A BIT OF MADNESS IS KEY TO GIVE US NEW COLOURS TO SEE.
noise dept.
"I'm Dorothy Gale from Kansas"

❣ Chile in a Photography ❣
The Stonewall Inn
sheepfilms
todays bird
PUT YOUR BEARD IN MY MOUTH
he wasn't even looking at me and he found me
Keni

shark vs the universe
Cosmic Funnies

if i look back, i am lost
Lint Roller? I Barely Know Her
RMH
Mike Driver

bliss lane

Game Changer & Make Some Noise
Sweet Seals For You, Always

roma★

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@aphelier
A BIT OF MADNESS IS KEY TO GIVE US NEW COLOURS TO SEE.
HOMESICKBLUES ▸ cameron goodkin.
❛ you want to do what? ❜
he’s not sure if kirsten has any idea of how INTIMIDATING his boss is - oddly enough, he knows everything about maggie baptiste, and yet nothing at all at the same time. the things he knows about her are far more in depth and nit-picky than what he knows about his current girlfriend, nina. still - the amount of time he puts into his job, into ensuring everything is done to maggie’s standards and demands ( work related, or otherwise ) with the amount of appreciation given – maybe kirsten does have a point.
❛ you do know maggie is ex-CIA, right? she could very well make the two of us disappear. ❜
‘ i want to set them up. what about that sentence was so difficult to understand? ’ she tilts her head slightly to the side, brow raised before dismissing the question with a curt wave of her hand. it’s not important. this, however, is very important. setting up quincy fisher and maggie baptiste is essential to kirsten having a somewhat active social life outside of work.
‘ hm. i didn’t. well, i wouldn’t worry about that anyway. we’re doing her a favour. ’
we’re not exactly joiners but we’ll be good friends to you!
Zoey Deutch in the July 2017 issue of InStyle Magazine
cady heron tag drop.
* PRETTYVISIONS.
HEAD TURNS SLOW, brows knit in an expression that can only be described as the lovechild between fear and ‘ ready to fight. ’ marcos is doing one of those i - have - to - see - what - it - is - i - should - maybe - be - running - from - before - i - actually - run things. dios mío. HE KNOWS THAT FACE. quake, in the flesh. his mouth hangs open a little, half from panting and half from disbelief.
❝ ————— ❞ speak, you idiot. ❝ — i don’t want any trouble. with you. it’s a little late for not being in trouble with them. ❞ he jerks his thumb back towards the direction he knows the police cars are narrowing in, the sentinels on their heels to detain him when they find him. dark eyes regard the surrender in her gesture, and boy, does he hope she’s not here to take him somewhere against his will … marcos would rather not face up against her right now. or ever. HE’S WARY. ❝ i’m finding it a little hard to talk myself into thinking that you being here at the exact same time as me is just coincidence. ❞
THE LOOK OF DISBELIEF ON HIS FACE SHOULD MAKE HER FEEL PROUD, but it doesn’t. daisy doesn’t like being feared, especially not by people like him ; people like her. being feared by hydra agents is a different thing then it’s an advantage. here, not so much. ❛ you’re right. it’s not a coincidence. you just looked like you needed some help, so, here i am. ❜ she keeps her hands in the air, making sure he understands she’s not on the offensive.
❛ you want a way out ? i’ve got one, and it doesn’t end with you in handcuffs. ❜
these pics give off the strongest zoe murphy vibes … thank u laura for this content ,..
* PRETTYVISIONS.
BLUE AND RED lights up the block, police and sentinel vehicle circle and searching with the headlights of their cars and the flashlights they shine out the windows ( not allowing him to use the cover of night to escape ). they’re narrowing in on him, and there’s only so far he can get on foot —
back presses into brick, chest heaving from panting. marcos dares enough to peek his head around the corner,only to see more police at the end of the street — and decides TRAVELING FURTHER into the alley would be his best shot … so he does, hoping it’ll lead to a way out.
EVADING POLICE OFFICERS IS AN OLD TALENT OF HERS, and as such, she’d snuck into the alley at the first sight of them, her dark uniform allowing her to easily fade into the shadows. Daisy waits then, pushed up against the alleyway walls, until a figure appears at the other end. She’s got a visitor, it seems, and she’s not entirely opposed to it, if he is who she thinks. And with S.H.I.E.L.D. silently hovering above in the cloaked quinjet, Daisy prays he won’t turn on his heel and sprint off at the sight of her. ( Not everyone’s a fan of the public face of the Inhuman race. )
Daisy pushes herself out from the wall, and raises her hands in an attempt to make herself appear less dangerous. ❛ They after you too ? ❜ She asks, nodding her head in the direction of the flashing red and blue lights.
Daisy Johnson in Agents of SHIELD: ‘The End’
i laughed today. / for a second i was unhaunted. i was the sun, not light / from some dead star.
Danez Smith, from “it began right here,” Don’t Call Us Dead (via bettinarps)
endless list of favorite things: [3/?] favorite relationships
Daisy Johnson & Lincoln Campbell, Agents of SHIELD (2013—?)
make me choose ▷ elektranatchyos & henricavill asked: steve harrington or jonathan byers “I may be a pretty shitty boyfriend, but turns out I’m actually a pretty damn good babysitter.”
when you’re in the mood to plot and write with new people but you can’t form anything other than “we should plot yes this is good”
So you went out with someone named Dirk?
like for a starter! please leave which muse you’d prefer in the replies.