ten anime fonts by animeps
attack on titan / magi / death note / evangelion / kuroshitsuji / one piece / d.gray-man / fullmetal alchemist / naruto / bleach

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"I'm Dorothy Gale from Kansas"

#extradirty

❣ Chile in a Photography ❣
sheepfilms
NASA
we're not kids anymore.

ellievsbear
will byers stan first human second
almost home

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JBB: An Artblog!
RMH

@theartofmadeline
Misplaced Lens Cap
DEAR READER
Lint Roller? I Barely Know Her
2025 on Tumblr: Trends That Defined the Year

Love Begins
styofa doing anything
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@aotoriooc
ten anime fonts by animeps
attack on titan / magi / death note / evangelion / kuroshitsuji / one piece / d.gray-man / fullmetal alchemist / naruto / bleach
This past August 5th was the ONE-YEAR ANNIVERSARY of the creation of my smol northern daughter. ( So this is a bit belated, I know. ) I made this account last summer on a whim when I was rereading A Dance with Dragons. Frankly, I expected to write her for a month or two before I went back to work and became too busy for it, never IMAGINING that she would stick for so long. It’s all thanks to you guys and I really can’t thank you enough with words. I could try, but it would turn into a mess of a word vomit, so I’m going to spare myself the embarrassment and offer you a PRESENT instead. It’s my gift to ALL of roleplaying community, so you don’t have to be following me or anything. I hope you like this code and find it useful !!!
✧🌙 THEME BASE CODE.
I believe in giving credit where it’s due. Therefore, even though I mentioned them on my blog A BILLION times already, I would like to give a shout-out to @octomoosey. It is thanks to their tutorials that I learned how to code from scratch in the first place. Go check out her tutorials if you’re interested in learning HTML / CSS yourself. They’re amazing.
✧🌙 BASE CODE 02. ‘SHIELDMAIDEN’ STATIC PREVIEW | THE CODE.
Feel free to change it as much as you’d like. Make it unrecognisable, if you wish. All I ask is that you DON’T REMOVE OR EDIT MY CREDIT, since I worked really hard on it and went through dozens of tutorials to make it look the way it does. If you spot any glitches or problems, please let me know and I will gladly fix it to my best ability. I’m still pretty amateur with coding, so be nice.
Please LIKE OR REBLOG this post if you intend to use my base code. It’s not a requirement but a nice thing to do.
There is no number five.
Helpful links
Seven Hidden Patterns of Successful Storyboards
Perspective in Storytelling
Guide to Panel Variation
Comic Lettering
Wally Wood’s 22 Panel Tips
Camera Angels Tutorial
The most important tip I could ever give towards drawing/creating good comics is to read comics. Good, bad, mediocre, read them all and learn from them.
Webcomics I love :: Nimona | Monsieur Charlatan | Hemlock | Prague Race | Lost Nightmare
Socialism: You have 2 cows and you give one to your neighbor.
Communism: You have 2 cows; the Government takes both and gives you some milk.
Fascism: You have 2 cows; the Government takes both and sells you some milk.
Nazism: You have 2 cows; the Government takes both and shoots you.
Bureaucratism: You have 2 cows; the Government takes both, shoots one, milks the other and throws the milk away..
Traditional Capitalism: You have 2 cows. You sell one and buy a bull. You herd multiplies, and the economy grows. You sell them and retire on the income.
An American Corporation: You have 2 cows. You sell one, and force the other to produce the milk of four cows. Later, you hire a consultant to analyze why the cow dropped dead.
A French Corporation: You have 2 cows. You go on strike because you want three cows.
Japanese Corporation: You have 2 cows. You redesign them so they are one-tenth the size of an ordinary cow and produce twenty times the milk. You then create a clever cow cartoon image called Cowkimon and market them Worldwide.
An Italian Corporation: You have 2 cows, but you don't know where they are. You break for lunch.
A Swiss Corporation: You have 5000 cows. None of which belong to you. You charge others for storing them.
Chinese Corporation: You have 2 cows. You have 300 people milking them. You claim full employment, high bovine productivity, and arrest the newsman who reported the numbers.
An Iraqi Corporation: Everyone thinks you have lots of cows. You tell them that you have none. No one believes you and they bomb your arse. You still have no cows, but at least now you are part of a Democracy.......
Counter Culture: 'Wow, dig it, like there's these 2 cows, man, grazing in the hemp field. You gotta have some of this milk!'
Surrealism: You have two giraffes. The government requires you to take harmonica lessons.
Apathyologism: You have 2 cows. You do not care.
Fatalist: You have 2 doomed cows...
Atheism: You have 2 cows. There is no God.
A West-Country Corporation: You have 2 cows. That one on the left is kinda cute.
A Brazilian Corporation: You have 2 cows. You pay taxes for 6 cows. You have to sell one cow in order to pay the taxes. Your remaining cow gets sick and dies while waiting for availability in the public vet hospital.
Russia: You have two cows. Since they are both female, if you happen to keep them in the same stable you will pay a 5,000 rouble fine for homosexual propaganda.
PETA: You have two cows. You kill them both. You then use naked women to convince other people that killing cows is wrong.
Moffat: You have two cows. Both of them are your daughters time traveling from the past where they had a brief love affair with Da Vinci making you the rightful Queen of England. As you assume the throne, you throw them off a building.
Hussie: You have 2 cows. You ask for another one. Instead of getting just 1 cow, you get 2,485,506 cows.
Romney: You have 2 cows. You are not the president of the united states.
Once-ler: You have 1 cow. Everyone decides to make 5 different versions of that cow.
Old Spice: You have 2 cows. The cows are now diamonds. I'm on a horse.
An Irish Corporation: You have a million cows because they're everywhere
Tumblr: You have 2 cows. You ship them together and make GIF posts screaming about how much you love your cows, but they should stop existing because they are so perfect.
Also Tumblr: I give you a hamburger.
Night Vale: You do NOT have two cows. Cows do not exist. What's a cow? Show me a cow! That's not a cow! Who let you in here?
Tom Hiddleston: You have two cows. You are very sorry for them.
Thranduil: You do not have two cows, you have an elk. Riding on two cows is not majestic. Also the dwarves are on fire.
Dwarves: You had two cows but now they're on fire.
Bilbo Baggins: You did not invite those two cows for dinner.
Cows: The shit you go through.
