grav / 25 / white / they
bio is from the book of the dead man by marvin bell, icon is robert mapplethorpe
sideblogs @wehaveagathering (hockey) @thedecadenceofwar (multifandom)
I’m not good at tagging.

bliss lane
untitled

pixel skylines
Fai_Ryy

izzy's playlists!
One Nice Bug Per Day

gracie abrams
Not today Justin
we're not kids anymore.
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KIROKAZE
Game of Thrones Daily
Lint Roller? I Barely Know Her
TVSTRANGERTHINGS
let's talk about Bridgerton tea, my ask is open

@theartofmadeline

roma★
will byers stan first human second
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todays bird
seen from Malaysia

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@indecisor
grav / 25 / white / they
bio is from the book of the dead man by marvin bell, icon is robert mapplethorpe
sideblogs @wehaveagathering (hockey) @thedecadenceofwar (multifandom)
I’m not good at tagging.
i recently had a thought. which, as you can imagine, was stressful
If YOU could only bring 5 albums to a deserted island what would you bring?? 🏝️
tee hee this is my favorite question to ask people
your answers were excellent btw
-Rita Payes, De Camino al Camino
-John Coltrane, A Love Supreme
- Max Richter, Four Seasons Recomposed
-Casiopea, Mint Jams
- Buena Vista Social Club, the eponymous album
my thought process is that i’m gonna want to have a wide variety of emotions to have access to through music and i’m gonna wanna have albums that i can listen to over and over and always find something new every time
thanks for the ask!!
oh oo ohhh ooo oh
it must feel good as hell when you’re a horse and you take a big bite out of an apple like ttshoke
your command over onomatopoeia is unmatched bestie
Pentheus torn apart by Bacchantes, 2nd century CE, Archaelogical Museum, Turin
its actually easy to de-enshittify your digital experience all you need to do is install this browser extension and this browser extension and this browser extension and input this custom script into the advanced box and go into your system settings and reconfigure all these options you didnt know existed and change your entire workflow and switch to this alternative operating system and this alternative web browser and this alternative chat client and this alternative word processor and this alternative- sorry that one turned out to be malware delete that one okay now double check your task manager for unwanted background processes and element block these ads and invest in a good VPN and append all your searches with AI blocking keywords and wait a few years until everything you just did becomes shitty too so you can do it all over again okay kitten. its literally that easy.
NOTES ON A CONDITIONAL FORM
ana mendieta
I usually tell my students that “close reading” means looking at what is actually on the page, reading the text itself, rather than some idea “behind the text.” It means noticing things in the writing, things in the writing that stand out. To give you some idea of what this means, I’ve made up a list of five sorts of things that a close reading might typically notice: (1) unusual vocabulary, words that surprise either because they are unfamiliar or because they seem to belong to a different context; (2) words that seem unnecessarily repeated, as if the word keeps insisting on being written; (3) images or metaphors, especially ones that are used repeatedly and are somewhat surprising given the context; (4) what is in italics or parentheses; and (5) footnotes that seem too long. This list is far from complete—in fact, no complete list is possible—but the list is meant to begin to give you an idea of what sorts of things we notice when we’re doing close reading.
What all five of my examples have in common is that they are minor elements in the text; they are not main ideas. In fact, your usual practice of reading which focuses on main ideas would dismiss them all as marginal or trivial. Another thing they have in common is that, although they are minor, they are nonetheless conspicuous, eye-catching: they are either surprising or repeated, set off from the text or too long. Close reading pays attention to elements in the text which, although marginal, are nonetheless emphatic, prominent—elements in the text which ought to be quietly subordinate to the main idea, but which textually call attention to themselves.
Most of you have been educated to ignore such elements. You have been taught to seek out and identify the main ideas, dismissing the trivial as you go. This has had to be trained into you: read to a young child sometime, you will notice she has the annoying habit of interrupting the flow of the story to draw attention to some minor thing. Close reading resembles the interruptions of that child. It is a method of undoing the training that keeps us to the straight and narrow path of main ideas. It is a way of learning not to disregard those features of the text that attract our attention, but are not principal ideas.
Jane Gallop, “The Ethics of Close Reading: Close Encounters,” Journal of Curriculum Theorizing, Vol.16, No.3 (Fall 2000), pg.7-8 (x)
"For women, only one standard of female beauty is sanctioned: the girl. The great advantage men have is that our culture allows two standards of male beauty: the boy and the man. The beauty of a boy resembles the beauty of a girl. In both sexes it is a fragile kind of beauty and flourishes naturally only in the early part of the life-cycle. Happily, men are able to accept themselves under another standard of good looks — heavier, rougher, more thickly built. A man does not grieve when he loses the smooth, unlined, hairless skin of a boy. For he has only exchanged one form of attractiveness for another: the darker skin of a man’s face, roughened by daily shaving, showing the marks of emotion and the normal lines of age. There is no equivalent of this second standard for women. The single standard of beauty for women dictates that they must go on having clear skin. Every wrinkle, every line, every gray hair, is a defeat. No wonder that no boy minds becoming a man, while even the passage from girlhood to early womanhood is experienced by many women as their downfall, for all women are trained to want to continue looking like girls." — Excerpt from Susan Sontag's 1978 essay The Double Standard of Aging
Folke Gullby - Summer Night Window (1955)
My very first tiger drawing and my latest
Your skill level is unquestionable but listen.
I love him.
me also. as well.
This is the COOLEST thing I’ve seen in AGES. You both completely made my entire week.
Marsha P. Johnson photographed by Alvin Baltrop
Morteza Khakshoor
so beautiful so crisp
has anyone considered that it was probably her house too. where else was she supposed to put her chintz?