Aqua Utopia|海の底で記憶を紡ぐ
almost home

祝日 / Permanent Vacation
Show & Tell

#extradirty
Sade Olutola
occasionally subtle
todays bird

Janaina Medeiros

@theartofmadeline
dirt enthusiast
Stranger Things
Three Goblin Art
Claire Keane
Not today Justin
RMH
hello vonnie
let's talk about Bridgerton tea, my ask is open

titsay
Mike Driver
seen from United States

seen from Malaysia

seen from United States

seen from Türkiye
seen from Saudi Arabia

seen from Türkiye
seen from United States
seen from United States
seen from United States
seen from Spain

seen from United States

seen from Hungary

seen from Hong Kong SAR China

seen from Türkiye

seen from Singapore
seen from United States

seen from United States
seen from Singapore
seen from United States

seen from Türkiye
@aortistic
Kerry James Marshall, Could This Be Love?, 1992.
Ana Mendieta, Silueta Series, 1973-1978
Beauty Papers n° 1.
Tools of Beauty by Nacho Alegre.
Yayoi Kusama (Japanese, b. 1929), Infinity-nets (JAAAS), 2009. Acrylic on canvas, 100 x 100 cm.
via artsyloch
‘El Delfín’, row housing (highly refurbished nowadays) Blanes - Selva, Girona, Catalonia, Spain; 1960’s
Estudio BSSV - Miguel Batalla, José Maria Sen, Angel Serrano, Esteban Vicens
see map
via “Cuadernos de Arquitectura” 64 (1966)
Pablo Picasso (Spanish, 1889-1973), Instruments de musique sur une table, 1924. Oil on canvas, 162 x 204.5 cm.
via thatsbutterbaby
Ethel Spowers (Australian, 1890 - 1947): Still life (1929) (via Art Gallery of New South Wales)
Lorna Simpson, 9 Props, 1995.
The Smithsonian Museum of Natural History, Division of Birds
Pictured here the famous “Feather Lady”, Roxie Collie Laybourne, and staff
Yesterday was National Bird Day according to The Smithsonian’s twitter
caleb luke
Marcia Marcus (American , b. 1928), Renoir, 1968. Oil and silver leaf on canvas, 71 ¾ x 42 in.
Marie Laurencin, Chanson de Bilitis, 1904
“…both the painter Marie Laurencin (working in Paris in 1908) and the artist Jeanne Mammen (in Berlin in 1931) created illustrations for The Songs of Bilitis, a series of erotic poems attributed in the late nineteenth century to ‘Bilitis’, an ancient Greek philosopher, a lover of Sappho and, as was eventually revealed, an entirely fictive person. Nevertheless, when the first lesbian rights group in the United States was founded in 1955, it took the name Daughters of Bilitis both to honour the Sapphic past (in ancient Greece as well as nineteenth-century Paris) and to elude the stigma of modern words such as ‘homosexual’, ‘sex variant’ and 'lesbian’. Like 'friend of Dorothy’, 'Daughters of Bilitis’ (or DOB for short) was a term flexible enough to function as both sexual code and strategic closet. According to Del Martin and Phyllis Lyon, two of the founders of the Daughters of Bilitis, 'If anyone asked us, we could always say we belong to a poetry club.’”
Richard Meyer, “Inverted Histories: 1885-1979,” in Art and Queer Culture (New York: Phaidon Press, 2013), 17.
Red and Orange, 1955, Mark Rothko
Georg Fuchssteiner
Schwellenschwein, 2015
Graphite, watercolor, ink and collage on paper 35 × 27 cm
Giulio Turcato. Luminescenza olio su tela 50x60cm 1972
Wallace Polsom, Human Behaviour; or, Fool Me Once (2018), paper collage, 17.7 x 22.1 cm.