[thepeacockangel]

Criminalizing immigration serves capital

By creating a class of workers who cannot strike for fear of deportation

[socialismexplained]

And by extension, forcing wages down.

[queerqueerspawn]

Not just wages but in general circumventing laws and practices designed to protect workers - on wages, on work safety, on benefits, etc

[trogo-auto-egocratico]

La pasión me ha calado hasta los huesos, pero si hay algo que me va a quedar debiendo la vida, es el amor que inventó para otros.

Pedro Lemebel.

[dykescully]

dykes for trans rights quilt - sarah-joy ford

[retrogeographie]

Fos-sur-mer.

[kiltrodecalle-blog1]

“Aquí en Chile la pobreza es gris, es opaca, es sucia, es hedionda. En las crónicas yo la pinto, le pego encajes, le pego lentejuelas, la hago brillar!” Pedro Lemebel amado ❤️

[kirablck]

“Además, ya he vivido tanto, han sido tan largos mis veinticinco años, que la muerte me cae y la recibo como vacaciones. Solamente quiero que me entierren vestida de mujer; con mi uniforme de trabajo, con los zuecos plateados y la peluca negra.”

Loco afán

Pedro Lemebel

[deathandmysticism]

Egyptian Court of Crystal Palace, London, Sydenham, 1911

[nobrashfestivity]

This particular palette depicts the goddess Hathor, who is represented in the form of a cow. Stars can be seen around her head of her, displaying her cosmological significance of her. There is a hole to hang the palette.

Photo credit© Sandro Vannini / Bridgeman Images

Predynastic Period Egyptian 

Egyptian Museum Cairo

[lilium--bosniacum]

children’s dreams / al-yarmouk, palestinian refugee camp in damascus, syria 

little palestine; diary of a siege (2021) dir. abdallah al khatib 

[lapsocaotico]

[titusandronicusonice]

Bertolt Brecht, "On the Suicide of the Refugee W.B."

[berkeleygirl3]

Tibetan dudes with ghetto blasters, drinking tea, Tibet 1987

[detournementsmineurs]

Milan apartment photographed by Anthony Cotsifas featured in the New York Times.

[rinconliterario]

"Yo, en cambio, tuve tan poco amor que me parece un joya delicada y tengo terror de perderla."

"Nuestra parte de noche" Mariana Enríquez, 2019

[larcarioca]

[heateron]

[nobrashfestivity]

Egon Schiele

“Standing Woman Covering Face with Both Hands” 1911

gouache, watercolor, and pencil on paper, 17.6 x 12.4 inches (photo courtesy Shepherd / W & K Galleries)