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Architects and Heroes Show â No. 46:Â Jeff Mills
Jeff Mills is one of the architects of Detroit Techno. In addition to his groundbreaking deejay techniques and musical compositions, Mills is widely known as an artist who has taken the genre and pushed it further into realms that are not usually associated with dance music. In addition to being a cofounder of Underground Resistance, he has collaborated with classical orchestras and jazzâŚ
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20 for 2025
What is the soundtrack to the end of the world? For many, this author included, 2025 has been chaotic, ugly, and uncertain. But along with the darkness, there was quite a lot of light shed. There was a stubborn, realistic, optimism that permeated the music of those who are listed here. Just under the radar from the endless doom-scrolling and propaganda, there is music and art being made with realâŚ
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20 for 2025 - Stereolab: Instant Holograms on Metal Film
Stereolabâs Timeless Defiance: A Deep Dive Into âInstant Holograms on Metal Film In an era of relentless cultural churn, Stereolab stands as a monument to profound consistency. Their first album in fifteen years, *Instant Holograms on Metal Film*, makes no grand gestures toward reinvention. From its opening notesâa signature twinkle of vintage oscillatorâit is unmistakably theirs, a meticulousâŚ
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20 for 2025 - Sam Prekop: Open Close
Followers of Sam Prekop, the effortlessly charismatic Chicago creator, are familiar with his online modular synth performances. Facing away from the lens, he generates new, investigative sounds with every session. While extended guitar ambling might be tedious, Prekopâs ritual at his cable-laden desk carries a dignified focus, suggesting purposeful creation. He has evolved considerably since theâŚ
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Top 20 Review 2025 - Tortoise
On their latest release, the influential instrumental group Tortoise delivers a masterclass in atmospheric composition. Marking their first full-length record in nearly a decade, the album showcases the ensembleâs signature fusion of meticulous post-rock structures with the expansive, feeling-based language of jazz and ambient music. The work is defined by a profound sense of space andâŚ
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Top 20 Review 2025 - Sudan Archives
Sudan Archivesâ third album, The BPM, is a tense and virtuosic exploration of a life in constant motion. Following her 2022 breakthrough Natural Brown Prom Queen, this record strips back some of that albumâs pristine, widescreen feel for something grittier and more wintry. It documents the emotional whiplash of a breakup bleeding into a rebound period, wrapping liminal angst and vulnerabilityâŚ
20 for 2025 - SML:
Los Angeles has a vibrant jazz ecosystem, nurtured by elite instrumentalists. Moving beyond traditional purism, a new generation is blending indie, pop, and avant-garde influences into the music, enriching its texture. The ensemble SML exemplifies this shift. This collectiveâbassist Anna Butterss, synthesist Jeremiah Chiu, saxophonist Josh Johnson, percussionist Booker Stardrum, and guitaristâŚ
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20 for 2025 - Patricia Wolf: HrafnamyndÂ
The Pacific Northwest holds a deep, almost holy allure for its inhabitantsâa feeling born from immense landscapes, rich ecosystems, and the constant presence of water. For Portland ambient musician Patricia Wolf, it is the regionâs birds that have most deeply inspired her work. She travels widely, capturing audio from the environment: birdsong, rivers, winds, and the land itself. This extensiveâŚ
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20 for 2025 - DF Tram: Bittersweet Afternoon
An artist embarking on fresh work faces only an open horizonâa hazy notion, an unshaped possibility. The outcome stays hidden until the very instant of completion. Then, through known mediumsâthe singing breath, tonal structures, digital toolsâa creation emerges with the power to reorder a listenerâs inner universe. Key moments mark Dylanâs path. Frequent visits to rural music retreats,âŚ
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20 for 2025 - DJ Haram: Beside Myself
DJ Haramâs first full-length record, Beside Myself, channels fury into sound, weaving together club rhythms, Southern rap cadences, and Middle Eastern instrumentation. The title captures an emotional breaking pointâa response to genocide, systemic tokenization, and the hollow commodification of identity. Over frenetic 808s and collaged city noise, the album builds a clamorous, defiantâŚ
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20 for 2025 - Deeper Than Space: Animal Ghosts
The latest offering from Adam Douglasâa foundational architect of Silent Recordsâ 1990s ambient scene under his enduring Deeper Than Space monikerâemerges as more than a retrospective. It refracts that decadeâs vast, drifting soundscapes through a contemporary perspective, transforming familiar echoes into something freshly luminous. Enigmatic and immersive, the work dissolves boundaries betweenâŚ
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20 for 2025 - Panda Bear: Sinister Grift
Panda Bearâs latest album blends sly deception with melodic allure, wistfulness, and a boundless experimental spirit. Mirroring Van Dyke Parksâ *Song Cycle*, which wove bluegrass, orchestral surprises, and theatrical flair into discussions of fading trends, Noah Lennox reframes ten rock tracks with reggae, dub, ghostly echoes, sustained tones, open chords, vintage pop distillation, and muted skaâŚ
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20 for 2025 - The Orb: Buddhist Hipsters
This isnât just one of the yearâs best albumsâitâs The Orbâs finest work since *Moonbuilding 2703 AD* over a decade ago. While I enjoyed *Prism* (enough to own the vinyl), this new release stands apart as one of their most serious and focused efforts. From start to finish, I was completely engaged, and I truly believe every track here is exceptional. The album also marks their most experimentalâŚ
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20 for 2025 - Oneohtrix Point Never: Tranquilizer
On his 11th studio album, veteran electronic producer Daniel Lopatin (Oneohtrix Point Never) draws creative inspiration from a modern archivistâs dilemma. The album is said to be partially inspired by the potential loss of â90s-era sample pack CDsâtreasure troves of loops and sounds that once fueled music creation. On Tranquilizer, Lopatin transforms these and other sources into a surreal,âŚ
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20 for 2025 - Oli XL: Lick The Lens - Pt. 1
Swedish producer Oli XLâs long-awaited debut for Warp Records, Lick the Lens â Pt. 1, is a meticulously crafted mini-album. It delivers glitchy, pop-infused electronic music that feels both introspective and surprisingly social. The release follows a six-year gap since his last project, a period marked by what the artist called âcontract hellâ with the label. The music itself exists in a tense,âŚ
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20 for 2025 - Max Watts: Black Elements
A three-track masterclass in contemporary Detroit electro, Max Wattsâ *Black Elements* EP fuses immaculate production with deep melodic sensibility. The title track builds an atmospheric world over punchy beats, while âKAHâ delivers a dose of warm, playful electro-funk. Closer âMotorâ merges crunchy acid with robotic rhythms for a gritty, futuristic finish. This is a powerful statement fromâŚ
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20 for 2025 - KAMM: Let The Light In
KAMMâs latest album, Let The Light In, is a beautifully melodic and poignant electronic record born from loss. The work serves as a touching tribute to the groupâs late member, Alland Byallo, a beloved Berlin DJ who passed away in 2023. Shifting to a slower, reflective groove, the album masterfully blends gentle funk and jazz influences into a warm lo-fi house sound. This musical foundationâŚ
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