Aerith Gainsborough in FINAL FANTASY VII REBIRTH (2024) dev. Square Enix
TVSTRANGERTHINGS

Origami Around
Show & Tell

❣ Chile in a Photography ❣
"I'm Dorothy Gale from Kansas"
noise dept.
Misplaced Lens Cap

No title available

祝日 / Permanent Vacation
trying on a metaphor

oozey mess

#extradirty
Jules of Nature
occasionally subtle
wallacepolsom
Alisa U Zemlji Chuda
Cosmic Funnies
hello vonnie

pixel skylines

Kaledo Art
seen from South Africa

seen from United States

seen from United Kingdom

seen from India

seen from United Kingdom

seen from France

seen from Türkiye
seen from Italy
seen from United States
seen from India

seen from Malaysia

seen from United States
seen from France

seen from Canada
seen from United Kingdom
seen from United States
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seen from Singapore
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seen from Malaysia
@antimonic
Aerith Gainsborough in FINAL FANTASY VII REBIRTH (2024) dev. Square Enix
FINAL FANTASY VII EVER CRISIS: FINAL FANTASY VI CROSSOVER ↳ Aerith Gainsborough in Tina/Terra Branford Style
16 frame shooting star animation. January 2022-September 2024 Needlepoint
Frames from my shooting star gif. 16 frames total. Each frame is 8x6.5 inches on a 10” mesh. Designed and animated in photoshop and needlepointed by me. I started drafting this 1/14/22 and finished animating it 9/25/24. It took approximately two years and eight months to finish. This is one of the largest projects I’ve ever worked on and I’m very happy with how it turned out.
@trochaic-mutant-ninja-tetrameter
NEEDLEPOINTED ANIMATION
🎶Literally jaw dropped! Needle power!🎵
Harvesting time 🌾
Now this is some advanced art ☕
mamacat_official
GIB!
BABY DEMAND A SNACK!
Where’s the fucking post of the guy with the huge chain whipping the swat team
yea these exact fucking pictures
크악
Bottle of Bees
I just remembered that when I was like 6 I had a dream where I heard a very tiny “hello!” and I looked and it was this tiny white puffball and it looked like this
that was god
Look at this! Look at this fucking thing! This was done in 1986, and used absolutely no CGI whatsoever. It was ALL practical, and ALL done through puppetry. Look at the last gif. Over a dozen vines are moving at once along with its head, lips, and tongue! In interviews Rick Moranis has stated he often forgot he was working with a puppet, as opposed to a really ugly guy. Even today it looks so real. Audrey ii is nothing short of miraculous
IM SORRY WHAT
WHAT
It took over 60 puppeteers to operate Audrey II’s final form in the film. You can read more about the puppet’s creation and operation here.
The practical effects of Little Shop of Horrors was fucking astounding. It’s worth it to mention that, in the scenes where the plant is moving, the filming was slowed to 12 to 16 frames a second, so that the film could be sped up to give the Audrey II a more lifelike appearance. In such scenes where actors like Rick Moranis had to speak with the plant, he had to mouth his lines at a slower-than-normal speed while still looking convincing, only to have his voice added in post.
It’s also worth mentioning that a crew of 60+ puppeteers were needed to operate the plant, as the entire puppet weighed over a ton.
⭐️ Midoriya Izuku ⭐️
❝ Happy Birthday Su! ♥︎ @atsushisnakajima (07.29) ❞
Current fascination: Pieni Merenneito//Finnish National Ballet
Composed by Tuomas Kantelinen, Choreographed by Kenneth Greve