“You seem a formidable woman, ma’am.”

Janaina Medeiros
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@apirate-once
“You seem a formidable woman, ma’am.”
“She’s as wise as her father; she’s as strong as her mother.”
“Flint would have fought to the death before allowing it!”
“If no one remembers a time before there was an [empire], then no one can imagine a time after it. Empire survives in part because we believe its survival to be inevitable. But it isn’t.”
“What is the best thing to do with a mad person? Write him out of your novel…But Sokrates’ approach is radical. He does not deny that love [eros] is a takeover, a form of mania, but he vindicates it.” - Anne Carson, Eros the Bittersweet
no offense but the resilience and bravery it takes for flint to continue to believe in the possibility of a better world to come beyond that ‘dark moment of hopelessness’ once empire is removed–even when he cannot guarantee what it is, only that the injustice of the current world is nonnegotiably unacceptable–are unparalleled, and anyone who diminishes them as delusion and self-importance fails to grasp that empire is a violent prison and condemns in their failure worlds of people to said violence, as well as purposefully misunderstands flint.
to accept the world as it is once he had come to see it as it is was unimaginable to flint, perceived not only as acceptance of it, but at some point, as compliance and complicity–“a good man has to fight it”–and to continue to partake in it was not an option for him.
he’d sooner burn than fall back in line with it again. hell, he does burn to make it fall. not as a martyr or a hero, but just another person whose seen where empire’s been and sees where it’s going and stands on the road in between, as long and wide and punishing as it is, and just wants to stop it.
“Thomas Hamilton fought to introduce the pardons to make a point. To seek to change England.”
i’m ready to burst into flames for you
“his feelings for adam were an oil spill; he’d let them overflow and now there wasn’t a damn place in the ocean that wouldn’t catch fire if he dropped a match…he released his hand. the ocean burned.“
Cocktail (2012)
“I need you. I have thousands of hang-ups, but with you...You’re good for me. You’ve made that apartment a home. For the first time, I understand how it feels to be home. You’re important to me."
anyway if i once more have to read that one of black sails’ main themes is “how much are you willing to lose to fight empire?” i’ll throw hands because none, n o n e, of our dispossessed heroes (hell, even our side characters) had to start fighting civilization to lose things, to be abused themselves. they just did and were.
civilization will slowly take their lives (anne and jack), take their loves (james), take their potential (eleanor), take their peace (max), take their security (julius). even madi, whose father ensured she lived out her life far away from empire’s impositions, lost him to it. and gradually, most everything else after that, because that distance was carefully maintained by her father, and he died for doing even that. because to empire, her life, her love, her potential, her peace, her security–everyone’s–belongs to it.
to ask “how much are you willing to lose for this?” is so profoundly unfair to all that loss. it is to make the same accusation (and i say this word cause it is one) silver made, to blame the dispossessed for their suffering under empire. to basically say if they were better subjects of self-erasure, of subjugation, they would not have lost so much. if they were quieter (eleanor), had less opinions (thomas), less life to live (miranda), love to give (james), morals to stand by (madi), wants to strive for (max), mistakes to make and amend for all, they would have been fine. if they weren’t so damn LOUD, they might not have lost everything. if they kept quiet and infiltrated from within, they might have gotten somewhere. and if they got nowhere, at least they wouldn’t have lost everything. a cycle of stunted silence. but mr scott was a slave till death (lost a life with his family for it). julius knew his freedom existed in minutes (forced to leave many like him behind for it). max resigned to the shadows (subject to guthrie whims and sexist, racist law for it). these are all characters that to some extent resolved themselves to existing according to empire’s apparatus and lost REGARDLESS of their non-desire to fight. empire’s foremost enemy is the people’s prosperous liberty, for by its very nature, it ‘steals’ from empire–because empire is the thieving of lives for the gathering of power and profit.
it isn’t that fighting back makes this war a nightmare, as silver says. it is that fighting back confronts the dispossessed with their collective suffering. and it is a choice of whether one is willing to share in the collective pain and fight for all, self included, or decide they know how to bear their own suffering alone and others’ is their issue. (and not all oppression is the same. not all endurance is, either.)
the nightmare is not the cost of the revolution. it is the cost of the very existence of empire. to place blame elsewhere is chosen blindness to continuing pains because it’s easier than seeing them.
“The measure of a man is in the moment when he is confronted by himself. By opposing voices in his head, both arguing that they are right, but one has to be wrong…To know the difference in that moment is what makes a man. Well, I see the difference here…I know it.”
Hobbes Lied: The James Mcgraw Flint Story
“Set us both free.”
Silver absolving himself of his own past and dismissing its relevance to his present actions vs. Silver blaming James for his past and victimizing himself for the present result of it.
“Lord Hamilton isn’t someone we should be wary of; he is exactly the kind of man we should be listening to.”
“I found his argument persuasive. I find his intent to be good and true.”
“for pleasure is an affection of the soul, and each man takes pleasure in that which he is said to love” - aristotle, the nicomachean ethics, book ii.
absolutely inspired by this gem by @ceraunos