This post: Started off as a post that explained different goverments but then everything changed when the fire nation attacked
Guide: Post-Apocalyptic Clichés to Avoid
Anonymous asked: Hiya! I’m currently planning a post-apocalyptic novel, and I was wondering what to avoid, cliches-wise? Thanks so much. :)
1. Scorched Earth Wasteland - nuclear war was a common fear during the Cold War, so “scorched earth” wastelands were common in post-apocalyptic novels. The trouble is, now you see them in novels where there has been war, but not nuclear war. Even if there were nuclear bombs, it wouldn’t level an entire country. Whatever the landscape in your story, just make sure it’s a sensible result to whatever led to your apocalypse. 2. Cozy Catastrophe - cozy catastrophes occur when your characters have not only survived the apocalypse, but are leading a comfortable existence without any of the hardship that would come along with the end of civilization as we know it. Day-to-day survival should be your characters’ main concern, and everything they do should contribute to their daily survival in some way. They shouldn’t be overly concerned about trivial things that have no meaning anymore. For example, looting a store is one thing, but your characters shouldn’t be trying on cute clothing or obsessed with finding a pair of their favorite shoes. There can be stolen moments of joy, but the group isn’t going to get-up one morning and go ice skating or throw a surprise birthday party for one of the group. 3. Lions, and Zombies, and Mutants, Oh My! - clearly the post-apocalyptic landscape won’t be filled solely with friendly people and adorable animals, but maybe avoid escaped zoo animals, packs of feral dogs, and people who’ve turned into either mutants or zombies unless you can put a really fresh spin on them. 4. The Great Valley - a lot of post-apocalyptic novels feature a fabled Eden of sorts, which is a pocket of paradise in an otherwise bleak landscape, and typically the characters are trying to get to it. 5. Anything in Mad Max - if you saw it in a Mad Max movie, just skip it. Leather, hobbled together weapons or vehicles, tribes of ungoverned children, war lords, lone hero, Thunderdome. 6. Ice Cream, Guns, and Supplies Outta Nowhere - this could be called Cozy Catastrophe, Part II. Try to avoid giving your characters access to things they wouldn’t have. Ice cream, for example, would be pretty difficult to make without milk, sugar, and electricity, or ice at the very least. Avoid making all your characters experts at using weapons unless they’ve had extensive training, and make sure all supplies are obtained from a reasonable source at a reasonable price. 7. Paramilitary, Militias, and Pointlessly Evil Bad Guy - these are pretty common in post-apocalyptic stories, so avoid them if you can. Especially the evil leader who is horrifically cruel to everyone for absolutely no reason. If you need to have this group (or that guy), at least make them believe they’re doing the right thing. 8. Shallow Romance - some people think romance doesn’t belong in post-apocalyptic stories, but I call shenanigans on that notion, because few things bond two people together like dire or challenging circumstances. Just make sure that your romance is believable and well developed if you include one. Really think hard about how a romantic relationship would be different in a post-apocalyptic setting. 9. The Search for Lost Loved Ones - this is a pretty common post-apocalyptic quest, and not an unbelievable one. Just an overdone one. If you absolutely have to do it, try to make sure you do something really different than what’s been done before. 10. Characters to Avoid - The Chosen One: the main character who is destined to save the world, The Unwilling Rebel Leader: the main character who inadvertently incites and then has to lead a rebellion against some oppressive force, The Convenient Survivalist - the uncle or family friend who just happens to be a prepper and has all the knowledge and supplies necessary to survive, and willingly offers them to your protagonist’s group, The Not-So-Good-Guy: the good guy who is cleverly hiding the fact that he’s a bad guy; Stock Characters: the smart guy/professor type, the jock, the nerd, the ditz, the old crone, the gentle giant, the sage old man, etc. Also, avoid emotionless, faceless, cardboard characters. Just because the world as they know it has ended doesn’t mean your characters shouldn’t be three-dimensional, well-rounded people. I hope thathelps
♪ ♕ ✏ ☆
♪ - How do you decide on your muse’s dialogue?
Hmm… normally I would try to think as my character in their shoes. You know, like ‘think like you are in a firefighter’s shoes’ kind of scenario, except to your own muse. Probably read the post and see what’s the closest Atoli would say in a form of a reply. I want my replies to be something Atoli would really say if she were a real person and I stick to it. She’s a pretty complex character, kooky and zany but pretty smart in some aspects, so I want her answers to be odd but actually deep and hides a tiny bit of wisdom or intellect on it. So, yeah, pretty much like that.
♕ - What are 5 writing tips you’d give to beginners?
Oh boy, writing tips? I’m… not really the best when it comes to that, even if I’ve been writing for as long as since a long time ago. But I suppose I could share you what I learn from most workshops I have been attending and writing stuff I’ve been reading. Well… this is my take, so feel free ask other writers out there for their own take and see what makes you the most comfortable:
- Write things that interests you. Tell me this; you would rather write something you like than what you don’t like, right? It motivates you, and when you’re motivated then you get to write a lot more than usual. So if you like anime, write about it! If you like roleplaying, write! Like recipes? Write! Like history and about the WWII? Friggin’ write it! Because the more you write what you like, the more you like what you write and it goes on and on!
- Read what you write. Doesn’t matter if it’s written few minutes ago or four years ago; read your work and if you want to edit them or revise them, do so!
- Use a word- any word- or a situation and write about it. Sometimes, if you find an interesting word on a dictionary, your brain sort off comes up with various things about it. Write it down. Works quite well when making fanfictions; don’t stop and keep going, get that momentum going! Or you can use an everyday situation and form it into a fanfiction, or a thread with a fellow roleplayer, if you want! Also, don’t just settle with one, you’re abruptly stopping your brain from working its magic and that would make you even harder to write stuff in the long run. Only stuff when your brain can’t think of anything anymore (as in you finally exhausted your ideas). Then take a rest so when you can think of something creative again to write, then do so!
- Be proud of what you have written. Okay, so here’s the scenario; You’re a roleplayer, you posted this cool-ass thread and you want people to interact you with it, but nobody pays any attention to it. So? Just keep on writing! Attentions from people liking your work is just an added bonus, don’t let that devour your will to write (because you’ll improve as you write more, so don’t sweat about it). Just keep on writing. Don’t worry, your time to shine will come, just not now. But, more importantly, just write what you want to write (with discretion, of course!). Criticism is good too, it’ll help you improve your writing, if there’s something that needs improving and whatnot. as for any haters you get from your writing/roleplay/fanfiction? Psh~ Don’t ignore them, but don’t patronize them either. Use that as a way to see if there’s something to improve and, at the same time, knowing that at least what you have written is effective at some point.
