Nobody Here, Just A Frog @anobodyinabog - Tumblr Blog

smallpwbbles

anobodyinabog

AAAAAAA IM SO HAPPY TO SEE MY SON

pokemonarchive

Dragonair (2026) - Ruler of the Skies Illustrator: rika

mysharona1987

beatrice-otter

#i feel like this is also the stance of the movies#because lando spends approximately zero seconds redeeming himself#think of how black characters are usually treated for betrayals#even if it is an airquote betrayal#lando helps at the end of esb and is officially one of the heroes no redemption necessary#the whole choking thing is a misunderstanding really tags via cadesama

hardcandyfilmclub

#also note how Leia forgave him #real fast#this is a woman who does not do forgiveness easily #but she knew he was right#she was fully aware of that #she was angry because she loves Han#but she moved past it #because she knew he was right#the movie knows he’s right #the characters know he’s right#it isn’t even a question

swimmingblue

Lando is 100% right to do what he did. He was Responsible for everyone on Cloud City. Leia, who grew up as the Princess of an entire planet, 100% understood that. Lando is completely validated by the story, the characters, and everyone for what he did.

And we see that he did try to shoo off the “hero crew” when they arrived in Cloud City in such a way that a) they’d have a decent chance of escaping, and b) he’d have plausible deniability. We see him ribbing Han a lot, for example, in such a way that it would be entirely possible that Han, who’s very touchy, might well just … go off in a huff. Lando could then easily go “haha, sorry Darth Vader sir, didn’t realize that Han couldn’t take a joke.” Win-win.

I also really appreciate that Lando is depicted as a solid person. He’s in a position of trust and authority, and he acts like it. He might have a bit of a checkered past, but he’s trying his best to do the right thing - and he’s doing a better job than Han, who’s still in trouble with the law.

mantisliberationfront

I think venus flytraps should be intelligent and ambulatory. I think they should get into the cupboards. I think they should purr when you pet them.

prismatic-bell

OP there is an entire Broadway musical explaining why you don’t want that

bbcwhereareyou

There’s a Broadway musical about them, too.

cipheramnesia

There’s gotta be a better way to learn about things than Broadway musicals.

justdecadentcollectiondestiny

I got the wonderful opportunity to see Labyrinth on the big screen last week (thank you Fathom Events) and I think this time around really helped me nail down one of the things that makes this movie so special to me: the ending message.

A story with a somewhat childish sixteen-year-old girl who immerses herself in magic and fantasy worlds who goes through a journey and a transformation and comes out the other side more mature could very easily have ended with the message of "Now that the adventure in the fantasy world is over, our heroine has grown and matured enough to leave magic and fantasy behind and become an Adult."

But Labyrinth doesn't do that.

Labyrinth says: "You might grow up a little. You might put away your costumes and your music box and your crown. You might give your teddy bear to your little brother. But that doesn't mean you have to leave it all behind. Every so often in your life, for no reason at all, you might need a little magic back in your life. And your friends in the fantasy world will always be there for you."

"Should you need them."

laserwalnut

Strong as fuck ice piggy

jarenka

There are some gems in YouTube comments

battlevilla

peelingmandarins

ceramicminds

As a civil engineering student who’s getting into slashers I’m fascinated by the House of Wax 2005. I love the film so much but the concept of a wax house is stuck my brain because how in the ever loving fuck did Trudy get planning permission for that thing. Because like, it’s Trudy’s world famous House Of Wax, so it was probably her that built it, and it’s definitely built for human usage so it’s still bound by the relevant construction legislation. How on earth did she explain that to the construction team? Did they do it like concrete and pour it into formwork and she just carved up the finer details? Were they prefab walls she made and just like hired a crane and a really big blowtorch to weld them together? I’d give my left arm for those specifications, if she made any at all instead of just shipping over like ten trucks worth of wax and going at it herself. Did she claim it was just a really big sculpture to get around the Building Regulations? Or was this totally a thing that could happen in the 80s and I’m just overestimating their safety precautions?

She probably just never told the government and assumed small town = they won’t notice or care, lied that it was concrete on the inside or something if anyone asked and prayed nobody would snitch (and subsequently get waxed along with any wayward safety inspector), but it’s funnier to think of it like this:

anobodyinabog

I was thinking the exact same thing! Who let her build that thing?!

ohcaptains

enyter

escapologist-sys

the concept of Ryland Grace teaching middle school kids therefore being vaguely aware who markiplier is and then meeting simon iron lung and getting so confused is frying my brain

songbird-is-crying

dude i was gonna say that the close release of iron lung and project hail mary should be studied in future film history classes to show the american populus's general consensus on the disfatisfaction of the war draft and a distrust in the government ... but then i saw ironmary/bloodymary shippers out there and said NO this is why it should be studied