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tannertan36
Fai_Ryy

Andulka

oozey mess

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Not today Justin
occasionally subtle
tumblr dot com
ojovivo

ellievsbear
$LAYYYTER
Cosmic Funnies
Claire Keane

❣ Chile in a Photography ❣

Origami Around
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Cosimo Galluzzi
★
Aqua Utopia|海の底で記憶を紡ぐ

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@aqueerfishtheyis
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It's canon that Aang is bad with computers and Katara knows it, but she loves his flaws too 😂
Of all the things that would trip Aang up, it just had to be computers.
Original work by immachhoa
IG - immachhoa
Hey. You should tell your friends when they do a good job at something. You should hype them up and celebrate their little accomplishments, especially if you know it was something they struggle with. It makes life a little more bearable when someone sees that you’re trying and appreciates your efforts! Tell your friends you’re proud of them!!
Reminder to self: A file folder of outlines and character notes and half-written scenes is the equivalent of an artist’s sketchbook and holds just as much value to the creative process.
If a framed canvas isn’t the only worthwhile expression of visual art, then a fully edited and polished piece of significant length is not the only worthwhile expression of writing.
Your dialogue is stiff because everyone is being too honest
Great dialogue can come from radical emotional honesty. But in most real conversations, people
dodge questions
answer indirectly
lie (badly)
change the subject
crack jokes to avoid serious answers
lie (convincingly)
say half of what they mean
tell the truth but get so anxious/angry/defensive others now think they're lying
If your dialogue feels unnatural, it might be because everyone is saying exactly what they think, or articulating their thoughts too well. Try letting characters hide things instead.
Subtext is where tension lives.
more so,
people don’t always speak in full sentences,
slang can change depending on age range, demographic, etc. &
don’t be scared of vocal pauses (uhm, uh, err)
i think people really under sell the physical side effects of mental health disorders sometimes. like sure the depression and anxiety may be 'just in your head' but when what's in your head happens to disrupts your sleep schedule and prevent you from going outside regularly and eating consistent meals and exercising and generally taking care of your body. well it sure takes its toll huh.
OP: Veteran actors are truly on another level.(Behind-the-scenes footage from the mid-1990s adaptation of Outlaws of the Marsh)
On Discomfort and Morality
My father finds gay men uncomfortable.
He's told me before that it's like a knee-jerk for him. Something he doesn't consciously control. He sees two men behaving romantically, and his body reacts with mild discomfort.
In the 1960s, when he was in high school, most of the boys in his form thought he was gay on the simple fact that he wasn't homophobic. He wouldn't participate in insulting queer people, he didn't care if someone was gay, he wouldn't have a problem hanging out with gay people. So people thought he was gay. That's how prevalent homophobia was in his formative years.
When I was 10, my dad told me very seriously that Holmes and Watson were gay. That it was obvious from the literature and the time period that they were meant to be a gay couple. When I was 14 and I came out to my parents as bi, when my mum was upset my dad ripped into her for it. Told her that she was being stupid, that it was my life to live how I wanted to and that she needed to get over herself.
My dad formed my views on censorship: that being that it was completely ridiculous and thoroughly evil. He didn't believe in censorship of any kind. If I asked him a question about sex, he answered it honestly. When I was 12 and I asked him about homosexuality, still young and uncertain, he told me that there was nothing wrong with it. That it was just how some people were. That there was likely an evolutionary reason for it. And that for some people it was uncomfortable on an instinctual level.
He taught me that just because you're uncomfortable with something, doesn't make it wrong. He also taught me that most people don't understand this.
I see a lot of this on the internet as of the last few years. The anti shipping movement, the terf movement, the anti ace movement. It all stems from discomfort that people have crossed wires into believing means wrong. Really every -ism and -phobia out there stems from this same fundamental aspect of humanity.
The next time you see something and you automatically think it's disgusting, or wrong, or immoral, I invite you to ask yourself: is this actually wrong or does this just make me uncomfortable?
Wave in Backlight - Peter Witt
German , b. 1966 -
Oil on canvas, 80 x 80 cm.
Shooting through some axes like that guy in that film.
(Yes I know this isn’t how it should look, but today I’m here to talk about the version a lot of people have just watched)
Because the alternative is that I try to get my thoughts out and end up with a 38 minute YouTube breakdown of all the things I liked and disliked about the archery in the film
