Robyn O’Neil Everything that stands will be at odds with its neighbor, and everything that falls will perish without grace. 2003
hello vonnie
let's talk about Bridgerton tea, my ask is open

#extradirty

if i look back, i am lost
we're not kids anymore.
trying on a metaphor

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𓃗
he wasn't even looking at me and he found me
occasionally subtle
ojovivo
todays bird
taylor price

Jar Jar Binks Fan Club

titsay

Origami Around
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will byers stan first human second
Sade Olutola
Stranger Things

seen from Panama
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@ahi109
Robyn O’Neil Everything that stands will be at odds with its neighbor, and everything that falls will perish without grace. 2003
Richard Wright 2011
The Destroyed Room Jeff Wall 1978
Squat, from First Light James Turrell 1989
Untitled (Seats) 1996
Oil and wax on paper
11 feet 6 inches x 25 feet Toba Khedoori
“The project for the Whitney Museum of American Art in New York would essentially double the area of the current museum, which presently exists in an iconic Marcel Breuer building on Madison Avenue. The site of the expansion includes the Breuer building and the adjacent Whitney owned brownstones that lie directly to the south. These brownstones are located in a historic district, and are under the protective jurisdiction of the Landmarks Preservation Commission.“
Orange County Government Center Paul Rudolph from ArchDaily
Lippa Centre Paul Rudolph from the Foundation Website
Jamming Gears Installation @ Serpentine Gallery Richard Wilson 1996-7
20:50 Recycled engine oil installation @ Saatchi Gallery Richard Wilson 1987
Ghost Rachel Whiteread 1990
Detached Rachel Whiteread 2013
Cooling Plant Dubai Bas Princen 2009
Houston from RINGROADS Bas Princen 2005 In the image Ring Road Houston (2005), for instance, Princen portrays a monumental gold office tower beside an empty parking lot, framed against a dull grey sky, but he makes the architecture enigmatically disappear. The reflections in the building's mirrored facades are perfectly aligned with the horizon so that they continue seamlessly into the highway and buildings behind it, complicating any sense of depth.
Archiv Colour print diasec perspex 183.5 x 233 cm Thomas Demand 1995
Non-Objective Composition (Suprematism) oil on canvas 60x74 cm Olga Rozanova 1916