three points where two lines meet

i'm mallory. i like watching cartoons and petting my cat.

[pondnaravit]

[pondnaravit]

[sbrown82]

BIIIIITCH! 🤣🤣🤣

[lesbianherstorian]

a collection of vintage lesbian protest pins

[witchesversuspatriarchy]

Green witch tips

[andreablog2-deactivated20220425]

Your sims house is very decadent for someone who hates the rich.

It’s the sims…

[wahbegan]

creating a bare-bones socialist compound for your Sims to live in as radical praxis

[everythingstarstuff]

[yourstrulys]

[marvel-lously]

I’d let her ruin me tbh

[metamorphichorrormachine-blog]

These pages serve a double purpose: they’re an entry in my commonplace book, as well as an informational slip I can print out to be sold along with my divination tea cups. That is, if I ever get my act together on those tea cups. Le heave, le sigh.

My hand-lettering/calligraphy is perceptibly improving, which means I might not need to perfect my handwriting fonts for the Omnomnomicon and Unholy Imbible (my cookbook projects– when completed i.e. never they shall form a rather punk rawk DIY skills trilogy with the commonplace book. Lul.) which is *great* because I’m really, really tired of trying to make my own fonts that look like the calligraphy tags at Fort Worden and failing. This sort of script would look way cool, even if it’s not quite illuminated manuscript material…hmmm.

Tasseomancy: An Unofficial Guide  

Fineline and calligraphy markers.

Pages by Gin Grímsdóttir, 2015. Please do not remove credit.

[vivianthewitch]

Reading tea leaves is one of my favorite ways to know about … well… my life 😅 🌱🌱🌱

From: lottoland.co.uk

[erzuliestyle-blog]

tasseomancy/tasseography/tassology

reading tea leaves

[kristenstuwarts]

[schruutes]

Three hundred and sixty four days till the next pretzel day.

[heartsnmagic]

[blairwitchdiaries-deactivated20]

sorry i can’t come into work today i’m living my truth

[1dietcokeinacan]

[hawkaye]

WHAT WE DO IN THE SHADOWS (2014) - dir. Jemaine Clement, Taika Waititi

[stars-bean]

The Craft (1996) dir. Andrew Fleming