‘The Shortest Day’ illustrations by Carson Ellis
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@amnesia-toys
‘The Shortest Day’ illustrations by Carson Ellis
the key to understanding light and colour is that they're the same thing. but you have to understand them separately because they speak different languages culturally, symbolically, and the only way to use them really well is by lying. art is stupid btw.
CLUELESS (1995) dir. Amy Heckerling
Ask Polly
richard siken soup moment
made some posters - this ones my favorite
all of them
Fleishman is in trouble (2022)
14-year-old Sandra Bullock on holiday with her family in 1978.
zoë kravitz in high fidelity (2020) her mother in high fidelity (2000)
succession / kait rokowski
Anne Carson (2009)
Arthur S. Way (1898)
George Theodoridis (2010)
Ian C. Johnston (2010)
E.P. Coleridge (1910)
Theodore Alois Buckley (1892)
John Peck, Frank Nisetich (1995)
R. Potter (1906)
M. L. West (1987)
William Arrowsmith (1958)
Philip Vellacott (1972)
Michael Wodhull (1782)
Kenneth McLeish (1997)
David Kovacs (2002)
Andrew Wilson (1993)
Euripides - Original (408 BCE)
The Bear 2.08 “Bolognese”
what was i made for?
“ophelia” by john everett millais but it’s barbie and for the sake of this concept let’s pretend that there is in fact water in barbieland
of course love exists that’s why matt berninger from the national wrote “i wanna hurry home to you, put on a slow dumb show for you, and crack you up" and then “you know i dreamed about you for 29 years before i saw you, i missed you for 29 years”
“That’s why high school, or a crappy job, or any other restrictive circumstance can be dangerous: They make dreams too painful to bear. To avoid longing, we hunker down, wait, and resolve to just survive. Great art becomes a reminder of the art you want to be making, and of the gigantic world outside of your small, seemingly inescapable one. We hide from great things because they inspire us, and in this state, inspiration hurts.”
— One of the best articles I’ve ever read. Rookie Mag. By Spencer Tweedy. (via wildyork)