Tokyo in the 70s
1970年代の東京
Stranger Things

Origami Around
Alisa U Zemlji Chuda

No title available
ojovivo

tannertan36
Cosmic Funnies
i don't do bad sauce passes
Claire Keane
h
One Nice Bug Per Day
noise dept.
No title available
styofa doing anything
No title available
DEAR READER
taylor price
Cosimo Galluzzi
Monterey Bay Aquarium
KIROKAZE

seen from United States
seen from Germany
seen from Malaysia
seen from Türkiye

seen from Netherlands

seen from Canada
seen from United States

seen from Germany

seen from Germany
seen from Germany

seen from Türkiye

seen from United States

seen from Germany
seen from United States
seen from Indonesia
seen from Netherlands

seen from Singapore
seen from Germany

seen from United States

seen from Malaysia
@anothermeandmore
Tokyo in the 70s
1970年代の東京
“Please don’t expect me to always be good and kind and loving. There are times when I will be cold and thoughtless and hard to understand.”
— Sylvia Plath
2AM, I'm wide awake
Ceiling fan, Coldplay
Haven't heard from you all day
Tv light, the sound is off
I'm keepin' my fingers crossed
But all you do is put me on pause
I know, I know if I'm bein' honest
Then maybe we should call it
Is it love
If you only ever want me when you're drunk?
If the only time you ever think of us
When you're out and had a little bit too much
Is it love?
Is it true
If you say it in the middle of the night?
Or you're caught up in your feelings on a flight
If you only ever want me when you're drunk
Is it love?
Oh, oh
You don't want me like I want you
You don't want me like I want you
Now it's been a couple days
When I start to feel okay
Phone lights up, I see your name
I know, I know that I shouldn't pick up
But I don't wanna give up….
The Palo Santo smoke is curling in the corner of the ceiling
You′re breathing deep
It's a feverish feeling, I′m leaning on the steel and it's reeling
Before the leap
I'm tracing a map on your shoulder with my thumb
You′re numb
Closing the gap till the panic is the only thing we feel
Now we′re finding out that every other part of us was never even real
Put your hands on my neck and just pull me in
While you bend on my bed committing a sin
Doing the things that you said you would
Never even think about doing with me
I'm locking the deadbolt, killing the static
It′s almost dramatic
The sweat on your skin makes the tension erotic
The way you get naughty
It got me lunatic
Of your body I'm an addict
Um dos melhores momentos de Frances Ha.
“É isso que eu quero em um relacionamento, o que meio que explica porque estou solteira agora. É difícil de explicar. É uma coisa quando você tá com alguém e você ama a pessoa e vocês sabem disso. Vocês estão juntos, mas é uma festa, sabe? Os dois estão conversando com pessoas diferentes. Você tá lá sorrindo e olha para o outro lado da sala e vocês trocam olhares. Mas não porque são possessivos ou que seja algo sexual, mas apenas porque aquela é a pessoa da sua vida. E isso é engraçado e triste, mas só porque esta vida vai terminar. E é esse mundo secreto que existe bem ali em público, mas imperceptível, que ninguém vai ficar sabendo. É tipo como dizem, uma outra dimensão que existe ao nosso redor, mas não temos a habilidade de notar. Sabe? É isso. É isso que quero de um relacionamento. Ou da vida, eu acho. Amor. Parece que tô viajando, mas não tô…”
Garuda. Vinho e términos noturnos.
by Marcelo Lopes. Sou uma colecionadora de poemas.
Términos noturnos. Quando só um vinho consegue acalmar uma mente acelerada.
Fumika Koda aka Koda Fumika aka 幸田 史香 (Japanese, b. 1986, Fukuoka Prefecture, Japan) - 1: Hotaruso, 2019 2: 昼さがり (Early Afternoon) (Hayashi), 2018 3: 夏めく(Natsumeku) (Signs of Summer), 2019, Japanese Paintings: Mineral Pigments, Color on Silk
How can the spring rain That weaves wild, shifting patterns On the waterʼs face Yet spread a green, unvaried dye Along the mountain slopes? (from the Manʼyōshū anthology of Japanese poetry, tr. Edwin Cranston)
Whatever people do, they tend to get accustomed to images and sounds accompanying their activities. If every week you sit in the tearoom listening to the kettle singing on the hearth, you run the risk of starting to take the kettle and its song for granted. But a steady rain of early spring tapping on the window is enough for the great awakening to happen. You hear the kettle sing for the very first time, as the very first spring unfolds outside.
Listening to spring rain with (top to bottom): Kawase Hasui, Kankai Temple in Beppu, c. 1927 [source]; Kawase Hasui, Spring Rain at Gokoku-ji Temple, 1932 [source]; Tsuchiya Koitsu, Spring Rain, 1936 [source]; Yoshida Hiroshi, Spring Rain—Eight Scenes of Cherry Blossom, 1935 [source]; Kawase Hasui, Tochinoki Hot Springs in Higo Province, 1922 [source]; Kawase Hasui, Sakurada Gate in Spring Rain, no date [source].
On your knees, eyes locked don't you dare blink
My hand in your hair, pull till you sink
Back arched high, wrists pinned to the sheet
I trace every shiver from your throat to your feet
Spread wide for me, feel the cold chain bite
Tonight you're mine, surrender the fight
Count the seconds till I let you breathe
Beg with that tremble only I perceive
No mercy in the cage of my arms
Obey the rhythm, swallow your cries
Good girl, scream my name so loud
Make your neigbors hear it when you shout
Hips locked tight, I dictate the pace
Thrust for thrust, you fall into place
On the edge, I keep you denied
Till "please, Sir" rips from deep inside
I fiend how you scratch, how you bite
Break for me now, confess you're mine
Nails down my spine, red lines you draw
Feels so right to let me take control
Tongue on my command, taste what I give
Touch slow, worship, prove you live
Collar clicks shut, pulses racing together
Every moan I own, now and forever
Safe word's a whisper you won't dare use
I read your body, no room for refuse
Deeper I drive, watch the tears start to gleam
You're my canvas, my perfect wet dream
Good girl, scream my name so loud
Make your neigbors hear it when you shout
Hips locked tight, I dictate the pace
Thrust for thrust, you fall into place
On the edge, I keep you denied
Till "please, Sir" rips from deep inside
I fiend how you scratch, how you bite
Break for me now, confess you're mine
Slow grind, stop, hold it, don't you come
Fingers twisted in sheets, going numb
I count to ten, then slam you through
Ruined and shaking, exactly how I want you
Collapse in my grip, marked and spent
Owned completely, 100 percent
Good girl (scream my name)
Brand your skin (feel what's real)
Break for me (no escape)
Confess you're mine…
Garuda
Just me
𝚋𝚞𝚝 𝚠𝚑𝚘 𝚊𝚖 𝚒 𝚠𝚒𝚝𝚑𝚘𝚞𝚝 𝚝𝚑𝚒𝚜 𝚜𝚎𝚗𝚜𝚒𝚝𝚒𝚟𝚎 𝚑𝚎𝚊𝚛𝚝?
ੈ✩‧₊˚༺☆༻ੈ✩‧₊˚
song: "trailers after dark" by finn wolfhard