☆ ANASTASIA THE MUSICAL

Welcome to Anastasia Sourced; a fanblog dedicated to the new musical, Anastasia, which is currently running at the Broadhurst Theatre. All content belongs to their respective owners and is credited when possible. Please contact us if you have any questions, comments, or concerns. Our site claims no credit for any content posted on this site unless stated otherwise. information on this blog are copyright to their respectful owners. If there is any content appearing on this blog that belongs to you and do not wish for it appear on this site, please message us with a link to say which post and it will be promptly removed. We tag: #anastasiasourced

[earith]

Tomorrow. @christyaltomare @zachmadkins #AnastasiaMusical

[playbill]

Watch Anastasia Originals Liz Callaway and Christy Altomare Belt ‘Journey to the Past’ Together

[anastasiasourced]

hii, do you have any tips on getting rush tickets? is it hard to get them?

hi! I don’t think either of us have done rush, but you can read about Anastasia’s Rush policy here.

[adkinsdmitry-deactivated2018100]

BRINGING MY HEART & SELF INTO THE ROLE - the ensemblist, by Zach Adkins.

I think there was always part of me in Dmitry, even from the beginning. During staging rehearsals watching the wonderful Derek Klena navigate and create this role, I knew that certain things he was doing wouldn’t work on my body. So, I started early on in the rehearsal process putting my own views and movement to Dmitry. As many understudies know this is typically not asked of us. A lot of what a Stage Manager and Resident Director are interested in is maintaining what is being created when we freeze a show. But I’m not exactly speaking to hitting marks and cues on stage, more of bringing my heart and self to the role.

I’ve gathered from the last three years of understudying leads, that people really do want to see you shine in these parts, even as an understudy. If you allow people to see you in the role, truthfully and honestly, they’ll start to connect with you behind the scenes more, because theatre has that amazing quality of bonding people with similar experiences.

Moving into the role full time will be a great adventure. Of course when you step away from a track you built, even an ensemble track, you hope your replacement will pick up on the small additions and traditions you’ve made, on and off stage, to your track. There are so many great moments I share with this strong ensemble, I think that’s what I’ll miss most. Whether it’s portraying silly black-marketeers in “Rumor in St. Petersburg” with the hilarious Kevin Munhall or if it’s being the classiest couple at the Neva Club with Shina Ann Morris, those moments will live on, if not on stage, with me.

As an understudy you hope one day you’ll be bumped into the role. You wait, you hope, you look for the opening, for someone to give you that break. I’m grateful to this creative team who took the time to look past the contributions I’ve been making this year in the ensemble of Anastaisa and see me in a new light. It’s these kind of people that should be celebrated in our business. Because I’m here to tell you, understudies are some of the smartest, hard working individuals you’ll find in the theatre. And they deserve to be taken seriously in recasting and not groaned over when your favorite star is out. These men and woman are the next crop of art influencers and shapers and I couldn’t be more proud to have started my career in their ranks.

[anastasiasourced]

Do you have any bootlegs of anastasia on broadway?

Hello! We don’t gift or give out bootlegs, unfortunately, sorry!

[anastasiasourced]

Do gift any bootlegs of the OBC?

Hello! We don’t gift or give out bootlegs, unfortunately, sorry!

[anastasiasourced]

Christy Altomare Instagram Stories (February 4th, 2018)

[chabouillet-deactivated20250404]

musical theatre meme | 3/5 onstage pairs | Anya & Dmitri

[anastasiasourced]

Watch Now: Ahrens and Flaherty Panel Live From BroadwayCon, Featuring Christy Altomare and More!

Tony Award winners Stephen Flaherty and Lynn Ahrens have crafted two of Broadway's current hit musicals - Anastasia and Once on This Island. In this panel, Lynn Ahrens, Anastasia's Christy Altomare, and Once on This Island's Hailey Kilgore discuss the strong female characters that anchor both musicals and how this theme is echoed on stage and off. The panel will feature a special shout out from Stephen Flaherty, and performances by Christy Altomare and Alex Newell.

[earith]

davymacknyc Backstage with the awesome Lauren Blackman!

#NYC #NewYork #Manhattan #Sony #a7rii #LaurenBlackman #Countess #Lily  #Zeiss #85mm #Anastasia #Broadway #Costume #DavyMackNYC #TonyAward #Backstage #Anastasiamusical #Theater #Vintage #Actor #JourneyToThePast #Russia #Retro #Photographer #Paris #France #StageDoor #Disney

[adkinsdmitry-deactivated2018100]

Christy Altomare at the Anastasia Stagedoor (January 23rd, 2018).  PHOTO CREDIT

[anastasiasourced]

“JFK AirTrain welcoming me home”

[earith]

lauren blackman taking her bows as countess lily (from instagram; january 17, 2018)

[j-murphy]

            and bring me home                                        at last

[what-makes-a-hero-deactivated20]

Molly in the finale!

[dmitryanya]

heart, don’t fail me now / courage don’t desert me / don’t turn back now that we’re here!

[whizzrbrowns]

halfway between all i’ve lost and all i’m learning