photographed by yulia zinshstein
styled and modeled by me
editorial magazine
http://the-editorialmagazine.com/?p=5945
DEAR READER
Not today Justin

⁂

JVL
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trying on a metaphor
Sade Olutola
will byers stan first human second
Xuebing Du
Stranger Things
Lint Roller? I Barely Know Her
wallacepolsom
occasionally subtle

Janaina Medeiros
Misplaced Lens Cap

if i look back, i am lost
2025 on Tumblr: Trends That Defined the Year
noise dept.

No title available
sheepfilms

seen from Malaysia

seen from Spain

seen from United States
seen from United States
seen from Malaysia
seen from United States
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seen from T1

seen from France
seen from United Kingdom
seen from United Kingdom

seen from Türkiye

seen from Netherlands
seen from United States
seen from United States

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seen from United States
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@ancientish
photographed by yulia zinshstein
styled and modeled by me
editorial magazine
http://the-editorialmagazine.com/?p=5945
Oscar Dominguez, Minotaur
Seth Price Untitled 2018 Inkjet, paper, acrylic polymer, glue, aluminum, wood 52.5 x 84.75 inches
Martin Parr ENGLAND. Garden Open Day, 1989.
La Cucaracha By Pieter Hugo
Jonathan Trayte. Cucurbita III, 2017.
concrete
the state, empire, call it what you will is much more eager to extend its powers than retract them. once they start, there’s rarely any “going back to “normal””
this. it’s been almost 20 years since 9/11, the TSA has caught precisely 0 terrorists, american wars in afghanistan, iraq and iran have become even more blatant resource grabs, and the police state has only gotteb worse. be ready for the exact same shut to happen “post” covid-19
right! its incredibly naive to think THIS will be the instance where they reel it back, when time after time they’ve shown us that is never the case. though, maybe this is the time where people will say enough is enough
if you “like living in the city” it’s only because the “country” has been so thoroughly alienated and brutalized that paying exorbitant rent to live in some concrete-and-asphalt shit hole becomes a reasonable option. like, you realize that the lattice of boredom and isolation that runs through rural areas isn’t an inherent part of those territories, right? that it’s a function of the economic system that’s laid over it, and that very system can be destroyed?
bro what fuckin year is it
Andrew Wyeth (American, 1917-2009), Elsie’s House, 1983 . Watercolor and pencil on paper, 20 x 28 in.
DANIEL DEWAR & GRÉGORY GICQUELSTONE -MARQUETRY WITH WASH BASINS, TAPS, SOAP DISPENSER, SOAP AND SOAP DISH, 2017, MARBLE, GRANITE, 200 × 240 × 2 CM
Basket of concrete fruit in Huairou by Stefano Cerio