- Last, but certainly not the least; Just write. If it’s in your head and you want the idea to stay, then write it down. Believe it or not, this is how Atoli remembers things and it’s pretty darn effective. You might not use what you wrote down now, but it will come to you in the near future, so just write it down instead of sticking it on your brain because, really, brains can only hold so much memory. Trust me on this one, just write things down- anything!- and when you re-read it again in the future, then you’ll be thankful you did it. Doesn’t matter what or why, just write it down! Tip: Doesn’t have to be on a pen and paper (though writing it there is more effective than typing it, so I was told), could be on a computer, cellphone, tablet, the works!
Yeah, they can also work in essays, making a speech, roleplays or fanfiction-making or just writing in general, but this is just my take. Again, there are others who can give you their own take on writing for beginners, so go give them a good inquiry. =3
✏ - Why did you choose your muse?
Who, Atoli? Well, I may have answer this certain ask (on a different wording) in this post but I suppose you can say that I want to see this muse on a different setting other than in the Persona fandom. Probably test waters on how my knowledge with the new fandom (Mogeko) goes using an OC from a previous fandom she came from. It (sorta) work, suppose. Also, I think Atoli will ask a LOT of questions so I don’t see why not. *shrugs*
☆ - How did you go about getting a grip on your muse’s character?
Again, I will say that Atoli is a muse of mine from once upon a time. Say…. from 4-5 years ago? But, seriously, Atoli is, in a sense, like me that we both love books. I sorta work my character from that tiny similarity and turned her into a different being altogether. Honestly? It’s all thanks to thread interactions that I get used to forming Atoli to what she is today so I suppose it’s through interaction that I grasp my own character as roleplays (and maybe drabbles) go by. It’s sorta like a kid learning how to do things while growing up. Yeah…. *nods*
Something that’s never failed to creep me out as much as they fascinate me are unexplained disappearances. In a world so big, sometimes people can slip through the cracks, but what if the circumstances are just plain weird, or multiple people vanish at once, or entire villages disappear? Sometimes not knowing anything is just as bad as knowing all the terrifying details, and here are a few of my favourites that prove that.
The Mary Celeste, said to be cursed long before she was found adrift without her crew but with all of their belongings.
The Flannan Isles mystery, where several lighthouse keepers abandoned their post on a remote island and were never heard from again.
The Springfield Three, a unexplained case involving the abrupt disappearance of three women who arrived at their intended destination and then were never heard from again.
Martha Wright, a woman who vanished from a moving vehicle and was never located.
Louis Le Prince, a man who disappeared from a moving train as fellow passengers heard and saw nothing.
The MV Joyita, a ships whose crew vanished and left behind a whole load of questions, especially in regards to the strange way the ship was left.
Illustrated Book of Japanese Monsters by Gojin Ishihara
Kappa (river imp)
Jorōgumo (lit. “whore spider”)
Kubire-oni (strangler demon)
Rokurokubi (long-necked woman)
Onmoraki (bird demon)
Nekomata (cat monster)
Tengu (bird-like demon)
Tenjō-sagari (ceiling dweller)
Enma Dai-Ō (King of Hell)
Kyūbi no kitsune (nine-tailed fox)
Baku (dream-eating chimera)
Yūrei (ghost)
Yamasei (mountain sprite)
Rashōmon no oni (ogre of Rashōmon Gate)
Waira (mountain-dwelling chimera)
Nure-onna (snake woman)
a w e s o m e
Y’all little writers go on and have fun now
cool
MULTI-PAGE [03] KINGPIN by YUKOKI
✄ PREVIEW | VIEW CODE ✄
This Multi-Page comes with a default biography, and you can further excess a navigate page, a family/otp/character page, as well as a tags page.
Left icon gif & family member icons credits go to to yosukesheadphones. Biography image is official art. I used linearicons.
Please like/reblog if you’re using the page!
Disney Presents Mid-Life
I really enjoyed this entire comic.
that was way more real than i expected it to be, wow
That was a hell of a ride.
amandaonwriting:
Cheat Sheets for Writing Body Language
We are always told to use body language in our writing. Sometimes, it’s easier said than written. I decided to create these cheat sheets to help you show a character’s state of mind. Obviously, a character may exhibit a number of these behaviours. For example, he may be shocked and angry, or shocked and happy. Use these combinations as needed.
by Amanda Patterson
How to write a kiss
Rebloggable version, as requested by davrosbro. :)
Oooh! Yes! I love kisses. Kisses are where it all starts ;).
Okay, first, remember that a kiss is much, much more than just lips. It is lips, but also tongues, teeth, eyes, faces, hands, noses, bodies, heartbeats, breath, voice- and most importantly, a kiss is emotions. A kiss without emotion is just wet mushy lips stuck together. Ew. Gross. The most important part of a kiss isn’t the how, but the who- because of the emotions between the two people.
Okay so:
lips- Lips can slide, glide over each other smoothly, or they can be chapped and rough and dry and get stuck on each other. They can match, top-to-top and bottom-to-bottom, or they can overlap, with one person’s top or bottom lip captured between the other person’s lips (yummy). If there is lipstick or chapstick there is lipstick or chapstick flavor, otherwise, lips don’t have a taste (can you taste yours?). Lips also can smack- the sound of two of them coming together or pulling apart, because they’re wet and warm and soft.
tongue- Tongues are always wet, and always warm. They’re very versatile. They can trace over lips, teeth, or another tongue. They can be smooth and graceful or teasing and flicking. When tongues are involved, there is drool. It’s only sexy when you like the person you’re kissing, or else it’s kinda gross. :P
teeth- teeth can clack together awkwardly, or teeth can bite down sensually. A person biting their own lip is cute, a person biting another’s lips is sexy. A person biting gently is sensual, a person biting roughly is sexual.
eyes- Eyes can be wide open with surprise, half-lidded with desire, fully closed with pleasure. Eyes can gaze lovingly, lustfully, wistfully, hungrily, seductively- it all depends upon the emotions of your characters. Have them do whatever you like, but don’t leave them out- give them at least a mention!
faces- Faces are what the lips are attached to. Noses bump, cheeks flush, ears turn red, foreheads either wrinkle or relax. Kisses can leave lips, quite easily, and become kisses on chins, cheeks, noses, foreheads, ears, necks, throats. Kisses on noses or foreheads are cute and adorable, kisses on cheeks are sweet, kisses on chins, ears, and throats are very sexual. And a kiss on the lips can be all of those! <3
hands- Hands are super-important. In order to describe a kiss, usually you want to also describe the hands. Where are they? Does one character have their hand behind the other’s head or back, holding them close? Are they on someone’s shoulders pulling them near, or pushing them away? Fingers brushing someone’s cheek or palms grabbing someone’s ass convey two very different kinds of situations, even if the kiss itself is exactly the same.
