Melinoe/ Ghost
Goddess of ghosts and offerings to the dead.
Thesis 2015
Monterey Bay Aquarium
Cosmic Funnies
Cosimo Galluzzi
TVSTRANGERTHINGS

Love Begins
untitled
Xuebing Du
$LAYYYTER
cherry valley forever
RMH
KIROKAZE

PR's Tumblrdome
The Stonewall Inn

No title available
trying on a metaphor

pixel skylines
tumblr dot com
ojovivo
Lint Roller? I Barely Know Her
One Nice Bug Per Day
seen from United States
seen from Colombia
seen from United States
seen from Bangladesh
seen from Azerbaijan
seen from Malaysia
seen from Argentina
seen from Argentina

seen from Türkiye

seen from United States

seen from Argentina
seen from United States

seen from India
seen from Dominican Republic
seen from United States

seen from United States

seen from United States
seen from United States
seen from Guatemala
seen from Bangladesh
@alienrat-thesis
Melinoe/ Ghost
Goddess of ghosts and offerings to the dead.
Thesis 2015
Jinn/ Rat
Disease personified. Rats and Jinn being blamed for the spread of disease.
Thesis 2015
Badb/ Raven
Goddess of war and battlefields.
Thesis 2015
Lilith/ Bat
Daemon and first succubus. Portrayed here as a vampire.
Thesis 2015
Hecate/ Witch
Goddess of the night, crossroads, and witches.
Thesis 2015
Persephone/ Pumpkin.
Queen of the Underworld.
Thesis 2015
A WIP from earlier in the semester...
An ancient ghost story by Pliny the Younger (61-113 AD)
(The image is of the Roman skull mosaic from Pompeii, c. 30 BC - AD 14. An explanation of the mosaic can be found here. Pliny the Younger witnessed the eruption of Mt Vesuvius in 79 AD, which destroyed Pompeii. Pliny’s uncle, Pliny the Elder actually died during the eruption.)
The following spooky story is from Pliny the Younger, Book 7, Letter 27:
"There was in Athens a house, spacious and open, but with an infamous reputation, as if filled with pestilence. For in the dead of night, a noise like the clashing of iron could be heard. And if one listened carefully, it sounded like the rattling of chains. At first the noise seemed to be at a distance, but then it would approach, nearer, nearer, nearer. Suddenly a phantom would appear, an old man, pale and emaciated, with a long beard, and hair that appeared driven by the wind. The fetters on his feet and hands rattled as he moved them. Any dwellers in the house passed sleepless nights under the most dismal terrors imaginable. The nights without rest led them to a kind of madness, and as the horrors in their minds increased, onto a path toward death. Even in the daytime—when the phantom did not appear—the memory of the nightmare was so strong that it still passed before their eyes. The terror remained when the cause of it was gone. Damned as uninhabitable, the house was at last deserted, left to the spectral monster. But in hope that some tenant might be found who was unaware of the malevolence within it, the house was posted for rent or sale. It happened that a philosopher named Athenodorus came to Athens at that time. Reading the posted bill, he discovered the dwelling’s price. The extraordinary cheapness raised his suspicion, yet when he heard the whole story, he was not in the least put off. Indeed, he was eager to take the place. And did so immediately. As evening drew near, Athenodorus had a couch prepared for him in the front section of the house. He asked for a light and his writing materials, then dismissed his retainers. To keep his mind from being distracted by vain terrors of imaginary noises and apparitions, he directed all his energy toward his writing. For a time the night was silent. Then came the rattling of fetters. Athenodorus neither lifted up his eyes, nor laid down his pen. Instead he closed his ears by concentrating on his work. But the noise increased and advanced closer till it seemed to be at the door, and at last in the very chamber. Athenodorus looked round and saw the apparition exactly as it had been described to him. It stood before him, beckoning with one finger. Athenodorus made a sign with his hand that the visitor should wait a little, and bent over his work. The ghost, however, shook the chains over the philosopher’s head, beckoning as before. Athenodorus now took up his lamp and followed. The ghost moved slowly, as if held back by his chains. Once it reached the courtyard, it suddenly vanished. Athenodorus, now deserted, carefully marked the spot with a handful of grass and leaves. The next day he asked the magistrate to have the spot dug up. There they found—intertwined with chains—the bones that were all that remained of a body that had long lain in the ground. Carefully, the skeletal relics were collected and given proper burial, at public expense. The tortured ancient was at rest. And the house in Athens was haunted no more.”
Color compositions so far...
Symbol and icon studies!
Witch thumbnail and color comps.
Women’s Fashion Timeline (19th and early 20th centuries) By Meg North
Regency (1800 – 1820-ish) The first thing I think of when I think Regency is Empire Waist. The dresses gathered beneath the bust, falling right to the floor. Women wore really high-waisted long corsets underneath, tightly ringleted hair, and wide bonnets. Lots of sheer materials and cottons, a bit more risque than anything else in the 19th century. Look at Jane Austen and Napoleonic films for Regency style.
Hoop Era (1830 – 1870) Queen Victoria ascended to the throne in 1837, ushering in a brand-new era and the fashions started to change into the quintessential mid-Victorian look: wide bell sleeves, a tight corseted waist, and voluminous skirts. An overall look of demureness, with the dress dominating and accentuating the female figure. Hoops were their widest in the Civil War 1860′s, with somewhat narrower hoops in the decades previous. Hair was a bit severe, parted in the middle, ringlets and looped braids on either side. Watch Jane Eyre, Civil War movies, and Dickens films for mid-Victorian hoop era fashion.
Bustle Era (1870 – 1885) A short fashion era but nonetheless popular and very recognizeable. The bustle was a modified caged underskirt that accentuated the bum and pulled the focus of the dress towards the back. Dresses were more confined and closer to the body, allowing for a bit more ease of movement. Heavier materials and brighter colors than ever before. Hair became really elaborate, piled high on top of the head, with tons of ringlets, combs, pins, and ornaments. Dr. Jekyll & Mr. Hyde, Sweeney Todd, Sherlock Holmes, Moulin Rouge, Alice in Wonderland – take a look at these films for bustle fashion.
Gibson Girl (1890 – 1905) Another short-lived fashion era, forever popularized in musicals like The Music Man. Gibson girl fashion is all about the sleeves – large leg o’ mutton sleeves that poofed around a woman’s shoulders. She wore a simple skirt, but the top of her dress was characterized with lace tucks, frills, and flounces. This style of dressing bridges the gap between Victorian and Edwardian, and can be seen in Oscar Wilde film adaptations, The Music Man, and children’s stories like Peter Pan and The Wizard of Oz.
Titanic (1910 – 1915) The shortest-lived of all was the Titanic era, but it was also the most wearable corset-and-dress combination. The Empire waist came back into favor, but the dress was styled differently, with fabric panel overskirts decorating the underskirt. Hemlines became shorter, since women were more mobile than ever before and thousands worked. Ah, but the hats! The crowning glory of the Titanic lady was her hat – a massive brim, with a highly decorated crown of feathers, bows, and flowers. Watch Titanic and any World War I movie to get an idea of Titanic fashion.
black cat moon, louis wain c. 1916
Cocorico Théophile Steinlen
By: Jules Cheret