Women have a great day <3 men beg for forgiveness
Aqua Utopia|海の底で記憶を紡ぐ
taylor price
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🪼
noise dept.
I'd rather be in outer space 🛸
d e v o n
Show & Tell
trying on a metaphor
Cosimo Galluzzi
hello vonnie

★

⁂
cherry valley forever

blake kathryn
let's talk about Bridgerton tea, my ask is open
wallacepolsom
almost home
will byers stan first human second

shark vs the universe

seen from Indonesia

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seen from T1

seen from Germany
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@aquitaineseleanor
Women have a great day <3 men beg for forgiveness
I am floored I am flabbergasted I cannot believe it
In the game, Bill and Frank were almost nothing. Bill was a joke character, he shows up, he’s a doomsday prepper, he helps you fight zombies, gives you a truck battery, and you leave. Ellie steals some comics and a gay porno magazine from him, and he’s never seen again.
Frank WAS nothing. You never see him. You find his BODY, he got bit and hung himself, and he got bit trying to escape Bill because he hated him so much and the note says he’s happier dead than living another day with Bill
And then the show. The show took that shallow, mean storyline, and made it beautiful.
Now Bill and Frank are real characters. We know them. Really KNOW them. And they don’t hate each other. In fact they’re in love. They’re really IN LOVE. And yes they argue and disagree sometimes but they’re a real couple who really love each other while still being two people so sometimes they fight. That doesn’t change that they’re in love
And they GET TO BE IN LOVE, the whole time, they’re doing things for each other. They’re living in their little gated paradise and it’s beautiful. They make it pretty. They grow food. They’re eating gourmet meals. They’re not just surviving. They’re thriving. They’re living
They took that mean spirited game story, and they made it the point, the heart, the example of what people are still fighting for. The proof that yes, even in the middle of the apocalypse, you can still live a good life. Not an easy life, you will still have bad days, you’ll have bad days with the ones you love, but you will still love them, and they will still love you. And then, with all these grizzly, horrific deaths we see two deaths that are peaceful. Painless. Two men who die old, satisfied, and in the arms of their purpose.
Don’t you see? It’s about hope
Bill and Frank are hope
the change from tess being killed by soldiers in the game to the mob of infected coming to the capitol building and her blowing the place up while simultaneously sacrificing herself… like yes she sacrificed herself in the game but her sacrifice in the show just seems so much more meaningful now. it may just be the second episode but the show has yet again proven just how much care and heart has been put into this series. this really is a love letter to the ones who played the game and have connected with the story for all these years like myself. i’m so in love and am just so in awe of this show, it’s like i’m playing the game again for the very first time.
My Grandma sent a photo of herself to my Grandpa during the Korean War. He sent this photo back to her. Circa 1950. (x)
I’m in love with this
I made a baby blanket for a pregnant woman at work and I went back and forth about it like “is this weird? To like hand make something for someone when we’re like friendly acquaintances not like bffs. God why are you so fucking awkward.” Anyway I gave it to her and she said she loved it and in the back of my head I’m like yea she’s nice and probably just humoring the weirdo. Well she texted me a picture this weekend of a scrunchy faced newborn at the hospital wrapped in the blanket I made her. And I’m like. Wow. She loved it so much she took it with her! To the hospital! To give birth! She wrapped her newborn it! I am just so filled with love and joy right now.
People will love the things you make them. Because you thought of them and you cared.
fifa: football unites the world
literally everybody during the world cup:
WHEN SHALL WE THREE MEET AGAIN? IN THUNDER, LIGHTNING OR IN RAIN?
Macbeth (1948) dir. Orson Welles The Witches of Eastwick (1987) dir. George Miller Stardust (2007) dir. Matthew Vaughn The Chilling Adventures of Sabrina (2018 - 2020) The Pale Horse (2020) dir. Leonora Lonsdale Hercules (1997) dir. John Musker, Ron Clements Sleeping Beauty (1959) dir. Clyde Geronimi The Black Cauldron (1985) dir. Richard Rich, Ted Berman Sabrina the Teenage Witch (1996 - 2003) Scooby-Doo! and the Witch’s Ghost (1999) dir. Jim Stenstrum A Wrinkle in Time (2018) dir. Ava DuVernay The Craft (1996) dir. Andrew Fleming Charmed (1998 - 2006) Hocus Pocus (1993) dir. Kenny Ortega
every eldest daughter deserves to be evil
honestly this should be the most popular post on tumblr but younger siblings won't reblog this