noses- Noses are annoying. They easily get in the way, especially for first kisses! People have to tilt their head to one side or the other, and if they don’t, noses bump. I’d only mention noses if a kiss is supposed to be awkward or uncertain or nervous.
bodies- bodies are either close together, or far away. Someone can be surrounded comfortingly by someone’s arms, or terrifyingly trapped by them. Bodies are warm or hot, they are calm or nervous, relaxed or tense. Body language says a lot. Is your character pulling away, or moving closer?
heartbeat- Hearts can beat fast or slow, and that’s about all they can do- but there are lots of reasons why they do! A heart can beat fast with fear or excitement or nervousness; a heart can pound with lust or race with terror or sing with joy. Hearts can glow, cower, or shatter. When you really want to drive the emotions of a character home, mention the heart.
breath- To me, the most consuming part of a kiss is the breath. The air that someone else has just breathed going deep into your lungs is very intimate. Lips and tongues don’t have a taste, but breath does. Each person’s breath tastes different, smells different, and surrounds a person differently than anyone else’s breath. Breath can be warm and sweet, breath can be hot and sexy, breath can be hot and frightening. It is something that is very present and should not be left out. A lot of writers leave breath out. And it’s so important; it’s the most intimate part of a kiss. Someone else is breathing into your lungs, and it’s either heaven or it’s hell.
voice- Voice conveys much, even without words. A voice can groan, whimper, gasp, moan, catch, whine, scream, sigh. Voice can convey emotion powerfully, and while some kisses are silent, usually they’re not.
emotion- Emotion is the most important- and the thing you try not to say. You want to describe it, through all of the things above, so that it’s perfectly clear what your characters are feeling, without you ever using the “feelings words”. If they’re in love, their bodies will lean close, their eyes will smile, their voices will giggle softly. If they’re nervous, their palms will sweat, their noses will bump, their voices will shudder. If they’re afraid, their muscles will be tense, their faces will grimace, their lips will not open. Emotion is the color that you keep inside your mind as you write; it’s the base line that drives the description behind everything else you say.
Wow, that was a lot! Gosh I hope it wasn’t too much! Keep in mind not every kiss has all these things- this is just a list of things to consider when writing a kiss, and based on how long of a kiss you want to make. Keep in mind that typing “they kissed for a long time”…that’s six words, it takes half a second to read, so that’s a short kiss! If you want a long kiss, you need long sentences that make the reader linger.
So maybe to start off, pick three things on the list to describe in your first kiss. Don’t try to do it all- that would be too much for even the most epic kiss. Just pick what’s most important to this particular scene, to these particular characters, and describe those parts along with the lips, and you’ve got yourself an awesome, emotional kiss. <3
Your Character’s Personality
Personality is the most important thing about your character.
So, whenever I see character sheets, most people just put a little paragraph for that section. If you’re struggling and don’t know what your character should say or do, what decisions they should make, I guarantee you that this is the problem.
You know your character’s name, age, race, sexuality, height, weight, eye color, hair color, their parents’ and siblings’ names. But these are not the things that truly matter about them.
Traits:
pick traits that don’t necessarily go together. For example, someone who is controlling, aggressive and vain can also be generous, sensitive and soft-spoken. Characters need to have at least one flaw that really impacts how they interact with others. Positive traits can work as flaws, too. It is advised that you pick at least ten traits
people are complex, full of contradictions, and please forgive me if this makes anyone uncomfortable, but even bullies can be “nice” people. Anyone can be a “bad” person, even someone who is polite, kind, helpful or timid can also be narcissistic, annoying, inconsiderate and a liar. People are not just “evil” or “good”
Beliefs:
ideas or thoughts that your character has or thinks about the world, society, others or themselves, even without proof or evidence, or which may or may not be true. Beliefs can contradict their values, motives, self-image, etc. For example, the belief that they are an awesome and responsible person when their traits are lazy, irresponsible and shallow. Their self-image and any beliefs they have about themselves may or may not be similar/the same. They might have a poor self-image, but still believe they’re better than everybody else
Values:
what your character thinks is important. Usually influenced by beliefs, their self-image, their history, etc. Some values may contradict their beliefs, wants, traits, or even other values. For example, your character may value being respect, but one of their traits is disrespectful. It is advised you list at least two values, and know which one they value more. For example, your character values justice and family. Their sister tells them she just stole $200 from her teacher’s wallet. Do they tell on her, or do they let her keep the money: justice, or family? Either way, your character probably has some negative feelings, guilt, anger, etc., over betraying their other value
Motives:
what your character wants. It can be abstract or something tangible. For example, wanting to be adored or wanting that job to pay for their father’s medication. Motives can contradict their beliefs, traits, values, behavior, or even other motives. For example, your character may want to be a good person, but their traits are selfish, manipulative, and narcissistic. Motives can be long term or short term. Everyone has wants, whether they realize it or not. You can write “they don’t know what they want,” but you should know. It is advised that you list at least one abstract want
Recurring Feelings:
feelings that they have throughout most of their life. If you put them down as a trait, it is likely they are also recurring feelings. For example, depressed, lonely, happy, etc.
Self Image:
what the character thinks of themselves: their self-esteem. Some character are proud of themselves, others are ashamed of themselves, etc. They may think they are not good enough, or think they are the smartest person in the world. Their self-image can contradict their beliefs, traits, values, behavior, motives, etc. For example, if their self-image is poor, they can still be a cheerful or optimistic person. If they have a positive self-image, they can still be a depressed or negative person. How they picture themselves may or may not be true: maybe they think they’re a horrible person, when they are, in fact, very considerate, helpful, kind, generous, patient, etc. They still have flaws, but flaws don’t necessarily make you a terrible person
Behavior:
how the character’s traits, values, beliefs, self-image, etc., are outwardly displayed: how they act. For example, two characters may have the trait “angry” but they all probably express it differently. One character may be quiet and want to be left alone when they are angry, the other could become verbally aggressive. If your character is a liar, do they pause before lying, or do they suddenly speak very carefully when they normally don’t? Someone who is inconsiderate may have issues with boundaries or eat the last piece of pizza in the fridge when they knew it wasn’t theirs. Behavior is extremely important and it is advised you think long and hard about your character’s actions and what exactly it shows about them
Demeanor:
their general mood and disposition. Maybe they’re usually quiet, cheerful, moody, or irritable, etc.
