smiled. “Ah! Morticia.”
“Morticia?”
“Addams. She is my second cousin.”
I was immediately intrigued, for Holmes so rarely talked about his relatives. It had taken several years after our meeting for him to bring up the subject of his elder brother, who lived and worked barely an hour’s walk away. I wasn’t surprised that a second cousin in America had gone unnoted until now.
“Unusual names run in the family, I see.”
Holmes smirked. “Her grandmother was my great-aunt Séraphine, who met and married a quite singular gentleman named Algernon Frump while travelling. They settled over in the States many years ago, and dear Morticia now resides there with her husband.”
“Why does she write you?”
“She is arranging a sort of family reunion on All Hallow’s Eve. Apparently it has been far too long since we have all seen each other.”
“How long is that?”
“Several years at least. It was certainly before you and I met.”
“And will you oblige her?”
“I suppose I will.” He folded the letter and placed it neatly back in its envelope, tucking it into his inside pocket. “You’ve been angling for a holiday, my boy. Would this satisfy you?”
“Wouldn’t it be terribly rude?” I asked, startled. “She has invited you, not me.”
He tutted. “Nonsense, Watson! Morticia knows we live together, of course.”
“How?”
“She will have read your book.”
“Oh! Well that is kind of her. But a family reunion, Holmes, I am not—”
“You are my partner and intimate friend. I assure you there are members of the Addams clan with far more tenuous connections, and many of them also of no blood relation. You will not be out of place, and they will be glad to meet you.”
Poetry by Pablo Neruda, read by Robert Beltran. I had to cut the poem a little (due to Insta length limitations) though. Hope you still like it.
Janeway would be swooning over this. His intelligence file doesn't do him justice, indeed.
For reasons I can’t fathom, I had not heard this yet. This is glorious.
I ended up having a really interesting conversation with some people at the bus stop today. They were getting out of some sort of ‘clean and sober’ meeting and had starting saying how they were so bored because they didn’t have anything to do, and had to stay at home because all their old friends would pull them back. So I said something like, ‘So this is the time to do all the stuff your parents told you they didn’t have money/time for!’ “Whatcha mean?” “You know, like when you were five and you REALLY wanted to have that toy or do that thing and you were like, ‘Please mom please I gotta have this I gotta go do this’ and they went ‘Hell no you think I’m paying for that do you want to goddamn EAT?’ “ And this light went on in their eyes. The lady is going to go check thrift stores for an Easybake Oven and I told her about Wilton cake decorating classes. The dude is going to Griffith Park and ride horses, because, ‘I always wanted to be a cowboy, and you can’t drink when you’re on a horse ‘cause you’ll fucking die!’ Fuck it. This is what being an adult is. Sure it’s bills and work and relationships, but damn it, it’s also time to do the things you LIKE. I signed up for a free class/lecture on Water Gardens. I’m going. It’s time.
Jill. Jill you are wonderful.
no joke, this is such an important aspect of overcoming trauma. I mean the trauma of abusive parents, the trauma of broke ass parents who got toxic because of it, the trauma of capitalism. Like fuck it. Go to Wrestlemania. Build a shit ton of terrariums.
How i live my life. No regerts
Next up someone is going to claim that the Narnia series isn't kids books.
Kids books is probably not the best way to word it, you can enjoy them at every age, including your childhood, as you get older you may find new truths in them, but they're still good for any age.
i finally got around to watching the first episode of Voyager. my conclusion?
JANEWAY 😍😍😍
she’s so ❤️
Oohhh yeah... Welcome to the fanclub
Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papers—and every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed it—her husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"—essentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official histories—those same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gage—a 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structure—credit went to Watson and Crick.
Lise Meitner, who explained nuclear fission—omitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomes—received little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogen—initially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.
Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papers—and every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed it—her husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"—essentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official histories—those same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gage—a 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structure—credit went to Watson and Crick.
Lise Meitner, who explained nuclear fission—omitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomes—received little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogen—initially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.
UNA CHIN-RILEY Star Trek: Strange New Worlds
Simple.... I see Una... I reblog