feet off the ground

whatever goes ~

[jnjo]

Blood Orange, 2016

[saintmarc]

[killyridols]

wetlands by amy beager, 2022, acrylic & oil on linen, 100 × 70 centimeters

[indecisor]

Ted Chiang, “Why A.I. isn’t Going to Make Art.” The New Yorker.

[yourrfeelings]

Sharing music is a huge love language for me

[xanaxfarts]

John Yuyi: ‘Smoke Me’ (2019)

[boycritter]

maybe i like my tech a little bit inconvenient

[boycritter]

maybe i like pulling out my debit card instead of using apple pay. maybe i like untangling my wired headphones. maybe i like typing something into the search bar instead of using siri or whatever. maybe i like curating my own social media feeds over an algorithm. i just don’t think everything has to be perfectly streamlined and efficient i like it when things feel tethered to the real world.

[matthewgrantanson]

Forum, Rome -- September 19th, 2024

Etsy

[sandersstudies]

So rude that you can’t say “okay, I’m done thinking about that” and then actually stop thinking about it

[bat-luun]

[said with increasing amount of distress] i got this i got this i got this i got this i got this i got this i got this i got this i got this i got this i got this i got this i got this i got this i got this i got this i got this i got this i got this

[letheane-deactivated20200121]

Karl Bryullov, ‘Last Day of Pompeii’, (Details)

[venusimleder]

Elle Italia, November 1997.

“Mode Tempestose”

Ph. Christopher Griffith

[robert-hadley]

The World of Interiors, December 2022. Photo - Martin Morrell

[2001hz]

H.R. Giger: 'E. L. P. VII' (1986)

[candlewinds]

MY MISTER (2018)

[humanoidhistory]

The Colossi of Memnon at the necropolis of Thebes, Egypt, 1965, during the seasonal flooding of the Nile. Photo by Eliot Elisofon. (Smithsonian)

[minsoek]

cruising along leisurely~