Posture:
a secondary part of your character’s personality: not as important as everything else. It is advised you fill this out after. Posture is how the character carries themselves. For example, perhaps they swing their arms and keep their shoulders back while they walk, which seems to be the posture of a confident person, so when they sit, their legs are probably open. Another character may slump and have their arms folded when they’re sitting, and when they’re walking, perhaps they drag their feet and look at the ground
Speech Pattern:
a secondary part of your character’s personality: not as important as everything else. It is advised you fill this out after. Speech patterns can be words that your character uses frequently, if they speak clearly, what sort of grammar they use, if they have a wide vocabulary, a small vocabulary, if it’s sophisticated, crude, stammering, repeating themselves, etc. I personally don’t have a very wide vocabulary, if you could tell
Hobbies:
a secondary part of your character’s personality: not as important as everything else. It is advised you fill this out after. Hobbies can include things like drawing, writing, playing an instrument, collecting rocks, collecting tea cups, etc.
Quirks:
a secondary part of your character’s personality, not as important as everything else. It is advised you fill this out after. Quirks are behaviors that are unique to your character. For example, I personally always put my socks on inside out and check the ceiling for spiders a few times a day
Likes:
a secondary part of your character’s personality, not as important as everything else. It is advised you fill this out after. Likes and dislikes are usually connected to the rest of their personality, but not necessarily. For example, if your character likes to do other people’s homework, maybe it’s because they want to be appreciated
Dislikes:
a secondary part of your character’s personality, not as important as everything else. It is advised you fill this out after. Likes and dislikes can also contradict the rest of their personality. For example, maybe one of your character’s traits is dishonest, but they dislike liars
History:
your character’s past that has key events that influence and shape their beliefs, values, behavior, wants, self-image, etc. Events written down should imply or explain why they are the way they are. For example, if your character is distrustful, maybe they were lied to a lot by their parents when they were a child. Maybe they were in a relationship for twenty years and found out their partner was cheating on them the whole time. If their motive/want is to have positive attention, maybe their parents just didn’t praise them enough and focused too much on the negative
On Mental and Physical Disabilities or Illnesses
if your character experienced a trauma, it needs to have an affect on your character. Maybe they became more angry or impatient or critical of others. Maybe their beliefs on people changed to become “even bullies can be ‘nice’ people: anyone can be a ‘bad’ person”
