بغداد في الستينات

JVL
One Nice Bug Per Day

oozey mess

titsay
Monterey Bay Aquarium

izzy's playlists!

Product Placement
Today's Document
PUT YOUR BEARD IN MY MOUTH
taylor price
No title available

❣ Chile in a Photography ❣
wallacepolsom
dirt enthusiast
AnasAbdin
Acquired Stardust
YOU ARE THE REASON
Keni
Not today Justin
art blog(derogatory)
seen from United States

seen from Belgium

seen from Netherlands
seen from Australia
seen from New Zealand

seen from United States

seen from South Korea

seen from United States

seen from Germany

seen from Malaysia
seen from Côte d’Ivoire
seen from United States

seen from United States
seen from United States
seen from Brazil
seen from United States

seen from United States
seen from Malaysia

seen from Poland

seen from Slovakia
@aksnameh
بغداد في الستينات
العراق - 1950م
house types in West Baghdad, 1957
The site in central Cairo where today’s Opera House and Museum of Modern Art are located was once the country’s focal point for exhibiting national modernity. (Fig. 1) The history of the site captu...
mckenzie wark
The Situationists had a useful term for the time and place that others have messianically dubbed “late capitalism”: they called this “the overdeveloped world.” It is as if capitalism in the West overshot the point where its internal conflicts might have transformed it into something else. Now it can only feed on itself. One of capital’s few remaining growth strategies is to colonize from within those cultural bulwarks which, in Victorian times (or even in postwar America), seemed to be the noncapitalist stabilizers of capitalist accumulation. And so we get the whole of culture — education, communication, even religious faith — recapitalized, via charter schools, MOOCs, private contractors, social media, the megachurch.
https://lareviewofbooks.org/contributor/mckenzie-wark
Laredo before they put in IH35. People always trying to fuck with the border.
These faces are inspired by real people who got their portraits taken in photo studios in Peshawar (Borderzone Pakistan, Afghanistan) in the late 60ies and early 70ies, based on material collected by @lukas.birk . Check our limited edition art book #weweredrawnhere and our detailed interview with @alartemagazine to learn more about it ( links on my website) #embracetheface #portrait #peshawar #moshtarihilal #moshtariillustration
“I love order”
(https://www.youtube.com/watch?v=cRES6Af_Wyg gönderdi)
Bu dönüşümün en açık göstergesi, yayıncılığın bir sektör haline gelişidir. Caddelere bakan küçük kitabevlerinin yerini alışveriş merkezleri içine kapanmış büyük ‘bookstore’ların alması bu sürecin oldukça manidar göstergelerinden biri olarak alınabilir. Eskiden bir nevi ‘kanaat önderi’ gibi iş gören kitapçının yerini ‘tezgâhtar’a, ya da daha yerinde bir ifadeyle ‘satış elemanı’na bırakması basit bir dönüşüm değildi. Yayıncılığın, dolayısıyla edebiyatın üzerine nasıl bir ‘alev topu’nun düştüğünü görmek için, herhangi bir ‘bookstore’a uğrayıp oradaki raf dizaynına şöyle bir göz atmak bile yeterlidir. ‘Çok satanlar’, ‘yeni çıkanlar’ ve ‘diğerleri’... Bu üç temel kategori ‘eleştiri’ denen kurumun da çöküşüne işaret eder; şimdi belirleyici olan, edebiyatın ‘muhafız birlikleri’ değil, Piyasa’nın ‘taarruz birlikleri’dir.
Şükrü Argın