pssssst scotland if you’re reading this, just do it now just go for it, we’ll cover you they’re not gonna notice i promise, it'll be so hilarious bro
i dont know exactly how to articulate this in a way other people havent but everything is too fast now. 24/7 news cycle, online focuses that last for hours instead of months or years, songs written just so ten seconds can go viral. movies and books churned out to meet some nebulous income quota. idk. im motion sick
the thing that makes hotd so fun is that there’s no jon snow types to bring the mood down with their fucking morals or whatever. it’s just all crazy bitches all the time.
chris pine trying to disassociate himself out of existence during the don't worry darling press conference in venice vs kirsten dunst trying to kill lars von trier with her brain waves after he uttered the words I understand hitler at the melancholia press conference in cannes fight to the death for the most moment in film festival history
Amazed at the narratives coming out of the dont worry darlings shitstorm. Either Olivia Wilde is a cougar/predator who completely destroyed her marriage and preyed on poor, innocent Harry Styles; or Olivia Wilde is only getting beaten on because misogyny, because she dared to do what men do all the time. Florence Pugh is devil incarnate for not being professional and doing the press tour. Olivia Wilde is somehow a feminist who is now seeing her downfall.
Consider: Harry and Olivia are both adults with presumable intact cognitive functions, have been in the industry long enough to be fully aware of how decent professionals behave, and yet chose to initiate and continue a sexual relationship on set that made their co-stars uncomfortable. Both of them are equally culpable for creating this environment; at all times, both of them could have stopped to think about what they were doing. Harry Styles is not an innocent victim; nor is Olivia Wilde a predator.
Consider: Men having the licence to do dodgy for ages isn’t the argument that you think it is. Some things are dodgy irrespective of who does them. Olivia Wilde isn’t a feminist just because she did what men do. In a professional work environment, any two people being involved in a romantic/sexual relationship does not exist in a vacuum, it is situated in a larger context where unimaginable amounts of money, time and effort are going into creating a product with only a 50% chance to succeed. Instead of engaging in whataboutism, perhaps the conversation needs to be on what acceptable standards of behaviour on a set actually are. How much can you put on “creative synergy” and “creative licence” and get away with? Where should one draw the line?
Consider: Professional behaviour should never violate someone’s boundaries. The derogatory way in which Ms. Wilde spoke about Florence Pugh in that infamous video was extremely unkind and unprofessional. Florence is right to draw her boundaries and go about her business politely. Drawing boundaries isn’t “unprofessional” or “rude”. She’s not obligated to be nice to someone who was rude about them.
Consider: a woman making films isn’t inherently a feminist act. Olivia Wilde isn’t a feminist by the virtue of being a woman in the workplace. We need to ask ourselves tough questions; feminism isn’t a flag you wave around. It is movement, it is a war, it is fighting in a war that won’t end in your lifetime. Instead of sucking Olivia Wilde’s toes; ask yourselves tough questions. How many women did she hire as crew on her set? Did she give equal pay to these women? How much did Harry Styles make compared to Florence Pugh? (Reportedly, Pugh made less than Styles despite being lead, but i can’t find verified sources for this) What about on-set energy? Did she foster an environment that wasn’t only professional but also kind, and gave women the space to express discomfort? Of the women she hired in her film, how many were POC? How many were neurodivergent? What kind of men did she work with during the making of this film?
Glass ceilings don’t get shattered because one white woman who is conventionally beautiful was able to make films. Glass ceilings get shattered when women uplift women, at the cost of labels like “feminist bitch” and “biased” and “d*ke” - when women sacrifice the social capital they would get from men by turning their back on women, and choosing women at each turn (like men have chosen men but that is neither here nor there); by being aggressively, militantly pro women, pro LGBT as well as anti class, anti caste, anti racism etc.
* trans women are women
the way I recognized Jed after ONE FRAME like hello dude good to see you reign supreme over Tolkiendom
Scotland should declare independence real quick, while they’re not looking
DO HIM NEXT
Like to charge, reblog to cast.
Viserys: I shall win the war for you
Daemon: *flinging himself headfirst into a suicide mission* the fuck you will