people are not their illness or disability: it should not be their defining trait. I have health anxiety, but I’m still idealistic, lazy, considerate, impatient and occasionally spiteful; I still want to become an author; I still believe that people are generally good; I still value doing what make me feel comfortable; I still have a positive self-image; I’m still a person. You should fill out your character’s personality at least half-way before you even touch on the possibility of your character having a disability or illness
Generally everything about your character should connect, but hey, even twins that grew up in the same exact household have different personalities; they value different things, have different beliefs. Maybe one of them watched a movie that had a huge impact on them.
Not everything needs to be explained. Someone can be picky or fussy ever since they were little for no reason at all. Someone can be a negative person even if they grew up in a happy home.
I believe this is a thought out layout for making well-rounded OCs, antagonists and protagonists, whether they’re being created for a roleplay or for a book. This layout is also helpful for studying Canon Characters if you’re looking to accurately roleplay as them or write them in fanfiction or whatever.
I’m really excited to post this, so hopefully I didn’t miss anything important…
If you have any questions, feel free to send a message.
- Chick
Japanese Emoticon Masterpost
Angry: (*≧m≦*) (,,#゚Д゚) ヽ(o`皿′o)ノ ヽ(≧Д≦)ノ (>д<) (;≧皿≦) [○・`Д´・○] ヽ(#`Д´)ノ Σ(-`Д´-ノ;)ノ (/゚Д゚)/ (¬д¬。) ヽ(#`Д´)ノ (¬、¬) (;¬_¬) (;¬_¬) (;¬д¬) (≧σ≦) o(-`д´- 。) ヽ(●-`Д´-)ノ (* ̄m ̄) (´Д`) (; ̄Д ̄) (¬_¬)ノ (#`д´)ノ (」゜ロ゜)」 Σ(▼□▼メ) (━┳━ _ ━┳━) (┳◇┳) {{|└(>o< )┘|}} \(@O@)/ (≧▼≦;) \(〇O〇)/ s(・`ヘ´・;)ゞ (▼へ▼メ) \(`O´θ/ θ\(;¬_¬) ヽ(`⌒´メ)ノ 凸(-0-メ) 凸(`△´+) 凸(`0´)凸 凸(`⌒´メ)凸 \(`0´)/ -`д´- (>人
Apologizing: m(_ _)m m(._.)m m(._.)m (ノ´д`) (シ_ _)シ o;(_ _)o; <(。_。)> m(_ _;;m m(¬0¬)m
Bear: ( ̄(エ) ̄) (。・ω・。) (●`・(エ)・´●) (*ノ・ω・) 川´・ω・`川 ( (ミ´ω`ミ)) ヾ(T(エ)Tヽ) \(・`(ェ)・)/ ⊂(ο・㉨・ο)⊃ (^(エ)^) (^(I)^) ( ̄(エ) ̄)ノ ⊂( ̄(工) ̄)⊃ ⊂(^(工)^)⊃ ⊂(・(ェ)・)⊃ (* ̄(エ) ̄*) ヾ(´(エ)`ノ゙ (/(エ)\) ⊂( ̄(エ) ̄)⊃ “(`(エ)´)ノ (`(エ)´)ノ (ó㉨ò) (♥ó㉨ò)ノ♡ (/-(エ)-\) (´(エ)`) ヽ( ̄(エ) ̄)ノ (/ ̄(エ) ̄)/ ⊂(◎(工)◎)⊃ (● ̄(エ) ̄●) 《/( ̄(エ) ̄)ゞ》 (✪㉨✪) Ψ( ̄(エ) ̄)Ψ ┏((= ̄(エ) ̄=))┛ ・㉨・
Cat: (=^・ェ・^=) (=^‥^=) (=^・^=) V(=^・ω・^=)v (=`ω´=) o(^・x・^)o \(=^‥^)/’` ( =①ω①=) d(=^・ω・^=)b (=TェT=) (=;ェ;=) ヽ(=^・ω・^=)丿 (=^・ω・^)y= (^-人-^) ヽ(^‥^=ゞ) (^・ω・^ ) (=^-ω-^=) b(=^‥^=)o (.=^・ェ・^=) (=´∇`=) ヾ(=゚・゚=)ノ ~(=^‥^)ノ ~(=^‥^)/ (=xェx=) (=;ェ;=) (=`ェ´=) (^・o・^)ノ” (^._.^)ノ └(=^‥^=)┐ =’①。①’= o;(*ΦωΦ*)>
Confused: ´・_・`) (◎_◎;) (`_´)ゞ (◎-◎;) (・_・ヾ ( ̄(エ) ̄)ゞ (-_-)ゞ゛ (‘◇’)? ヽ(゜Q。)ノ? (´`;) ? 【・ヘ・?】 【・_・?】 ( ・◇・) (゜-゜) ( ?´_ゝ`) o(´^`)o (´−`) ンー (•ิ_•ิ)? 「(°ヘ°) (。ヘ°) ヽ(゜Q。)ノ? (´`;) ? 〈(゜。゜) (゜。゜) く(^_・)ゝ (^~^;)ゞ ٩(๏̯͡๏)۶ ٩(̾●̮̮̃̾•̃̾)۶ (⊙_◎) ಠ_ರೃ