i’m so upset
I just realized that the reason ghosts say Boo! is because it’s a latin verb
they’re literally saying ‘I alarm/I am alarming/I do alarm!!
I can’t
present active boō, present infinitive boāre, perfect active boāvī, supine boātum
Recte!
if it comes from the latin word, they’re actually saying “I’M YELLING!” which is even cuter
do they speak latin because it’s a dead language
get out
This is exactly the kind of content I come here for like I want to print this out, frame it and put it on my wall.
Iris van Herpen - Sonic Starquakes collection
The Fractal Universe look was charged inside a particle accelerator and cryogenically preserved days before the show. This transformed the dress into a metastable reservoir of energy, containing billions of trapped electrons that generate an intense electric field held within its structure. In the nights leading up to the show, the dress began to decharge, branching flashes of lightning spreaded across its surface as the lightning etched microscopic hollow channels through its three-dimensional structure. The fine detailing belonged not to the hand of the maker, but to lightning, exploring the thresholds between body, matter and energy. The lightning that autonomously finished the dress are temporary columns of plasma - the same state of matter found in lightning, stars, nebulae, the solar wind, and much of the visible universe. ‘Around us, and within us, vast dimensions of reality remain undiscovered. From lightning to the charged environments of particle accelerators, this collection gives form to forces that rarely reveal themselves. I do not seek to explain them; instead, they heighten our awareness of the unknown, reminding us of the mysteries that lie within this multiverse.’
Is it..
July
August
"what makes you fulfilled at work" uhhhh a living wage and a 20-hrs-is-full-time work week
then the show ended there and NOTHING ELSE happened
only 5 seconds
i wasn't ready for that..lol
Immediately recognized that look
There’s a certain folkloric idea that if you die at sea, your soul is sort of. Inextricably stuck in the sea. Because your body is irretrievable, your soul is also irretrievable, down out of the reach of the gods who look at the surface of the world. In Norse mythology, they said that the souls of sailors who died at sea are caught in the sea-goddess Rán’s net and dragged into her domain, a distinct and separate afterlife alongside Hel and Valhalla. Davy Jones Locker. The funayūrei. A lot of cultures agree that once sea has a hold on you, even when your body has rotted and dwindled and been made food for crabs, it still won’t let you go.
Do you think we’re going to wind up saying the same thing about astronauts.
Oh yes. I did a post a while back about gothic horror in space, in science fiction, and my mind was definitely circling these sorts of thoughts:
“When you die in space, out among the black, how do you make sure you’re not lost? Physically, yes, can the body be retrieved, cared for, but also spiritually. How do you make sure your soul, or similar concept, isn’t lost. In all that blackness, how can you make sure your soul will be found, or find its own way. What rituals would we build, some practical, some less so?”
“Is space full of ghosts, lost and wandering souls, made monstrous by incomprehensible loneliness and desperation? There are more dead than living, but how many would have to die to fill that void? Far too many. No. It’ll be smaller than that. A terror in itself. The ghosts are few and far between, because the void is just that big. But there are ghosts.”
“Beacons. Spacers carry beacons. Low range, low power, to last as long as possible. So that if a ship comes close enough, they’ll pick up the signal, and find your body. And it’s the responsibility of ships to find and retrieve bodies if they receive signals. There has to be a hope, however unlikely, that someday you would be found. Someday you’d get to come home.
And … spiritual beacons. So that whatever beings you believe in can find your soul. Tattoos. Amulets. Marks and engravings on your suit, on your uniform. Marks, so that your soul won’t be lost. So that those who look after souls can find yours.
But what else might those spiritual beacons draw in? Space is a hungry maw. Are there things out there to eat even ghosts? Things in the darkness. Eaters of souls. Can we ward against those?”
“Let’s give spacers tattoos so that angels can find their souls, and beacons so ships can find their bodies. Lets give ships duties, responsibilities, towards the lost and abandoned dead. Let’s create superstition, and ritual, and terror. Are all the frozen bodies brought back aboard uninhabited? In the back of a spacer’s mind, does every space walk run the risk of attracting the attention of a ghost in the darkness, desperate to touch some spark of life? What if it’s something worse than ghosts?”
“When you die out in the black, what do you become? When you vanish into the maw, what comes back? What sins are brought aboard in the form of bodies left frozen in the void? What crimes come back to remember themselves unto the living?”
Because I love nautical horror, and nautical folklore, and space horror/folklore has so many of the same vibes. I love it.