Dancing: ヘ(^_^ヘ) (ノ^_^)ノ o(^^o) (o^^)o (ノ´_ゝ`)ノ ヾ(^ ^ゞ (ノ‥)ノ ( ノ^ω^)ノ゚ ヾ(*´∇`)ノ ヾ(・ω・*)ノ (*ノ´□`)ノ 。(⌒∇⌒。) (。⌒∇⌒)。 〜( ̄▽ ̄〜) (〜 ̄▽ ̄)〜 〜(^∇^〜) (〜^∇^)〜 〜( ̄△ ̄〜) (〜 ̄△ ̄)〜 ┗(`ー´)┓ ┏(`ー´)┛ ┗(^0^)┓ ┏(^0^)┛ (ノ ̄ー ̄)ノ ヘ( ̄ー ̄ヘ) ヘ( ̄ω ̄ヘ) (ノ ̄ω ̄)ノ ヘ(^o^ヘ) (ノ^o^)ノ ヾ(-_- )ゞ ヾ(@^∇^@)ノ (ノ≧∀≦)ノ \(^ω^\) (ノ゚▽゚)ノ ヽ(゚ー゚*ヽ) ヽ(*゚ー゚*)ノ (ノ*゚ー゚)ノ ヽ(*´Д`*)ノ (o´・_・)っ ヾ(*д*)ノ゛ ヽ(°◇° )ノ ヽ( °◇°)ノ (ノ°ο°)ノ (ノ・o・)ノ ヾ(^^ゞ) ヾ(゚∀゚ゞ) ヽ(´ー`)ノ ヾ(*⌒ヮ⌒*)ゞ 〈( ^.^)ノ ┌(★o☆)┘ └(★o★)┐ ♪(┌・。・)┌
Dead: (x_x;) (*_*) (×_×;) (×_×# (#+_+) (+_+) ヾ(×× ) ツ (Ω_Ω) へ(>_
Surrender: \(--)/ \(-___________-;)/ /(;-_-) ~(o;_o;。)\ ((-_-)) (ー△ー;) (◎ー◎;) (/ _ ; ) (o_ _)o ヘ( ̄  ̄;ヘ) (;*´Д`)ノ (ノ_ _)ノ ヘ(_ _ヘ) (ノ ̄д ̄)ノ (;-_-)ノ o(-_-;*) ヘ(;´Д`ヘ) (;-_-)/ (oT-T)尸 ヘ(´o`)ヘ (一。一;;) (ノ#-_-)ノ (~~~) y-(~。~;) ( -。-)
Dog: o・ェ・oU ∪・ω・∪ U。・ェ・。U ▽・ω・▽ ▽・w・▽ U^皿^U v・。・V UTェTU (^・(I)・^) U・♀・U o(U・ω・)⊃ (^・x・^) (U・x・U) ▼o・ェ・o▼ U^ェ^U U ̄ー ̄U ┌U・ェ・U┘ └@(・ェ・)@┐ ヾ(●ω●)ノ (〓 ̄(∵エ∵) ̄〓)
Drinking: o口(・∀・ ) (。・・)_且 且_(゚◇゚;)ノ゙ ~旦_(^O^ ) ( ゜Д゜)⊃旦 ( ´・ω・`)_且~ ( ^-^)_旦”" (*^◇^)_旦 (*`▽´)_旦~~ ~(=^‥^)_旦~ (^-^)_日 ~~旦_(・o・;) ( -_-)旦~ (#´ー´)旦 且_(・_・ )
Evil: (・`ω´・) ψ(`∇´)ψ (`ー´) (。・`ω´・。) o(`ω´*)o | `Д´| (`ε´) (σ-`д・´) (`Д´*) (=`〜´=) (メ`ロ´)/ Ψ(`▽´)Ψ ^(#`∀´)_Ψ (*-`ω´- )人 (ц`ω´ц*) (`∀´)Ψ ψ(*`ー´)ψ Ψ(`◇´)Ψ “ψ(`∇´)ψ
Friends: ヽ(∀゜ )人( ゜∀)ノ (*・∀・)/\(・∀・*) \(^∀^)メ(^∀^)ノ \(★´−`)人(´▽`★)/ ( ^^)人(^^ ) (〃⌒▽⌒)八(〃⌒▽⌒〃)八(⌒▽⌒〃) ☆-(ノ゚Д゚)八(゚Д゚ )ノ ( 。・_・。)人(。・_・。 ) ヽ(*^ー^)人(^ー^*)ノ ━(○´エ`)(´エ`●)━ (◎`・ω・´)人(´・ω・`*) 。*:★(´・ω・人・ω・`)。:゜★。 (*´∀`*人*´∀`*) (^▽^)/\(^▽^) (*^ω^)人(^ω^*) ヽ(○´∀)乂(*´∀`*)乂(∀`●) \(^∀^)メ(^∀^)ノ ヽ(´Д`)人(´Д`)人(´Д`)ノ〜♪ (((*°▽°*)八(*°▽°*)))♪ ♡(*´∀`*)人(*´∀`*)♡ (〃 ̄д ̄)八(  ̄д ̄ )八( ̄д ̄〃) ヽ(^▽^)人(^▽^)人(^▽^)ノ (((@°▽°@)八(@°▽°@))) (・_・”)/\(・_・”) (○`ε´○)/\(○`ε´○) ヘ( ^o^)ノ\(^_^ ) (/^-^(^ ^*)/ ( 。・_・。)人(。・_・。 ) (・_・)〆\(T_T) (^^)-(^^)-(^^)-(^^)-(^^) ヽ(´Д`)人(´Д`)人(´Д`)ノ ヾ( ̄ー ̄)X(^∇^)ゞ ♪ヽ( ⌒o⌒)人(⌒-⌒ )v ♪ (*^o^)人(^o^*) \( ^o)( ^ 0 ^ )(o^ )/ ヽ( ^^)人(^^ )ノ (・_・”)/\(・_・”) └(^o^ )X( ^o^)┘ (^○^)オ(^▽^)ハ(^0^)ツ~ ( ⌒o⌒)人(⌒-⌒ )v (°◇°人°◇°)
Greetings/Goodbyes: ヾ(^∇^) (^-^*)/ ( ゚▽゚)/ ( ^_^)/ (^o^)/ (^ _ ^)/ ( ´ ▽ ` )ノ (ノ´∀`*)ノ ヾ(´・ω・`) ☆ミ(o*・ω・)ノ \(^▽^*) (*^▽^)/ ( ̄▽ ̄)ノ ヾ(-_-;) ヾ( ‘ – ‘*) ヾ(@⌒ー⌒@)ノ ~ヾ ^∇^ ~ヾ(^∇^) \( ̄O ̄) (。・ω・)ノ゙ (*^・ェ・)ノ ( ̄∠  ̄ )ノ (* ̄O ̄)ノ ヾ(。´・_●・`。)☆ (/・0・) (ノ^∇^) (,, ・∀・)ノ゛ (。・д・)ノ゙ \(°o°;) (。´∀`)ノ (o´ω`o)ノ ( ・ω・)ノ (。^_・)ノ ( ・_・)ノ \(-o- ) (。-ω-)ノ \(-_- ) \( ・_・) ヾ(´¬`)ノ ヾ(☆▽☆) (^ Q ^)/゛ ~(^◇^)/ ヘ(‘◇’、)/ ヘ(°◇、°)ノ ヘ(°¬°)ノ ヘ(゜Д、゜)ノ ( ゜ρ゜)ノ ー( ´ ▽ ` )ノ ヽ(๏∀๏ )ノ
Happy: (●´∀`●) (`・ω・´)” ヽ(;▽;)ノ ヽ(;▽;)ノ (*´・v・) (((o(*゚▽゚*)o))) ☆*:.。. o(≧▽≦)o .。.:*☆ (⌒▽⌒)☆ ⊂((・▽・))⊃ (≧∇≦)/ (´∇ノ`*)ノ (・◇・) ( ´ ▽ ` )ノ (^_^) ( ̄ー ̄) (*^▽^*) (^▽^) (’-’*) ∩( ・ω・)∩ (*≧▽≦) \(^ ^)/ O(≧∇≦)O ( ´∀`) (^~^) \(@ ̄∇ ̄@)/ (☆^O^☆) (★^O^★) (☆^ー^☆) (´ω`★) \(T∇T)/ ヽ(*≧ω≦)ノ *(*´∀`*)☆ O(≧▽≦)O ヽ(*⌒∇⌒*)ノ d=(´▽`)=b \(*T▽T*)/ ヽ(‘ ∇‘ )ノ (*^ワ^*) ヽ(^Д^)ノ (´∀`) (°◇°;) (゜▽゜;) (/^▽^)/ (ノ´ー`)ノ ヽ(´ー`)ノ ( ^∇^) \( `.∀´)/ (●⌒∇⌒●) o(≧∇≦o) ヽ(`◇´)/ ヽ(*・ω・)ノ (^ω^) 。◕‿◕。 ⊙ω⊙ ⊙△⊙ ⊙▽⊙ o (◡‿◡✿) (◕‿◕✿) (∩_∩) 。◕‿◕。 (•ิ_•ิ) (/•ิ_•ิ)/ (ΦωΦ) (*^^*) (-^〇^-) (ノ*゜▽゜*) ヾ(´▽`;)ゝ (゜▼゜*) ( ̄个 ̄) \(^▽^@)ノ (“⌒∇⌒”) へ(゜∇、°)へ (-^〇^-) (>y<) ヽ(^。^)丿 (ヘ。ヘ) (^v^) ヾ(@^▽^@)ノ ヾ(@°▽°@)ノ ヾ(@^▽^@)ノ ヾ(@^∇^@)ノ o((*^▽^*))o ヾ(@゜∇゜@)ノ ヾ(@゜▽゜@)ノ (@´_`@) ヾ(@† ▽ †@)ノ (ノ>▽<。)ノ \(@;◇;@)/ \(☆o◎)/ (((\(@v@)/))) (°◇°;) (゜▽゜;) (o;TωT)o ヽ(;^o^ヽ) (⌒▽⌒ゞ “ヽ(´▽`)ノ” (((o(*゚▽゚*)o))) ヾ(@⌒ー⌒@)ノ Ψ(´▽`)Ψ (v^_^)v (ી(΄◞ิ౪◟ิ‵))♥ (ღ˘⌣˘ღ) ლ(╹◡╹ლ) (◑‿◐) ლ(́◉◞౪◟◉‵ლ) (*~▽~) (∩▂∩) (¬‿¬) (n˘v˘•)¬
Hiding: |・ω・`) ヘ(・_| |−・;) |ω・) |_・)
In Love: (´∀`)♥ (‘∀’●)♥ (*´▽`*♥ (*°∀°)=3 (´ω`♥%♥ ヽ(愛´∀`愛)ノ ♡ (●´∀`)ノ♡ ♡^▽^♡ (。-_-。 )人( 。-_-。) (●♡∀♡) (_´ω`) (´ ▽`).。o♡ (o⌒.⌒o) (人´∀`*) (〃・・〃) ♥(ノ´∀`) (ღ˘⌣˘ღ) (。’▽’。)♡ (●´□`)♡ (。♥‿♥。) (✿ ♥‿♥) ♥╣[-_-]╠♥
Kissing: (´ε` )♡ ~(^з^)-☆ |°з°| (_ε_) (‘ε’) |( ̄3 ̄)| ( ̄ε ̄@) (*^3^) (´ε`*) (○´3`)ノ (☆´3`) (* ̄з ̄) (づ ̄ ³ ̄)づ (○゜ε^○) (TεT) (-ε- ) (@ーεー@) (*^3^)/~☆ ლ(|||⌒εー|||)ლ (╯3╰) (ΘεΘ;)
Laughing: (・∀・) ( ´∀`) (⌒▽⌒) (^v^) (*≧▽≦)ノシ)) (●´艸`) (*´艸`*) (。 >艸
Whatever: ヽ(´ー`)┌ ┗┐ヽ(′Д、`*)ノ┌┛ ヽ( ´¬`)ノ ┗┃・ ■ ・┃┛ ヾ(´A`)ノ゚ ヽ(・_・;)ノ ヽ(  ̄д ̄;)ノ \(〇_o)/ ヽ(。_°)ノ \(;´□`)/ ヾ(*´ー`)ノ ヽ(‘ー`)ノ ヽ(ー_ー )ノ ヽ(´~`;) ┐(‘~`;)┌ ヽ(*ω。)ノ (;´・`)> (^~^) ╮(─▽─)╭ ¯\_(ツ)_/¯ ٩(-̮̮̃-̃)۶ ٩(-̮̮̃•̃)۶
Monkey: @(o・ェ・)@ └@(・ェ・)@┐ @(。・o・)@ @(o・ェ・o)@ @(/o・ェ・o)@/ @(*^ェ^)@
Mustache: (´┏o┓`) ミ(´┏ω┓`)/ (´┏・┓`) ( ̄┏Д┓ ̄°*) ( ̄┏Д┓ ̄ ) (  ̄┏_┓ ̄) (ノ≧┏Д┓≦)ノ ( ̄┏∞┓ ̄)
Pain: ☆⌒(>。≪) ☆ ̄(>。☆) ~(>__ノ) /(x~x)\ ◎☆(♯××)┘ ヘ(。□°)ヘ
Pig: ( ´(00)`) ヾ(;゚(OO)゚)ノ ヽ(*’(OO)’)ノ ( ̄(oo) ̄)ノ (○`(●●)´○)ノ (*’(OO)’*) ( ´(00)`) (;゚(OO)゚) (*´(00)`)’ ヽ(*’(OO)’)ノ゚ q( ̄(oo) ̄)p 。゚(゚´(00)`゚)゚。 ( ̄(∞) ̄) ( ̄(▽▽) ̄) (=`(∞)´=)
Sad/Crying: ( ; ; ) (T_T) ( TДT) (ToT) (T▽T) (‘A`) (;_・)(T_T) ((T.T; ) (; T.T)) (;へ:) (ノД`)・゜・。 ・(/Д`)・ (´_`。) (´Д`。) (´A`。) (´∩`。) 。:゚(。ノω\。)゚・。 (┳Д┳) (´;д;`) (*´;ェ;`*) 。・゚゚・(>д
Scared: (ノдヽ) ヽ(゚Д゚)ノ (/。\) (/_\) (/.\)
Surprised: ( ꒪Д꒪)ノ (((( ;°Д°)))) ((((;゜Д゜))) (゜◇゜) ( ̄□ ̄;) ∑(O_O;) \(>o
Embarrassed: (^_^;) (^^ゞ (^^;) (#^.^#) (‘-’*) (*^^*) (@´_`@) (⌒_⌒;) (#`ε´#ゞ (*/∇\*) (〃 ̄ω ̄〃ゞ (*´ェ`*) (*´∀`*) (*´_ゝ`) (*´∀`*) (/ω\) (*ノ▽ノ) (*ノωノ) (/。\) (。-_-。) (#/。\#) (╯_╰) (╯ಊ╰)
Singing: ヾ(´□`* )ノ (^O^☆♪ \(^o^)/ (´▽`)ノ♪ “ヽ(´▽`)ノ” ヽ(´▽`;)/♪ ヽ(´・`)ノ ヽ(○´∀`)ノ♪ ヾ(´ρ`)〃 ヾ(´〇`)ノ (´△`)♪ (ノ´▽`)ノ♪
Sleeping: Σ( ̄。 ̄ノ)ノ (-ェ-)。o (;´ρ`) (*´ο`*) ε-(´・`) \(o ̄∇ ̄o)/ \(´O`)/ [(--)]zzz (´~`) ヾ(。 ̄□ ̄)ツ ヾ( ̄0 ̄; )ノ ヾ(。 ̄□ ̄)ツ ヾ( ̄□ ̄;)ノ (。-ω-)zzz (-_-) zzz (∪。∪)。。。zzz (´〜`*) zzz ∑( ̄□ ̄) (o´Д`) ()´д`() (;≧皿≦) (´□`川) (⇀‸↼‶)ᕗ (ι´Д`)ノ (ᴗ˳ᴗ) _ノ乙(、ン、)_
Smug: ー( ̄~ ̄)ξ ((( ̄へ ̄井) (`へ´*)ノ ( ̄^ ̄) ( ̄へ ̄) ( ̄~ ̄;) ( ̄ェ ̄;) (-、-) ( ;`ヘ´) o(´^`)o ( ̄ω ̄;) (`^´)ノ
Winking: (^_-) (-o⌒) (^_−) (^_-) (^_−)o(^_-) (^_・) ๏[-ิ_•ิ]๏ (○゜ε^○) (^_-)≡★ ☆~(ゝ。∂) \(^0^)/ (・ェ-)
Worried: (ーー;) ( ;´Д`) (; ̄ェ ̄) ヽ( ̄д ̄;)ノ ( ̄◇ ̄;) ヽ( ̄д ̄;)ノ (−_−;) (~_~;) ((*゜Д゜)ゞ” (・_-。 ) ⊙﹏⊙ ミ●ミ (-’๏_๏’-) (⊙…⊙ ) ( ´△`) (;° ロ°) ヽ(゜ロ゜;)ノ (°o°* +;(●´・д・`●);+
Etc: ☆彡 ★彡 ☆彡 ★彡 ☆.。.:*・°☆.。.:*・°☆.。.:*・°☆.。.:*・°☆ `*:;,.★ ~☆・:.,;*
Forever Alone: 、ヽ`ヽ`、ヽ``、ヽ`、ヽ`ヽ`、、ヽ`ヽ`、ヽ``、ヽ`、ヽ`ヽ`、、ヽ`ヽ`、ヽ``、ヽ`、ヽ`ヽ`、、ヽ`ヽ`、ヽマッテェ(ノ;Д;)ノ `、、ヽ`☂ヽ`、ヽ``、ヽ`、ヽ`ヽ`、、ヽ`ヽ`、ヽ``、ヽ`、ヽ`ヽ`、、ヽ`ヽ`、ヽ``、ヽ`、ヽ`ヽ`、、ヽ、ヽ`ヽ`、ヽ``
IM TOUCHING UR BUTT: ლ(́◉◞౪◟◉‵ლ) ( ͡° ͜ʖ ͡°)
kosuzu a qt
@shit-the-touhous-said